Question 1: What comes after the overture, and what comes after it? After the overture of an opera or dance drama is the prologue. Many operas and dance dramas go directly to the first act without a prologue. Behind the prologue is Act 1, and behind Act 1 is Act 2. The overture of some orchestral works adapted from operas and dances (such as the Red Detachment of Women Suite) is not necessarily played first, and may be followed by excerpts from the original play. For example, in the Red Detachment of Women Suite, the overture is followed by a military training dance, and then it ends. There are also opera and dance drama overtures that are rarely performed in their entirety and concert overtures created individually, such as "William Tell", "Egmont", "1812" and other concert overtures. They are followed by other programs, and then there are other programs.

Question 2: What is the overture? 1. Overture refers to a short piece played before the opening of an opera, dance drama, etc., also known as "opening music", and is performed by the orchestra. Its mission is to comprehensively describe the important key scenes in the development of the whole play and play the melody of the representative protagonist in the play. , it seems to be the epitome of the plot.

2. There are two main types of early overtures, that is, the overtures in the late seventeenth century and the first half of the eighteenth century: one is the French overture created by the French composer Lully, which consists of Adagio- It consists of three paragraphs, Allegro - Adagio; the other is the Italian overture established by Scarlatti, a representative of the Neapolitan opera school in Italy. It consists of three paragraphs, Allegro - Adagio - Allegro. Its sequence of speed and slowness is exactly the same as that of the French overture. on the contrary.

3. After the early nineteenth century, a new type of overture appeared. It was neither the opening music of an opera nor the beginning of an instrumental piece. It is an independent orchestral work specially composed for concert performance, so this kind of work is called "concert overture". Some of them are title music, that is, instrumental music that uses words or titles to clarify the ideological content of the work; some are commemorative music, such as Brahms's "Academy Festival Overture", which was written by the author to thank the University of Breslau for awarding him Honorary Doctorate of Philosophy. Formally, these overtures are single-movement works, mostly written in sonata form.

Question 3: Are the intro and overture the same? In addition to the intro (or overture?), ***, and ending, a complete piece of music should have what else? The prelude should be equal to the overture, but *** there should be another part in front, I can't remember what it is called at once, and there can be a chorus after it

Question 4: What is an overture to an opera? What are the types of overtures? What is its significance in opera and what role does it play? Urgent request!!!!!!!!!!!!!!! This is available on the encyclopedia and wiki, I have integrated it for you:

What is an overture?

Overture is derived from the French overture, which refers to the short piece played before the opening of operas, dance dramas, etc., also known as opening music, and is played by the orchestra.

At first, it was just a short musical passage played to wait for the audience to enter.

What is the meaning and role in opera?

The mission of the overture is to comprehensively narrate the important key scenes in the development of the whole play, play the melody of the representative protagonist in the play, and the musical content predicts the storyline of the drama work. Starting from the opera reform of German musician Gluck in the mid-to-late 18th century, plot elements were introduced into the overture, gradually integrating it with the drama of the opera, thus more effectively guiding the audience into the development process of the opera.

Type of overture?

The overture to an opera in the early 17th century was a short opening piece of music with no fixed form.

Later early overtures (in the late 17th century and the first half of the 18th century) were divided into two main types:

French-style overtures originated by the French composer Lully, polyphony The music style consists of three sections: Adagio, Allegro, and Adagio. The middle section is in fugue form and the last section is shorter.

The Italian overture established by Scarlatti, a representative of the Neapolitan opera school in Italy, has a main theme style and consists of three sections: Allegro, Adagio, and Allegro. Later symphonies evolved from this. Its sequence of speed and slowness is exactly the opposite of the French overture.

For classical overtures after the second half of the 18th century, composers often used this genre to write independent instrumental music. Most of the structures were in sonata form and had titles. An opera overture must play the role of hinting at the plot and guiding the audience into the drama.

On the contrary, the overtures of French grand operas in the 19th century were often just ensembles that strung together the tunes in the opera.

Hope this helps.

Question 5: The simplified notation of the Spring Festival Overture is transposed 1 = d (what does the first 7 = the last 3 mean)? The previous one is in the key of G, and the 7 in this key is equal to the 3 after the transposition

Question 6: What is a symphonic overture? Answer: The opening song of operas, oratorios, dance dramas, other dramatic works and vocal and instrumental suites. The overture to an opera in the early 17th century was a short opening piece of music with no fixed form. A. Scarlatti's overture is composed of three sections: "Allegro - Adagio - Allegro". Except for the beginning Allegro, which often imitates polyphony, the remaining two sections use the main key system.

This form of overture is historically known as Italian overture, also known as symphony, such as the overture to "Madame Maid" by G.B. Pergolesi and the overture to "Paris and Helen" by C.W. Gluck. The French overture, created by J.-B. Lully, contains a majestic and slow introduction (often with dotted rhythm) and a fugue-style Allegro, and finally ends with a long and slow coda or dance music. The overtures of G.F. Handel and J.S. Bach both belong to this type. Bach's 4 orchestra overtures (also known as suites) are suites named French overtures. Most of the classical overtures after the second half of the 18th century adopted the dramatic structure of sonata style. Opera overtures must play the role of hinting at the plot and guiding the audience into the drama, which was one of Gluck's goals in opera reform. His "Iphigenia among the Tauros" overture foreshadows the stormy atmosphere of the first scene. Most subsequent opera overtures adopted Gluck's principle. W.A. Mozart's "Don Giovanni" and the "Cosù" overtures also use musical themes from operas. L. van Beethoven's three "Leonora" overtures, C. M. von Weber's "Magic Bullet" overture and R. Wagner's opera overtures further strengthen the function of expressing the plot. On the contrary, the overtures of French grand operas in the 19th century were often just medleys that strung together the tunes in the opera. Beethoven's "Egmont" Overture pioneered the trend of writing overtures for plays. The successor is F. Mendelssohn's "A Midsummer Night's Dream" Overture. Romantic composers in the 19th century developed the overture into an independent title orchestral piece, known as a concert overture in the world, such as Mendelssohn's "Hebrides", "Calm Sea and Happy Voyage", " "Beautiful Melusine", H. Berlioz's "Roman Carnival", J. Brahms's "Academy Festival Overture" and "Tragedy Overture" are all pioneers of symphonic poetry.

Question 7: What do the last words spoken in Overture of the Dead mean? As The last ship sailed towards the distant horizon I sat there watching on a rock My mind slowly drifting away Forming into my... Dreamtale As the last ship sailed towards the distant horizon I sat there watching on a rock My mind slowly drifting away Forming into my... Dreamtale Slow diffusion weaves it into my...dream legend!

Question 8: Please tell me what the background music is. It sounds so good. Urgent! ! ! ! Hello

From "xx Overture" The XX

Online music.baidu/... 论 belly sued Sha Geji

Hope it can help you< /p>

Question 9: In the opening overture of Leslie Cheung’s farewell concert, which song is the music after Silence is Golden? I hope you can give me some advice. Thank you. It’s absolutely correct to start from scratch!!!! The next step is for You love it haha... I like it so much! ! ! 1

Question 10: How many movements does "Spring Festival Overture" have? What are they? "Spring Festival Overture" is the first movement of "Spring Festival Suite" and is often played separately. It is a work created by the famous Chinese composer and music theorist Li Huanzhi in the 1950s based on his life experience in the Yan'an period. It shows the scenes of people in the revolutionary base areas celebrating the Spring Festival enthusiastically. Its melody is both elegant and popular, and its theme is a grand festival with a strong mass base. Therefore, since its birth, it has gradually evolved into a small tradition attached to the "Spring Festival". Especially after the TV Spring Festival Gala became popular, this song became more well-known.

This piece of music is an orchestral piece created using the tones and rhythms of Chinese folk Yangko and folk songs of northern Shaanxi. Taking the Chinese traditional festival "Spring Festival" as the title, the author shows a moving scene of people in the revolutionary base area celebrating the Spring Festival with great joy and unity, friendship and mutual congratulations.

"Spring Festival Suite" is an orchestral piece created by Chinese composer Li Huanzhi between 1955 and 1956. The music depicts the profound experience and inner feelings of the folk customs and grand occasions when the people celebrate the Spring Festival.

***4 movements:

The overture of the first movement - Yangge, is a complex three-part form. The main part of the Allegro is composed of two folk suona tunes from northern Shaanxi; the middle part is the middle part, which is a northern Shaanxi Yangko tune, with the oboe and cello playing the melody one after another; finally, the whole band played by the trumpet reproduces the main part of the music.

The love song in the second movement is Andante Cantabile. It begins with an introduction played by English wind instruments. Then the theme of Northern Shaanxi love songs appeared. After the love song is repeated 6 times, it gradually returns to the tune-style theme of the violin and cello's repartee. After the connecting sentences, the introduction tone is finally reproduced.

The third movement is a waltz in the form of a rondo. It consists of a theme symbolizing people's joyful gatherings during festivals and two subthemes as the first and second contrasting parts. The tones are both from the Yangko tunes of northern Shaanxi.

The fourth movement of the lantern show is a trilogy, with the middle section, the main music coming from the suona song "The Great Arrangement", a folk queue music in northern Shaanxi; the middle part adopts the Yangko tunes "Pick Pumpkins", "Running" The overlapping tones of "Land Boat" represent small scenes in Yangko. The ending part reproduces the main part of the music, and adds the enthusiastic Yangko gong and drum rhythm to end the whole song.

The first movement of the piece was later often performed under the name "Spring Festival Overture".