A Bing (1893~1950), formerly known as Hua Yanjun, was a folk musician. A Bing was born in the 19th year of Guangxu's reign in the Qing Dynasty (August 17, 1893) in "Yihe Shanfang" next to Leizun Hall in Wuxi. Later, he became blind due to eye disease. His father, Hua Qinghe, was the head Taoist priest of Lei Zun Hall, Sanqing Hall Taoist Temple in Wuxi City, and was good at Taoist music. Hua Yanjun lost his mother when he was 3 years old and was raised by his aunt of the same ethnic group. At the age of 8, he followed his father as a young Taoist priest in Lei Zun Hall. He studied in a private school for three years, and then learned drums, flutes, erhu, pipa and other musical instruments from his father. At the age of 12, he can already play a variety of musical instruments, and often participates in activities such as worshiping, chanting sutras, and playing music. He studied hard, kept improving, and extensively absorbed folk music tunes to break the constraints of Taoist music. At the age of 18, he was hailed as an expert performer by Wuxi Taoist music circles.
When his father died when he was 22 years old, he succeeded him as the head Taoist priest of Lei Zun Temple. Later, due to careless friendships, he became involved in the bad habits of prostitution and drug abuse. At the age of 34, he lost his sight in both eyes. In order to make a living, he took to the streets with his erhu on his back, composed and sang his own songs, rapped about the news, and became a street performer. At the age of 40, he lived with the widow Dong Caidi. Singing every afternoon in the paddock in front of the Sanwanchang Tea House in Chong'an Temple. He dares to hit the mark on current issues, criticize social darkness, and attract audiences with a rap format that people love to hear. After the January 28th Incident, he also composed and sang the news of "The 19th Route Army Heroically Fights against the Enemy Enemies in Shanghai" and played the "March of the Volunteers" on the erhu. During the boycott of Japanese goods, he used passionate words to inspire people's patriotic enthusiasm. Many of his news stories sang the voices of the masses and were deeply loved by ordinary citizens. Every night, he walked through the streets and alleys, playing the erhu while walking, and his tone was touching. "Two Springs Reflect the Moon", which is famous in the international music scene, was created during this period. After the Japanese army invaded Wuxi, A Bing and Dong Caidi took refuge in their hometowns. Soon he went to Shanghai, where he worked as a pianist in the Xianni Club of the Kunqu Opera Troupe, playing the three-stringed instrument, and played an extra role as a blind man in the movie "Seven Heavens". At this time, he composed "Listening to the Pine", a heroic and emotional erhu solo, expressing his patriotic enthusiasm of not wanting to be a slave to the country's subjugation. In the 28th year of the Republic of China, he returned to Xicheng and resumed his old business. He went to the teahouse every morning to collect various news, came back to conceive and create, and sang in front of the Chong'an Temple teahouse in the afternoon; at night he played the erhu on the street and played his composition "Cold Spring Wind". He is very good at playing the lute. He can play the pipa on top of his head, and he can also use the erhu to imitate the sounds of men, women, old and young talking, sighing, laughing, as well as the crowing of cocks and the barking of dogs. After the victory of the Anti-Japanese War, he was banned from rapping news in a fixed place in Chong'an Temple. In the 36th year of the Republic of China, he suffered from lung disease and was bedridden and vomited blood. From then on, he stopped performing on the streets and repaired the huqin as a business at home, struggling to survive.
After Wuxi was liberated on July 23, 1949, A Bing and his music such as "Two Springs Reflect the Moon" were reborn. In the summer of 1950, in order to discover, research and preserve folk music, teachers and students from the Central Conservatory of Music commissioned Professor Yang Yinliu and others to make a special trip to Wuxi to record three erhu pieces for him, including "Moon Reflected on Two Springs", "Listening to the Pines" and "Cold Spring Wind". Three pipa songs are "Big Waves Washing the Sand", "Dragon Boat" and "Zhaojun Leaving the Fortress".
Hua Xuemei is proficient in various musical instruments and Taoist music. A Bing showed rare musical talent when he was young. When he was 10 years old, his father taught him to hit rocks in the cold to simulate drumming and practice various rhythms (later he became a famous local drummer). When he was 12 years old, A Bing began to learn to play the flute. His father often asked him to play into the wind and hang an iron ring on the end of the flute to enhance his wrist strength. Later, he simply replaced the iron ring with a weight. When A Bing was learning the erhu, he even After working hard, there were blood marks on the strings and thick calluses on his fingers. The outer strings of the erhu used by A Bing to play are much thicker than ordinary strings. This is inseparable from his years of practice. At the age of 17, A Bing officially participated in Taoist music performance. He had a talented appearance and a good voice, and was known as the "Little Heavenly Master".
Abing died of illness on December 4, 1950, at the age of 57.
A Bing's life is like a drama, full of ups and downs. It is said that the only surviving image of his life is a standard photo on the "Good Citizen Certificate" during the Japanese and puppet rule of Wuxi. In the photo, the face of the skinny middle-aged man wearing blind glasses and a broken felt hat reveals the hardship and vicissitudes of life. Perhaps the hardships imposed on A Bing by fate were the reasons for his touching music. This illegitimate son of Hua Qinghe was deprived of the right of family love from birth.
When his biological mother had no choice but to end her own life to resist the discrimination of the world, some hidden parts of the child's character were already visible. A young man who has been fostered outside for several years returns to his biological father Hua Qinghe. Wherever he sees, there may be more incomprehensible doubts. I know from the information that he came to his father, a Taoist priest, by calling him "Master". Hua Qinghe, who calls herself Xuemei, is proficient in various musical instruments. Abing studied hard and practiced hard, and soon he mastered the playing skills of various musical instruments such as erhu, sanxian, pipa and dizi. At this moment, A Bing still thinks that he is just an orphan who is being cared for by kind people. However, when he reached the age of 21, A Bing suddenly understood his life experience before Hua Qinghe died of illness.
The days to come are also sad to say the least. Hua Yanjun, the new Taoist priest of the Lei Zun Hall in the Dongxu Palace of the Taoist Temple in Wuxi City, seems to be letting himself go, eating, drinking, whoring, gambling and even smoking opium. The absurd life brought absurd results: he became blind due to syphilis and lost control of the Taoist temple. After living on the streets, his tribe arranged for Dong Caidi, a rural widow from Jiangyin, to take care of him. The world is so contradictory. In pain and despair, A Bing did not break the jar. In the following days, a creative folk artist known as "Blind A Bing" who rapped about current affairs and performed on the streets was reborn. An article recalling a witness at the time said that after the Japanese invaded Wuxi, A Bing and Dong Caidi went out to seek refuge and worked as three-stringed luthiers at the Xianni Society of the Kunqu Opera Troupe in Shanghai. 》Performed a mass role.
It was during this period when A Bing was making a living as an entertainer that he composed his most moving music. There are many stories surrounding the spread of the erhu song "Er Quan Ying Yue". I read one of them by chance. It said that Li Songshou, a professor at Nanjing Normal University, and A Bing were neighbors when he was a child. He liked the erhu when he was a boy, and he often got good results in his playing skills. A Bing’s advice. Later he was admitted to the Folk Music Department of Nanjing University of the Arts. It was getting cold every day. He flexed his fingers outside the teacher's piano room and randomly played a piece of music that A Bing taught him. After the song ended, a man came over and asked him what song he played. The teacher told him that the gentleman who asked him was Professor Yang Yinliu from the Central Conservatory of Music. Li Songshou said that this music was taught by a folk artist in his hometown and had no name. Yang Yinliu said that the music was good, and said that they were collecting folk music and wanted to record such good folk music with a wire recorder just imported from abroad. Li Songshou made an appointment with Professor Yang and returned to his hometown until September. Professors Yang Yinliu and Cao Anhe came to Wuxi. The task they brought this time was to record Wuxi Taoist music. After recording these Taoist music, Li Songshou insisted on asking them to record Abing's music. When A Bing finished playing a piece of music, Professor Yang Yinliu asked softly what the name of the piece was, and A Bing said he had no name. Professor Yang said that it would be impossible if there was no name, and he had to think of one. A Bing then said that it should be called "Er Quan Yinyue". Professor Yang also said that the name "Yingyue" is too similar to Cantonese music. If not called Yingyue, is there Yingshan Lake in Wuxi? A Bing said, OK, you are knowledgeable, so I will listen to you.
Regarding this matter, Mr. Li Songshou said in his recall article: On September 20, 1950, my wife and I accompanied Yang Yinliu, Cao An and two gentlemen to find A Bing to record. The recording ended at 7:30 pm. During the recording, A Bing was in poor health and lacked hand strength, so he found a temporary piano, so the preserved recording of "Er Quan Ying Yue" was not the best. Abing's last performance was on September 25, 1950, which was the 23rd day after the recording. It seemed to be a theatrical performance at the founding meeting of the Wuxi Dental Association. A Bing supported his sick body and went out. Because he walked slowly, the performance was almost over when he arrived at the venue. I helped A Bing onto the stage and sat in front of the microphone. This is the first time in A Bing's life that he has performed in front of a microphone, and it is also the only time. A Bing played the pipa at first, but then someone in the audience asked him to play the erhu. My wife and I told him to pay attention to his health and stop playing. A Bing said: "I am willing to die playing the piano for the folks in Wuxi." Then he played "Er Quan Ying Yue" which he had played countless times. I remember the place was full of people, even the windows were full of people. At the end of the performance, there was constant applause and applause from the audience. When A Bing heard this, he took off his hat and nodded.
More than 80 years ago, the sky above the streets of Wuxi was often filled with the sound of the piano played by Abing while performing and begging. His improvisation not only created the self-narrative tragic song "Er Fountain Reflects the Moon", but more importantly, it got rid of the appreciation mentality and rose to a sense of ultimate destiny that is with me.
His concern for the world, his thinking about himself, and his sufferings made some people easily compare him to Beethoven. It’s not about how difficult life is for people, or what the ancients said about “God sends great orders to people,” but it’s about your own actions. A great work is a history of the soul, which reflects the reason why people stand. What I often feel in Abing’s music is that in that moment, I can distinguish a lot of right from wrong. There is a paragraph in my memory that introduces the Japanese conductor Seiji Ozawa. He said that when he heard the piece "Er Spring Reflects the Moon" for the first time, he shed tears and told others: "Music like this should be knelt down to listen to it." . ”
Abing retained six pieces of music he composed because of the recording in 1950: the erhu pieces "Er Quan Ying Yue", "Listening to the Pines" and "Cold Spring Wind" that are now well-known to the world. ", pipa songs "Big Waves on the Sand", "Dragon Boat" and "Zhaojun Leaving the Fortress". This is a blessing. As a folk artist, his difficult life may be just one of countless lives of blood and tears in history. Fortunately, he had an opportunity to not only use his own hands and musical notes to express himself, but also to use music as a tool to infect other hearts.
[Edit this paragraph] Anecdotes
People say that Abing has three qualities: a poor person with a strong ambition (not afraid of power); a poor person with a mouth that is not poor (not freeloading) ; A poor person has a good reputation (integrity).
In the city of Wuxi, a landlord raped a 13-year-old girl in his family. When A Bing found out about it, he immediately made up lyrics and sang about it, exposing the landlord's evil deeds, arousing public outrage and frightening the The landlord fled for several months and did not dare to return home.
Once, the Kuomintang warlord Tang Enbo asked A Bing to sing a birthday party for his thirteenth concubine. A Bing flatly refused and was beaten severely, but A Bing did not give in and made up the lyrics. , played the erhu and scolded them.
During the Anti-Japanese War, the Japanese invaders occupied Wuxi, and a man named Zhang Shijun became a traitor. When A Bing found out, he made up words to curse him, and was beaten severely. Later, when the traitor was killed by the Japanese, Abing clapped his hands and applauded him. He also composed a song "The End of the Traitor" and sang it on the street, and everyone in Wuxi applauded.
[Edit this paragraph] Musical works
Huishan Spring in Wuxi, Jiangsu Province is known as "the second spring in the world". Naming the music after "Two Springs Reflect the Moon" not only leads people into the artistic conception of the quiet night, the clear springs and the cold moon, but after listening to the whole song, it is like seeing the person himself - a blind artist who is upright and tenacious, telling people about his troubled life.
Following the short introduction, the melody goes up from Shang Yin to Jiao Yin, then stops briefly on Zheng and Jiao Yin, and ends with Gong Yin, forming a microwave-shaped melody line, just like the author sitting on a fountain. While thinking about the past (clip 1). The second phrase has only two measures and appears six times in the whole song. It starts at the end of the first phrase, an octave higher. It circled up and down around Gongyin, breaking the silence in front of it, and began to be high-spirited, showing the author's infinite emotion (fragment 2). When entering the third sentence, the melody flows in the high-pitched area, and new rhythmic factors appear. The melody is soft yet strong, and the mood is more exciting. The theme gradually changes from calm and deep at the beginning to exciting and high-spirited, profoundly revealing the author's inner life feelings and tenacious and proud will to live. His frequent use of notes in his performance gives the music a slightly sad mood, which is the emotional expression of a blind artist who has experienced the bitterness and pain of the world.
The whole song changes the theme five times. As the music is stated, extended and expanded, the emotions expressed are more fully expressed. Its variation technique mainly expresses the development and circuitous progress of music through the expansion and contraction of sentence length, combined with the rise and fall of the active range of the melody. Its multiple variations are not to express contrasting different musical emotions, but to deepen the theme, so the musical image created by the music is relatively single and concentrated. The speed of the whole song does not change much, but its intensity changes greatly, from pp to ff. Whenever a note longer than a quarter note is played, the weight of the bow changes, suddenly strong and sometimes weak, and the music rises and falls, which is exciting.
Hua Yanjun Tomb
Hua Yanjun Tomb (hua yan jun mu) is the tomb of A Bing. It is located beside Yingshan Lake at the east foot of Huishan Mountain in Xihui Park, Wuxi City. Hua Yanjun, also known as "Blind Man Bing", was a folk musician. He died of illness in December 1950 and was buried in the Taoist Tomb of "Yihe Shanfang" at the foot of Canshan Mountain in the western suburbs of Wuxi. In May 1979, the tomb was damaged and the bones were collected from the original site by the Wuxi Municipal Museum. In 1983, they were moved to the current location at the east foot of Huishan Mountain and south of Erquan.
The cemetery covers an area of ??742 square meters. The main body is composed of tomb walls and wing walls, shaped like a music stand. The old tombstones are now in the Municipal Museum. The colorful tombstones were created by the China Music Research Institute and Wuxi Literary and Art Institute. Yang Yin Liu Shu and the blind man A Bingtong in front of the tomb. Like, sculpture by Qian Shaowu.
In 1986, it was announced as a municipal cultural relic protection unit by the Wuxi Municipal People's Government.
"Two Springs Reflect the Moon" is an erhu piece composed by the famous blind folk artist Hua Yanjun (A Bing) and recorded and recorded by himself in 1950. Since the advent of this piece, not only in the form of Erhu solo, Hua Yanjun is an outstanding folk musician in my country. A native of Wuxi, Jiangsu. He has been playing music since childhood and has been adapted into various forms of instrumental music. He is famous at home and abroad for his beautiful lyrical melody and deeply touching musical connotation.
Huishan Spring in Wuxi, Jiangsu Province is known as "the second spring in the world". The author named the music "Er Fountain Reflects the Moon", which is related to Abing's unfortunate experience in the old society. From the music, we can feel that when the author used the scene to express his emotions and lament his life experience, he also revealed his resentment against the old society. . It was introduced in "A Bing's Collection of Music": "After he lost his sight... he used musical images to describe the beautiful scenery he imagined he had witnessed in the old days." "But what he felt at that time was the darkness around him. This This makes him always reveal a sentimental and desolate mood in the melodious and beautiful melody."
The musical structure of "Two Springs Reflect the Moon" is a traditional variation. At the beginning of the music, the short introduction and the descending melody are like a gentle sigh with mixed feelings, bringing people into a deep artistic conception. The theme music reminds people of a blind artist holding a bamboo stick wandering on the bumpy road of life, which is infinitely sad and desolate. "Er Fountain Reflects the Moon" is gradually developed under the multiple variations of the above-mentioned tones to form the whole song. Through the variations, the musical image is deepened layer by layer, making people feel that A Bing is singing to him over and over again with uncontrollable emotions. People told of his various sufferings and experiences. In the second half of the music, the music develops further, and the accumulated emotions burst out. The music reaches a climax, strong and angry, showing A Bing's unique temperament and courage. This is the author's angry accusation against the old society. It profoundly reflects A Bing's stubborn and resolute character and expresses his uncompromising resistance and struggle against the dark forces.
"Two Fountains Reflect the Moon" has distinct layers but is integrated into one, the melody is beautiful yet simple and vigorous, and the music is touching but makes people more angry. It is a masterpiece handed down from generation to generation by a poor blind artist in China and is deeply loved by audiences at home and abroad.
Quan Qi Yue's cold song is touching
- Appreciation of A Bing's "Two Springs Reflect the Moon"
Author: Xiao Qianyong
In Abing (1893-1950), who plays an important role in the history of Chinese music, had a very unfortunate personal experience. His original name was Hua Yanjun, and his nickname was A Bing. He became a Taoist priest when he was young, and worked as a drummer when he was young. In middle age, he suffered from an eye disease and had no money for treatment and became blind. From then on, he lived on the streets and made a living by performing arts. He struggled in darkness and poverty for decades and tasted all the bitterness of the world. He lived in hunger and cold, but he was poor and ambitious. Faced with the bullying and power of evil forces, he never bowed down, but always fought against and denounced them. In the art of music, he always learned from a wide range of things, studied diligently, and was deeply rooted in the soil of national and folk music. As a result, he became proficient in playing, playing, and singing, and made great achievements in creation. Due to the above-mentioned circumstances, Abing's music and piano music have a rich national style, and naturally have a melancholy and angry mood and an unyielding manly spirit. These may be the reasons why "Two Springs Reflect the Moon" can be widely circulated and endure for a long time, and it is also the touching charm of this piece of music.
"Two Springs Reflect the Moon" has been passed down to this day since its publication. It is known and loved by almost everyone among men, women, old and young at all levels of Chinese society; it also has widespread influence abroad. The famous Japanese conductor Seiji Ozawa once listened to Erhu player Jiang Jianhua's performance of "Er Fountain Reflects the Moon" in Beijing. While listening, he felt heartbroken and couldn't help but shed tears.
After the founding of New China, the Institute of Music of the Central Conservatory of Music sent music historians Yang Yinliu, Cao Anhe and other comrades to Wuxi to record, notate and organize A Bing’s musical works. Relevant departments publish and broadcast.
Since then, "Er Quan Ying Yue" has radiated its vitality and moving brilliance: it has been adapted into violin solo, folk music ensemble, folk music ensemble, melody quartet, Western melody ensemble, erhu and orchestra, Gaohu Playing forms such as harp and harp are all colorful and each has its own interest. This song was later put on the screen and became the theme music of the movie "Er Fountain Reflects the Moon".
Why is this blind artist’s erhu music so eye-catching and regarded as a treasure of our country’s national music?
First of all, A Bing’s rough life and tragic situation are a microcosm of the working people in the old society, which will naturally arouse people’s attention and sympathy for him. Abing's mighty and unyielding, loyal and patriotic character and integrity embody a kind of national magnanimity and spirit, which is admirable. Musical works such as A Bing's "The Moon Reflects on Two Springs" reflect the inner world and spiritual outlook of the people to a certain extent, revealing a healthy and deep atmosphere coming from the bottom of the people, which will inevitably arouse extreme emotions deep in people's hearts. Big *** chirping.
Secondly, the tone of "Two Springs Reflecting the Moon" has a deep connection with folk music and opera music in the Jiangnan area of ??China, giving people a very cordial feeling. Its musical structure is a cyclic variation. Through the technique of variation, that is, the expansion and contraction of sentence length, combined with the rising or falling of melody range, the music is advanced and circuitous developed layer by layer, thereby creating a single and concentrated musical image, which is particularly impressive. Its melody development uses Chinese folk phrases to connect the beginning and the end, and the melody method of homophonic inheritance makes the music present an undulating and continuous rhythmic beauty like flowing clouds and flowing water, as if it is endless words of bitterness and endless tears of bitterness, giving People feel like "sighing at the misery of the world" and "crying out in sadness". In addition, the artistic beauty of the music is also reflected in the simplicity in the depth, the vigor in the sentimentality, the combination of strength and softness, and it is touching. How can we not be intoxicated by such an erhu tune that is rich in national style and style and never tire of listening to it?
Furthermore, this piece of music embodies the principle of focusing on deep affection and conveying the spirit intentionally, which is evocative and evocative. If we compare it to a song, it is by no means an important scene-depicting work such as Wang Mojie's "The bright moon shines among the pines, the clear spring flows over the rocks", but rather the sighs of concern for the country and the people in Du Fu's poems, Li Bai's poems The emotion in "The Road to Shu is Difficult" and the angry shouts in Qu Yuan's poems. Compared with painting, it is definitely not the "Four Kings Landscape" of the Qing Dynasty, but has the sharp and strong edge of the eight Yangzhou masters. It is by no means a sentimental work like "Autumn Moon over a Flat Lake", but rather has the angry mood contained in Beethoven's "Moonlight" Sonata.
The title of the piece "Two Springs Reflect the Moon" is often debated by scholars. In the western suburbs of Wuxi City, Jiangsu Province, there is Huiquan Mountain, a famous mountain in the south of the Yangtze River. A clear spring on the mountain was tasted by Lu Yu, the "tea god" of the Tang Dynasty, and rated as "the second spring in the world". A Bing often visited here before and after he lost his sight. He was full of deep affection for the mountains and rivers of his hometown. However, facing the reality that although the moonlight is bright, the world is dark, the spring water is sweet, the world is bitter, and the water surface is flat, the world is uneven. In his heart, the moon is cold and the spring water is desolate. So he used the scenery to express his emotions, blended his emotions with the scenery, and poured out his bitterness, so he named it "The Moon Reflected in Two Springs".
Since the publication of "Two Fountains Reflecting the Moon", there have been many composers, each showing their own talents and brilliance. The understanding of music is also different. However, all the performers have grasped the performance principle of "having both form and spirit, and embodying spirit in form", thus leaving an unforgettable and profound impression on the listeners. What is the "god" in "Er Fountain Reflects the Moon"? It lies in the mood of a lonely person, the sadness of a night walker, the unyielding character and the hope for light.
Appendix: Ode to Abing's Poems
"Remembering the Folk Musician——Hua Yanjun"
The morning glow accompanies the setting sun, and the blind huqin and stick beg for help from the end of the world.
One song and two springs reflect the bright moon. Who doesn’t know the artist?
——(Shanghai) Zhang Zhizhen
[Edit this paragraph] Artistic style
"Two Springs Reflect the Moon" is Abing's masterpiece. A Bing often played the piano by the Erquan in Wuxi. He was blind when he composed this song. According to the memories of his relatives, friends and neighbors, A Bing still had no food and clothing after performing for a whole day. When he returned to the alley late at night, he often played this song. The sadness and sadness are particularly moving.
A Bing’s friend Lu Xu once described the scene when A Bing played “Two Springs Reflecting the Moon”: “Heavy snow fell like goose feathers, and the park opposite was covered with rubble and jade. The pile was beyond recognition.
The sad and plaintive sound of the erhu came from the street... I saw an unkempt old woman leading a blind man with a small bamboo pole from east to west on the park road. Under the dim light, I vaguely recognized it as A Bing and his wife. both. A Bing holds a small bamboo pole under his right side, carries a pipa on his back, and hangs his erhu on his left shoulder. He pulls it, making a shrill and shrill sound in the crazy flying snow. "
This piece of music had no title at first. Abing often played it casually while walking through the streets and alleys. He did not play this piece of music when performing. Abing once called it "Zi Lai Tune". His neighbors called it "Song of the Heart". Later, when Yang Yinliu and Cao Anhe were recording, they thought of the famous scenic spot "Two Springs" in Wuxi and named it "Two Springs Reflecting the Moon" (Huishan Spring in Wuxi, Jiangsu, known as "Two Springs in the World"). "Second Fountain"), then the score was decided. He Luting once said: "The elegant name "Second Fountain Reflects the Moon" is actually contradictory to his music. Rather than saying that the music describes the scenery of the moon reflected in two springs, it is better to say that it profoundly expresses the painful life experience of the blind man A Bing. "
In the late autumn of 1950, at a concert held in Wuxi, Abing played this song for the first and last time, winning endless applause from the audience; in 1951, Tianjin People's Broadcasting Station played this song for the first time On the occasion of the 10th National Day in 1959, the China International Cultural Association presented this song to international friends as one of the representatives of our country’s national music. Since then, this song has been widely circulated at home and abroad and received high praise. It was made into a record in the United States and ranked first among the eleven popular Chinese tunes in the United States.
Later, Peng Xiuwen adapted this piece into a national instrumental ensemble; Wu Zuqiang arranged it into a string ensemble. ; Ding Zhinuo and He Zhanhao adapted it into a violin solo; Ding Shande adapted it into a string quartet, etc. The Chinese Record Company made a wire recording of A Bing's performance of this piece in the summer of 1950, which sold well at home and abroad.
From beginning to end, this piece of music reveals the thoughts and emotions of a blind artist who has experienced the bitterness and pain of the world. The work shows unique folk performance skills and styles, as well as unparalleled profound artistic conception, showing the unique charm of Chinese erhu art. It broadens the expressive power of Erhu art and won the "20th Century Chinese Music Classic Award"
Choose mine~ I'll find it for you for a long time