K37 No.1 in F major is adapted from sonata movements of Raupach and Honore
K39 No.2 in B flat major is adapted from sonata movements of Raupach and Schobert
K4 No.3 in D major is adapted from sonata movements of Honore, eckart and C.P.E Bach
K41 No.4 in G major is adapted from Honore, Raupach's sonata movement
Concerto No.5 in D major, K175 was written at the end of 1773, which is his first original piano concerto. Before that, his symphony had reached the 22nd, and one period was his favorite work. The band includes: two oboes, two horns, two trumpets, timpani and strings. Such a band configuration is relatively large in all his piano concertos. All three movements are sonata forms.
concerto No.6 in B flat major, K238 was composed in Salzburg in 1776. The band includes: two flutes, two oboes, two horns and strings. Perhaps it was written for the composer himself, and his sister Nannerl also performed, but Mozart's work was not published before his death. The first movement is sonata form, the second movement is a simple sonata form without development department, and the third movement is Rondo.
Concerto No.7 in F major, K242, No.6 and No.8 were both made in the same year, for three pianos. Mozart also has a version with two pianos. The band is simple: two oboes, two horns and strings. Maybe it's a rare steel bar, and it's played quite a lot.
Concerto No.8, K246, and the band is the same as No.7..
Piano Concerto No.9, K271, in E flat major. Written in 1777. It was a French female pianist (Mlle Jounehomme) who toured Salzburg and Mozart did it for her. Probably met an expert. Mozart showed his real talent. This work is recognized as one of his masterpieces, and it is not lost to his later Vienna works. In the first movement of this work, the piano entered as soon as the band made a phrase. I advise you to take this piece as a must-listen, and it is better to listen to CD instead of MP3, so as to better appreciate its beauty. After all, the language is weak.
Concerto No.1, K365, was written in 1779 for two pianos. For himself and his sister. It is said that Kaercher misremembered the creation time of his other masterpiece K364, Violin and Viola Symphony Concerto. K364 should be a work after Shuanggang. The band consists of two oboes, two bassoons, two horns and strings.
No.1 and No.9 are of the same tonality, which is his last concerto in Salzburg. No.11, in F major, K413, notice that his number has reached the beginning of 4, and his symphony has reached No.35, hafner K385. Mozart came to Vienna! This is an underrated work. Critics say that he is simple, brilliant and introverted, < P > No.13, in C major, K415. Larger scale, two oboes, two bassoons, two horns, two trumpets, drums and strings. Mozart personally played in the concert, and the audience included the emperor. He also paid 25 dukat gold coins to the box office. We can look at Mozart's advertisement in the newspaper: Mr. Mozart would like to provide the most respected public with three recently completed piano concertos. They can be applied to large bands or only string quartets.
No.14 in E-flat major, K449. Written in 1784, he wrote six piano concertos this year. At this time, he has begun to remember the catalogue of works. This work was recorded on February 9th. It was written to his student Babette von Ployer, so it was not published before his death. But Mozart himself played in the concert on March 17th.
No.15 in B flat major, K45. Since this song, Mozart has never used a small band with only oboe and horn in his concerto. The bands of this work are: flute, two oboes, two bassoons, two horns and strings. Variations first appeared in the slow movement of this work.
No.16 in D major, K451. In a letter to his father, he said that "the man who called the bomb broke out in a sweat", and that was it. The band has more trumpets and drums than K45
No.17 in G major, K453. This is for the same student as No.14. It premiered on June 13th, 1784. At this concert, Mozart also performed his sonata K448 for two pianos with her.
No.18 in B flat major, K456. Beethoven's composition for the blind was invented by later generations, but Mozart's work was really written for the blind and talented women. The performance of this work is described in his father's letter. Unfortunately, I don't know German, so I can only watch it translated into English.
No.19 in F major, K459, is the last of his six songs this year. From this song on, all the departments are masterpieces. The whole work is clear, and it is considered to be one of his works with the richest music content. There is an unusual allegro in the middle movement, a sonata form without development department. Again, it's hard to describe it in words, so listen to it yourself.
No.2 in D minor, K466. This is the only one in his concerto, and then two minor works in C minor. This is the most played work, and it is the favorite of many performers. Beethoven also played this song and wrote a cadenza for it. Hey, this is the only concerto that Beethoven has ever played. Brahms also wrote colorful passages. The works are rich in content, profound in image and full of dramatic passion.
the first movement is in sonata form in 4/4 beats in d minor. The second movement, which has no speed mark, is labeled as "Romance". It is probably Mozart's intention to emphasize the lyricism of this movement. G minor. The third movement, D minor, Rondo. After the Hua Cai, Mozart changed the color of the music in D major. Reminiscent of Beethoven's fate from C minor to C major, it may also be the reason why Beethoven likes this work.
Immediately after D minor, Mozart wrote No.21 in C major, K467. The contrast between the two works is so great that it seems to be Mozart's strong point, such as his string quartet K515 in C major and K516 in G minor, symphony K55 in G minor and K551 in C major. Allegro Solemnly in the first movement, in C major, in 4/4 time. Sonata form. The second movement, Andante, in F major, in 4/4 time. The Swedish film "Elvira Madigan" adopted this movement, giving this work a nickname, but many people think that the film should be touched by Mozart's light. The third movement, Allegro vivacious, 2/4 beats, Rondo Sonata.
No.22 in E flat major, K482, written in 1785. The orchestration is noteworthy. Flute, clarinet, bassoon, horn, trumpet, drum and string. The new member of the band used the clarinet. The premiere also used a large band of more than 1 people. E flat major also reminds people of his No.9, K271, and Beethoven's No.5.. The first movement, sonata form, in E flat major. The second movement can be called Rondo Variations. The second variation and the fourth variation were given to woodwind. The third movement, Rondo.
No.23 in A major, K488, was written in 1786. Like the last song, the oboe was replaced by the clarinet, but the drum and trumpet were not used. The second movement used F sharp minor, like an aria, with strong feelings. The third movement, Rondo Sonata, is extremely exciting.
No.24, in C minor, K491, and the orchestration is richer than 22. Flute, oboe, clarinet, bassoon, horn, trumpet, drum and string. But what is more interesting about this piece is its tonality. In the second movement, I used a small wide board and Rondo in E flat major. The third movement is variations.
Between his two great operas "The Wedding of Figaro" and "Don Juan", too many masterpieces were born. Just study the Kaercher numbers carefully. And the most famous K525, it's no wonder that Piano Concerto No.25 is unlucky. When schnabel performed K53 in C major in Vienna in 1934, he found that there was no performance record in Vienna! But the great is always great. Personally, I like the second movement best. When I think of the sound of flute ringing in my heart, my heart is warm.
No.26, Coronation in D major, K537.
No.27 in B flat major, K595, written in 1791. With the theme of the last chapter of this piece, Mozart wrote his song K596 "Come, Lovely May", which is also translated as "Longing for Spring". This is Mozart's last spring. Many people like to listen to Requiem, but if you want to hear his inner world facing death, listen to No.27 and Clarinet Concerto K622.
quote a comment: a work that doesn't care much about others' appreciation is not a reaction to the situation, but a alienation from it. Music is not so heavy, but it is not easy. It has a broad mind, but from time to time it reveals a lot of worries, a little excitement and a return to calm.