Papers on National Music and Traditional Culture
In your studies and work, everyone will have come across papers more or less. Papers generally consist of title, author, abstract, and keywords. , main text, references and appendices. Do you never know where to start when writing a paper? Below are the papers on national music and traditional culture that I have collected for you. I hope it will be helpful to you.
Chinese national music has a long historical tradition. In the primitive clan society four to five thousand years ago, primitive songs, dances and songs were produced. In this era, music culture has been quite developed. In feudal society for more than two thousand years, music has continued to develop. There have been many times in Chinese history when music culture flourished. Chinese national music is an important part of the traditional culture of the Chinese nation. It reflects the great spirit of the Chinese nation and embodies the emotions, will, strength, fantasy and pursuit of the Chinese nation.
Chinese national music culture is rooted in China’s long traditional cultural soil. The unique Chinese traditional culture has created unique national music.
Chinese national music basically consists of four parts: court music, literati music, religious music, and folk music.
Palace music: One part is ritual music, such as various types of sacrificial music, triumphal music, court music, etc.; the other part is entertainment music, such as various banquet music and entertainment music. These two parts of music reflect two aspects of the court aristocratic culture, one is the shaping of the self-image of imperial supremacy, and the other is the spiritual enjoyment of the aristocracy.
Literati music: Literary music includes guqin music and ci-melody music. Together with calligraphy, painting, and poetry, it constitutes the unique literati culture in traditional Chinese culture. Qin, chess, calligraphy, and painting, Qin Ju first place. Guqin music pursues the transcendent and refined artistic conception of the idea of ??unity between man and nature, and the romantic color of "clear, quiet, light, and far away". This kind of music is most in line with the "neutralization" idea of ??feudal society and has become an important way for the ancients to cultivate their moral character and shape their personality. the best means.
Religious music:
1. It reflects the diversified characteristics of Chinese religious beliefs. Buddhism, Taoism, and Shamanism have their own characteristics in religious music based on their respective cultures;
2. Foreign music and musical instruments brought by foreign religions are constantly integrated with local music;
3. Stronger folk style, a large amount of religious music is modified based on folk songs. The ritualization and ritualization.
Folk music: Folk music is divided into folk songs, singing and dancing, rap, opera, and instrumental music, with the main focus being comprehensive art. The unique Chinese traditional culture has given birth to the unique genre, form, style and content of national folk music, which has become the foundation of Chinese national music. Its characteristics are:
1. Richness: China has a vast land, numerous ethnic groups, and various folk customs, forming a wide variety of folk music. So far, there are about 300,000 folk songs collected, including countless solo, duet, and ensemble pieces; there are about 200 kinds of national musical instruments; there are about 200 kinds of Chinese folk arts; there are about 360 kinds of operas. Both folk art and opera are comprehensive arts, and music is one of its important components. It is also the main embodiment of the characteristics and styles of various opera types, types of music. As for the rich and colorful repertoire, repertoire, voices, styles, tunes, trades, genres, arias, civil and military music, etc. in these many types of operas, it is even more difficult to count.
2. Uncertainty: Folk music is generally produced orally and taught orally. Oral development makes folk music more uncertain, changing, innovative and improvisational.
3. Popularity: Folk music is a musical culture jointly created by the working people. It expresses the lives of the working people, expresses their feelings, expresses their will and wishes, and more It has a strong local flavor and national color, is closer to the working people, and is accepted and loved by them.
4. Practicality: Many folk songs have not completely gotten rid of their original form of practical functions. For example, various labor chants still have both practical and expressive functions. Its expressiveness lies in using artistic form to reflect the strength, attitude, ambition and aesthetic taste of workers. It is a direct reflection of the living conditions of working people.
Rich and colorful national music reflects all aspects of traditional Chinese culture and has become an important carrier of Chinese traditional culture. At the same time, it plays a role in traditional Chinese culture with its unique functions. The traditional Chinese worldview is "the unity of nature and man" and "the interaction between nature and man". It admires nature, which creates all things, and also values ??people's inner experience. The production of music stems from the human heart's perception of nature. "Every sound comes from the human heart. When the human heart moves, things make it happen. It moves when it is sensed by things, so it takes shape in the sound." ("Music") The ancients believed that "music reaches the harmony of heaven and earth and connects with people's energy."
Music is not only produced by people’s perception of the world, but it can also in turn adjust emotions, reconcile people’s hearts, and bring harmony and peace to relationships between people. In this sense, the ultimate nature cannot be in harmony with itself, but it needs to be harmonized when it is happy.” ("The Complete Works of Ouyang Wenzhong") In a feudal society that valued morality, Confucians used music to shape ideal personality to achieve the core "benevolence" in Confucianism. Confucius, a representative figure of Confucianism, believed that music is indispensable for a person's comprehensive cultivation. Confucius greatly appreciated the peaceful and beautiful "Guan Ju". Confucius said: "The 'chaos' of "Guanyong" is so loud that it fills my ears!" However, there was strong opposition to the folk music of the Zheng people who fought fiercely. Confucius said: "Play the sound of Zheng, and the sound of Zheng will chant."
In traditional Chinese culture, music not only plays a role in shaping personality, but also has the function of stabilizing the country and governing the world. " said: "Music can connect politics and change ordinary customs." "Book of Rites·Legends of Music" says: "If you follow the way of ritual and music, there will be no difficulty in the world." The consolidation of China's feudal society Development mainly relies on the "ritual and music" system. Confucianism is the advocate of the "ritual and music" system. "Music brings about the harmony of heaven and earth, and etiquette brings about the order of heaven and earth." Music refers to court elegant music. Its essential function is to assist "rituals", combining the most shocking music forms with etiquette. Penetration and cohesion are powerful.
Confucius attached great importance to the content and form of music. He praised the ancient music and dance "Shao" for its praise of Shun's benevolence, virtue and martial arts and the perfect art form of "Nine Bian". "The Analects of Confucius·Shuer": "When Zi heard "Shao" in Qi, he didn't know the taste of meat in March." Confucius commented that "Shao" is full of music and perfection. While highly praising the artistic expression of the Zhou Dynasty music and dance "Da Wu", it criticized its content that showed King Wu of Zhou's war achievements in defeating the Zhou Dynasty and destroying the Shang Dynasty: ""Da Wu" is perfect but not perfect."
The important position of national music in Chinese traditional culture also shows its main characteristics of blending with traditional culture, interconnecting with each other, developing together, and creating brilliance.
In Chinese poetry, the tones and rhymes are ups and downs, and the interlacing of oblique and oblique forms the beauty of musical melody. The combination of different long and short sentences in poetry and the use of various rhythms also show the beauty of musical rhythm.
In Chinese calligraphy art, whether it is the ink marks of flying dragons and phoenixes, or the rhythm of the calligrapher's instantaneous use of rhythm, they are all spiritual qualities inspired by music.
Chinese painting, with its painting ideas of "writing spirit with form" and "combining form and spirit", clear lines, shapes, and light tonal artistic conception, show the beauty of the flowing melody of music. Chinese dance and drama are integrated with music to form a large-scale comprehensive art.
When we put aside the skills and technology and examine Chinese national music as an aspect of Chinese traditional culture, we will find that national music is a mirror of Chinese traditional culture, which reflects the long history of the Chinese nation. Historical pictures reveal the unique emotional world and humanistic spirit of the Chinese nation. ;