In the 198s, a large number of epoch-making music leaders appeared, which pushed China music into a golden age.
"gold" is reflected in the appearance of musicians at that time, which can grasp the pulse of the times and the balance between art and fashion.
Wang Jie has never seen anyone write a classic for him, saying that he is ungrateful, but he has other things to hide.
As a fighter, Tayu Lo broke into the music industry and became a milestone of popular music in China. On the other hand, Jonathan Lee is a flourishing tree in the field of pop music, sheltering the growth of many kings and divas.
Of course, masters of that era can be found everywhere. Gu Jiahui and Huang Zhiguang in Hongkong, Li Shouquan and Chen Zhiyuan in Taiwan Province all played a great role in promoting the trend of pop music in China.
in the second half of 198s, Chyi Chin and Wang Jie undoubtedly became the outstanding figures in Taiwan province and even the whole Chinese music scene.
They brought the most abundant, gorgeous and spectacular aspect of China pop to Hong Kong and the Mainland, and led them to become the two overlords of Taiwan Province music, competing with Zhang Tan for hegemony in Hong Kong music, echoing each other from afar.
Chyi Chin and Wang Jie are both unruly prodigals, one is a lone eagle and the other is a lone wolf. They are not only deeply rooted in people's hearts, but also have achieved great commercial success.
Today, there are still endless arguments among fans. They will reach a higher level in music and believe that justice lies in people's hearts.
Now there are many legends about Wang Jie, such as the boycott of the four kings in Hong Kong and the rumor spread by Nicholas Tse. . . These music boxes may be difficult to turn over again.
After Wang Jie debuted, the speed of riding a rocket became popular. In addition to his own strength, there is also a hero behind the scenes, but Wang Jie himself admitted that he had never met this "benefactor".
Most of the classic works popular in Wang Jie in the early days were created by this behind-the-scenes musician, such as A Game, A Dream, Forget You, Forget Me, Do I Really Have Nothing?
The name of the musician behind the scenes is Wang Wenqing. He wrote many songs for Wang Jie.
For example, Remember this, The Role of Stories, Telling Treasure, Words in My Heart, Let me love you forever, Write your name in my heart, Between Dreams and Games, You are you and I am me.
Almost all of these works were created by Wang Wenqing, which can be said to account for half of Wang Jie's early representative works.
A Game, A Dream was once selected by Zhang Aijia as the theme song of his film The Yellow Story.
Forget You, Forget Me was selected by Wong Kar-wai as the theme song of his movie Tears.
Shuo Bao was dubbed as a Cantonese treasure by Sally Yeh, and as a Cantonese treasure by Danny Chan, both of which were popular classics of that year. At the same time, they pushed the singing career of Sally Yeh and Danny Chan to a climax.
However, Wang Jie has never seen this behind-the-scenes musician before, and he has never even seen him once. After the news spread, many people accused Wang Jie of ingratitude and inhumanity. Is that really the case?
Wang Wenqing is a very mysterious figure. A few years ago, some people even mistook this name for the pen name of Wang Jie's songs.
It is normal that Wang Jie has never seen Wang Wenqing, because Wang Wenqing has disappeared.
He is even the most mysterious missing person in Chinese music. No one is alive, no one is dead, no body. On Baidu Encyclopedia, Wang Wenqing's entry shows that he died in 1992. After 1992, Wang Wenqing never wrote a song to Wang Jie.
But Wang Wenqing didn't die, he just disappeared, because 92 years later, music works signed by Wang Wenqing emerged one after another, sung by Wang Leehom, Peng Ling and even Jackie Chan.
He just hides in the vast sea of people, doesn't want to show up, and leads an ordinary life.
here comes the question. When Wang Jie was popular, he collaborated with Wang Wenqing on many works. Why didn't he see Wang Wenqing?
At that time, the recording industry in Taiwan Province Province was so high that there was no need for direct communication between singers and creators. The contact between them was usually made by producers of record companies.
The white boy beside Chyi Chin is Wang Wenqing.
both Wang Jie and Wang Wenqing have unilaterally cooperated with record companies. Wang Wenqing handed the work to the record company, and the producer selected the work, and then gave it to Wang Jie to sing.
In this closed loop, Wang Jie and Wang Wenqing don't have to meet, so everyone wronged Wang Jie. And this situation is very common in the music industry in Taiwan Province Province.
Just like Taiwan Province's lyricist Mr. Zhuang Nu, he wrote many classic works for Teresa Teng, such as Sweet Honey, Story of a Small Town, Seeing Smoke in the Kitchen, Love in a Village and so on. Master Tian Hou is also a stranger.
Zhuang Nu later recalled that they only met once at a banquet, but they never contacted each other again.
including UFO recording giants Chen Lerong and Chen Zhiyuan, the two masters have collaborated on countless classics, including Courtship, Looking Back, Grateful Heart, Thinking of You Every Day, Running of the Bull and so on.
they don't know each other, and they have never even met. After Chen Zhiyuan's death, the reporter found Chen Lerong in Beijing and interviewed him about their cooperation.
Chen Lerong said awkwardly that many people mistakenly think that Chen Zhiyuan and I are good brothers and friends, but in fact, we don't know each other at all.
Therefore, Wang Jie doesn't know that Wang Wenqing who wrote his songs is normal. Wang Jie himself admitted that it was a pity for him.
"Those songs were left behind by others, and they were all written by Wang Wenqing at that time. Huang Dawei, the singer of our company, doesn't sing, and neither does the doll.
I found "A Game, A Dream" and "Forget You, Forget Me" in it, and then rearranged it, giving me a classic that everyone heard later! "