1. "The Clarity of Music", published in "Journal of the Central Conservatory of Music", Issue 4, 1987.

2. "The Order of Music", published in "Art Wide Angle" (Liaoning), Issue 4, 1988.

3. "Conflict and Choice", published in "Modern Music Style", Issue 1-2, 1989.

4. "Aesthetic Saturation and Art Development", published in "Art Discussion Series" (Fujian), Issue 2, 1989.

5. "The Incomparability of Beauty and the Principle of Aesthetic Equivalence", published in "Art Theory Series", Issue 3, 1990.

6. "Out of the Labyrinth of Transcendence - Philosophical Thinking of Modern Music", published in "Art Wide Angle" Issue 1, 1990.

7. "Opening the Third Eye - Exploring the Laws of Music Culture", published in the 5th and 6th issues of "Modern Music Style" in 1990.

8. "The Beauty of Modern Symphony", published in "Modern Music Style", Issue 7, 1990.

9. "Breakthrough in the Local View of Music Culture", published in "Yellow Zhong", Issue 1, 1991.

10. "Choosing among self-temptations - An exploration of the axioms of music aesthetics", published in "Art Wide Angle", Issue 3, 1991.

11. "Between Day and Night and the Time of Transformation - Dialogue at the End of the Century", (co-authored) published in "Art Wide Angle", same as the previous issue.

12. "The Story of the Many-Faced Beast - Chats on Musical Aesthetics", published in "Fujian Art", Issue 5, 1991.

13. "A new sound on the Silk Road of Musical Culture - Wu Shaoxiong's symphonic capriccio poem "Citong City"", published in "Music Lovers" Issue 5, 1991.

14. "Stream of Consciousness: Thoughts on the "Relationship between Chinese and Western Cultures"", published in "Art Discussion Series", Issue 4, 1991.

15. "Interview and Dialogue at the Third National Symphonic Music Creation Symposium", published in "Modern Music Style", Issue 8, 1991.

16. "The Pure Structure of Music", published in "Huang Zhong", Issue 4, 1992.

17. "Dialogue on Musical Aesthetics", published in "Fujian Art", Issue 3, 1992.

18. "Topological Transformation of Music and the Constancy of Aesthetic Perception", published in "Art Theory Series", Issue 7, 1992.

19. "Psychological Exploration of Sound Perception of Harmonic Function", published in "Art Theory Series", Issue 8, 1992.

20. "The Reality of the Soul - Thoughts on the Philosophical Foundation of Music Aesthetics", published in "Modern Music Style", Issue 10, 1992.

21. "1991 Review of Musicology Methodology", published in "Music Yearbook Volume 92".

22. "The fragrance of red apricot dyes the inside and outside of the wall - a review of music creation in Fujian Province", ibid.

23. "Chinese Music Aesthetic Landscape in 1992", published in "Chinese Music Yearbook Volume 93".

24. "The banyan tree has deep roots and luxuriant leaves - a record of Fujian composer Guo Zurong", published in "Music Lovers" Issue 1, 1993.

25. "Call of New Music: CANGAROO CARE", published in "Fujian Art" Issue 1, 1993.

26. "Taste, sincerity, "blank paper" and the breath of Amsterdam", published in "Music Academic Information" (Beijing) Issue 1, 1993.

27. "The Boundary between Comparable and Incomparable - An Exploration of the Basis of Comparative Research on Music", "Comparative Research on Music", Issue 1, 1993.

28. "The Rationality of Music", a paper presented at the Fourth National Conference on Music Aesthetics, published in "Art Theory Series", Issue 9, 1993.

29. "The Aftermath of the Taimu Mountain Conference", published in "Modern Music Style", Issue 11, 1993.

30. "Dialogue: "Chinese Music" and Its Related Issues" (cooperation), published in "Modern Music Style", Issue 12, 1993, Issue 13, 14 combined.

31. "Overview of Comparative Research on Music in Mainland China in 1993", published in "Chinese Music Yearbook Volume 94".

32. "Four major knots in Chinese music thought in the 20th century - reflection and solutions on music philosophy, aesthetics and culture", a paper participating in the "Chinese Music Aesthetics Symposium" in Hong Kong in December 1994, Conference proceedings. Also published in "Comparative Music Research", Issue 4, 1994, Issue 3, 1995.

33. "National Character and Individual Lyricism - Impressions from the Concert of Guo Zurong's Songs", published in "Fujian Art", Issue 3, 1994.

34. "Agreement, Naming, Definition - Musical Aesthetics and Its Objects", published in "Fujian Art", Issue 1, 1994.

35. "The Holographic Landscape of the Musical World - The Relevant Whole of the Field of Musicology", published in "Art Theory Series", Issue 1, 1994.

36. "Music Comparison: Universal Method or Special Subject", published in "Comparative Music Research", Issue 4, 1995.

37. "A Brief Summary of the Eighth Annual Meeting of the Chinese Traditional Music Society", published in "People's Music", Issue 4, 1995.

38. "The cultural relationship between people and music - the concept of music cultural field", published in "Art Discussion Series", Issue 19, 1995.

39. "A Bundle of Music Criticism Poems", published in "Modern Music Style", Issue 19, 1995.

40. "The Art of Learning──Study Experience of [Sanxian Art Theory]", published in "People's Music", Issue 12, 1995.

41. "Composition: Language and True Self—A Review of the Second Beijing-Shanghai-Fujian Music Creation Symposium", published in "Music Academic Information", Issue 5, 1995.

42. "The Development View of Chinese Music: Comparing the Hong Kong Perspective and the Mainland Perspective". "Comparative Music Research" Issue 1, 1996, Issue 11 in total.

43. "Comparison between China and Japan: Treatment of East-West Relations in Music". "Journal of Fujian Normal University" (Philosophy and Social Sciences Edition), Issue 3, 1996.

44. "Summary of Word Meaning: Postmodernist Art". "Music Humanistic Narrative", Beijing, 1997.

45. "A Simple Definition of Postmodernist Music". "Music Humanistic Narrative", Beijing, 1997.

46. "Postmodern Music: Burning and Ashes". "Shanghai Artists", Shanghai, Issues 5 and 6, 1997.

47. ""Bottle Message" and Cultural Outlet - Another Reflection on "New Wave Music". "Chinese Music Yearbook Volume 96".

48. "Postmodernity and Chinese Contemporary Music Culture". "Chinese Music" Issue 2, 1997.

49. "Review of the Reading Club of "Research on Comparative Methods of Chinese and Western Music". "Chinese Musicology" Issue 3, 1997.

50. "Bartók: The Combination of Folk Music and Modern Music". "Literary News" 1997.5.1.

51. "Qu Xiaosong: "Five tones can make people deaf, and five colors can make people blind." "Chinese Music Yearbook Volume 96".

52. "Chen Qigang: Stepping out of the Modern Music Tradition". "Chinese Music Yearbook Volume 96".

53. "Romance and Hardship in a Contemporary Music Legend—Interview with Cai Jikun and Fujian Conservatory of Music." "People's Music" Issue 10, 1997.

54. "Several Focuses in the Discussion of "Sino-Western Relations"—A Review and Reflection of the Development Path of Chinese Music in the 20th Century". "Music Weekly" December 11, 1998, page 3.

55. "Record of Modern Music Creation Seminar". "People's Music" Issue 12, 1998.

56. "Is it creation or plagiarism - also talk about the resemblance between the hero and Aunt Wang." "People's Music" Issue 4, 1997.

57. "Reflections at the End of the Century: On the Nationality of Music". "National Art" 1998 Issue 1 (Total Issue 50) Nanning, Guangxi.

58. "Juxtaposition and Comparison: Music and Art toward Postmodernism." Paper of the first symposium of the Comparative Center of the Chinese Academy of Arts in 1996.

59. "Record of the Seminar on the Publishing of Liu Jingzhi's "History of New Music"". "Chinese Musicology" Issue 3, 1999.

60. "Breaking through the thinking pattern of Sino-Western relations - Thoughts after reading Wang Yaohua's "Introduction to World Ethnic Music"." "People's Music" Issue 6, 2000.

61. "Research results of the integration of history and logic - Rereading Yu Runyang's "Research on Issues in Music History". "Music Research" Issue 1, 2000.

62. "Thoughts on some issues concerning the aesthetic foundation of 'new music'". "People's Music" Issue 7, 2000; edited by Liu Jingzhi, "Collection of the History of Chinese New Music/Expression Method, Expression Ability, and Aesthetic Basis", Center for Asian Studies, University of Hong Kong, Center for Literature and Translation Studies, Lingnan University, Hong Kong Ethnomusic Society, December 2000.

63. Does China have postmodern music? "China Life News", July 4, 2002.

64. What exactly is postmodernism in music. "Symphony", Issue 1, 2003. March 25, 2003. 15000

65. Mozart, Eternal Light of Salzburg. "China Reading News", Page 18, "International Culture" on February 19, 2003.

66. Music and horse dung in Vienna. "China Reading News" March 19, 2003? Japan, 18th edition of "International Culture".

67. Juxtaposition and comparison: music and art toward postmodernism. "Symphony" Issue 3, 2003. 20000

68. Great Attention: How to Enter Music/Review of the First National Academic Symposium on Music Appreciation Teaching. "Music Research" Issue 4, 2003, pp. 81-84. 8,400 words

69. Discuss Wen Deqing’s chamber opera "The Gambling of Life". "Literary Review" Issue 2, 2004. 7000

70. Talk about music wherever you stand. "Literary Review" Issue 3, 2004. 8000

71. Memory of Stone/Musical impression of the dance drama "Hui'an Women" by Wu Shaoxiong. "People's Music" Issue 7, 2004.

4500

72. Postmodernism in Chinese music creation. "Proceedings of the 2003 Chinese Composers Music Festival Symposium" edited by Luo Bingliang and Chen Mingzhi, pages 96-114. 19000

73. "Nationality" or "internationality" and "individuality"/A review of a topic at the "Hong Kong Chinese Composition Conference". "Fujian Art" Issue 1, 2004. 5600

74. Comprehensive synthesis of art. Department of Basic Education and Department of Teacher Education, Ministry of Education: "Training Manual for New Curriculum Teachers in General High Schools·Art Curriculum Standards Training·Special Topic 2", Higher Education Press, May 2004, pp. 24-46.

75. Music education reform with aesthetics as the core. "Journal of the Central Conservatory of Music" 2004 Issue 4. 17500,

76. Music education reform with aesthetics as the core. Wang Anguo, editor-in-chief, "From Practice to Decision-making/Reform and Development of my country's School Music Education", Guangzhou: Huacheng Press, January 2005, pp. 126-144. Won the second prize in the theory category of the 4th Beijing Federation of Literary and Art Circles Literary Criticism Awards. Beijing Federation of Literary and Art Circles November 2005.

77. From knowing sounds and music to knowing music. "Fujian Art" Issue 2, 2005. 4500

78. Views on musical development in the context of postcolonial criticism. "Symphony" Issue 1, 2005.

79. Symphonic interpretation and symphony of interpretation. "Fujian Art" Issue 3, 2005. Pages 48-49

80. Musical Aesthetics (Dictionary). "Introduction to Musicology", Higher Education Press, July 2005, pp. 59-74. 20530

81. Criticism of the post-colonial phenomenon of Chinese music across the centuries. "Fujian Art" Issue 6, 2005, November 20, pages 7-9. Accepted in February 2006 by "Social Science Research", the core social science journal of the Hong Kong Modern Education Research Association and the World Chinese Media Association.

82. Anthropological concept of “music” from a postmodern perspective. "Music Art" Issue 1, 2006.

83. Impressions from the investigation of traditional folk music in the loess soil of northern Shaanxi. "Fujian Art" Issue 2, 2006, March 20, pp. 52-54.

84. Criticism of the cross-century postcolonial phenomenon of Chinese music. "Social Science Research" (Hong Kong) Issue 2, 2006, pp. 80-81. Won the "Excellent Paper" from the editorial board.

85. What is the "aesthetics" of "music". "Journal of Xinghai Conservatory of Music" Issue 3, 2006

86. Research on Chinese Music Aesthetics in the 20th Century. "Huang Zhong" Issue 3, 2006.

87. Neutrality: a trend in the post-Western era. "Symphony" Issue 4, 2006.