The performance format of a music festival is that under the call of a certain theme, many bands gather together to bring fans a series of performances, which usually last for several days or weeks and include a variety of music forms. For music fans, the music festival is a veritable music feast. So what are the origins of the festival? Let’s find out together.
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Famous music festivals in the world include the Salzburg Music Festival, Bayreuth Music Festival, Edinburgh Music Festival, etc. But the term music festival was first used in the United Kingdom. In the United Kingdom, secular music festivals began in the 18th century. The earliest music festival was held in Westminster Abbey in 1784 for the musician Handel. Thereafter the Handel Festival was held almost continuously until the 20th century.
In the 19th century, the United States held several large-scale choral music festivals based on the British model. American music conservator Coolidge established the annual Chamber Music Festival (Pittsfield, Massachusetts; 1918) to perform commissioned works. This was one of the more special music festivals that followed in the 20th century.
In 1937, conductor Koussevitzky founded the "Berkshire Music Festival" in Tanglewood near Lenox, Massachusetts. Both festivals are high-profile and important music industry events. A large number of rock music festivals were also held in the 1960s and 1970s. Spanish cellist Casals founded the famous music festival in Puerto Rico in 1957.
Since the birth of the music festival, many bands have performed well at the music festival and become famous. For example, the famous heavy metal music festival Monsters of Rock. Heavy metal bands are proud to participate in this music festival. If they can By winning the top spot at this music festival, the band's status is undoubtedly a superstar. However, the most influential rock music festival in history is still the 1969 Woodstock.
Music festivals started very late in China. For those well-known foreign music festivals with decades of history, music performances are no longer the entire content. Whether a music festival is successful or not, in addition to wonderful music performances, whether there is good interaction between the music festival and the audience has become another criterion. Looking at first-class music festivals abroad, public welfare themes combined with rich audience experience services are the best interpretation of the interactivity of music festivals.
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