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"Violet" expresses poetic emotions. This work was composed by Mozart on June 8, 1785. It is full of romanticism and became an art song at that time. The model in the theme laid the foundation of German and Austrian art songs for the later musical and artistic creations of Schubert, Brahm and others.

Abstract Mozart was a master of European classical music in the 18th century. He composed thirty-six artistic songs during his lifetime, and integrated German and Austrian art song styles and romanticism into his music. complex. He gave music more otherworldly appeal and vitality, and was the first composer to create German and Austrian songs. This article studies the integration of "sound" and "emotion" in Mozart's music through the analysis of Mozart's vocal art works.

Keywords Mozart; vocal art works; "sound" and "emotion"; fusion

Mozart's works are not many among the many musicians, but the style of these works There are many kinds of songs, with generally beautiful melodies and rigorous structures. Many of these classic songs have extremely important artistic status and value in the long history of art songs. These works have unique and distinctive musical images and simple and simple musical vocabulary, and the creative techniques are very delicate. The fusion of emotions is achieved in music. Mozat's works use changes in notes and rhythm to express different emotions of music in different works. Below, the author will conduct a detailed analysis of the emotions contained in different music styles.

1. The fusion of gentle emotions and Italian music and art

In Mozart's "Friendly Calm", it is mainly written in Italian and has the exquisite and elegant characteristics of Coco style. The lyrics There are only four sentences, and the content mainly expresses the praise of peace and love in people's hearts. Mozart repeated it many times in the work, and the emotions in it are very sincere, making people fully feel the beauty of harmony and balance of beauty. With the help of the tempo of the small wide board, the melody of the whole work is very smooth and beautiful, and the emotions are very sincere, giving people an impression of harmony, light and a better life. This song is often loved by female singers due to its classical, elegant, and calm style, and is often chosen at concerts.

2. Chanting in music

In Mozat’s "The Strange Bird" and "I Walked into the Woods", he composed it for the then singer Austrian when he was 22 years old. Composed by Gusta, who was staying in Manheim at this time, the above two pieces of music have the flavor of Parisian arias which were very popular at the time. The former is mainly Tongpu songs. The melody and texture in the songs are relatively simple, like declarative tunes. The piano uses a lot of appropriations in the accompaniment, and the music style is very lively and elegant. The latter song "I Walked into the Woods" is full of drama, and the rhythm of the music changes very quickly. This song is particularly like a tragic aria in Mozart's creation.

The most important thing to mention is Mozart's "When Louise Burns the Love Letters of Her Unfaithful Lover". Although it has a long title, it is special among the songs written by Mozart. This piece was composed by Mozart in Vienna in 1787. The whole piece is completed in just twenty short stanzas, which fully demonstrates the dramatic and tragic atmosphere. The piece tells the story of a girl Louise who burned down The story of all the letters sent by her unfaithful lover. The songs express the girl's inner pain, and sometimes there are beautiful chants. The emotional expressions are very rich in the piano accompaniment, the music forms are varied, and the emotions are strong and powerful, fully expressing the ups and downs of the protagonist's inner emotions. In the stirring music, we can seem to see letters gradually turning into ashes and burning flames. This piece showcases Mozart's lyrical and dramatic talents. The composer's unfortunate life seems to be condensed into a short song.

3. The poetic feeling in music

The poetic emotion is expressed in "Violet". This work was created by Mozart on June 8, 1785, and is full of romanticism. , was considered a perfect fusion of poetry and music at that time. Many music scholars believe that this song plays an important role in the development history of German song art. The piano accompaniment in this song is the first time in the history of music that it is separated from the singing melody and maintains an independent role. It seems that the writer is slowly narrating his heart. This piece of music mainly comes from the poem "Elvin and Elmire", which mainly uses personification to express the humility and pure love that the author yearns for. Mozart did not use the traditional method of segmenting songs in his creation, but wrote an implicit and elegant complete song section by section. The description contains deep feelings, describing the beautiful yearning for violets and lamenting its misfortune. encounter. The whole music is like crying and the image is lifelike. It became a model of art songs at that time and laid the foundation of German and Austrian art songs for the later musical and artistic creations of Schubert, Brahm and others.

4. Innocent childlike interest and music

Before his death in 1791, Mozart composed three children’s songs full of childlike interest, innocent and beautiful, "Early Spring", "Longing for Spring" and "Game", some people speculate that Mozart wrote it specifically for his children. The songs all use the form of stanzas, with a short structure and simple melody and rhythm, but the language of the music sounds very beautiful, vivid, graceful, and full of innocence and childlike interest. The bright and joyful songs make it difficult to imagine that Mozart was in a miserable state of poverty and illness at this time. He once said: Even if my tongue has tasted the taste of death, I will still maintain an optimistic creative attitude. This is indeed the case. What he showed people in his three creations was a world that was pure, bright, and full of optimism, making people full of information and hope for life.

5. Humor in music

Music is also used to express humorous emotions in Mozart’s works, such as "Warning" and "Old Woman". These are not only symphonic accompaniments written for bass but also interludes to an unfinished comic opera. Among them, candy is compared to a girl, and fathers in the world are warned to protect their daughters like candy. The music content is very humorous. It reflects the corruption of social fashion at that time, and has distinctive folk characteristics in the sound pattern. It is simple, natural, easy and smooth, and shows Mozart's humorous side. In the work "The Old Woman", a woman is described as criticizing a young man. In the expression column, Mozart specifically noted that it should have a "certain nasal sound", which put forward an unusual requirement for the singer. Require. It highlights the writer's meticulous observation and accurate grasp of the characters' characteristics. The use of one word, one note and local vibrato in the vocal melody vividly imitates the characteristics of an old woman's speech and has distinctive image characteristics.

6. Summary

Based on the specific works of Mozart, this article introduces the use of sounds in different music to express emotions, and a good integration between the two is achieved. , achieved good musical effects and created Mozart's unique artistic taste and charm.

References

[1] Wang Weihan. An exploration into the stylistic characteristics and vocal language of Mozart’s art songs - taking the work "Friendly Calm" as an example [J]. Jintian, 2014 , Issue 04(04).

[2] Zhang Tianhui, Li Qiaowei. The important value of Mozart’s art songs in vocal music teaching [J]. Human World, 2015, (13): 100-100.

[3] Li Xiang. Research on the use of Mozart’s operas and artistic works in vocal music teaching—taking "Whip Me" and "Allelujah" as examples [J]. Everyone, 2011, (02): 7- 9.

Expansion: The style of Mozart’s piano works

Mozart’s piano music is characterized by beauty, smoothness, clarity and optimism. Mozart creatively inherited and developed Alberti's bass writing techniques and enhanced the melody of the bass. He not only absorbed the elegant taste of the decorative sounds in the French Couperin harpsichord music, but also greatly changed the form of the decorative sounds, making the decoration Sound is no longer just a decorative part of the melody.

This new piano vocabulary creation not only formed the delicate and elegant style unique to Mozart's piano music, but also had a great influence on the 19th century Polish pianist Chopin.

Wolfgang Amadeus Mozart (1756~1791), an Austrian composer, was the second master of the Vienna classical music school. Mozart's piano music is an important area in his creation. His main piano works include more than 20 piano concertos, 20 piano sonatas, variations, rondos and fantasies.

Mozart’s piano music is characterized by gracefulness, smoothness, clarity and optimism. Mozart's extraordinary melodic genius in operas is also fully demonstrated in piano music. For example, piano music not only has a slow theme, broad, melodious, and graceful, just like the arias in operas, but even those light and beautiful cadenzas, They are all singing from the bottom of my heart. Mozart's piano playing style is famous for its elegance, refinement, delicacy and delicacy. Mozart creatively inherited and developed Alberti's bass writing techniques and enhanced the melody of the bass. He not only absorbed the elegant taste of the decorative sounds in the French Couperin harpsichord music, but also greatly changed the form of the decorative sounds, making the decoration Sound is no longer just a decorative part of the melody. This new piano vocabulary creation not only formed the delicate and elegant style unique to Mozart's piano music, but also had a great influence on the 19th century Polish pianist Chopin.

"Piano Sonata No. 11" was composed in 1778. After Mozart finished his traveling performances in 1772, he returned to his hometown of Salzburg and served as the music director of the local archbishop's court. In order to get rid of the archbishop's arbitrary, rude and barbaric oppression, he hoped to seek a position in another court, so he traveled to Paris again with his mother in 1778. However, this "child prodigy" who was a hit at the time is now ignored in the upper class society in Paris. He failed to seek a position. His mother passed away in Paris. Despite all these misfortunes, he still wrote 5 poems. Excellent Paris Piano Sonatas, these pieces of music have profound emotional content, most of them are optimistic and clear, with a kind of confidence and optimism unique to the Enlightenment period, but from time to time there is a shadow of sadness shrouded in the music. These five piano sonatas also mark the complete maturity of Mozart's piano sonata creation.

"Piano Sonata in A major" is one of the most typical pieces of music, and the above-mentioned Mozart piano music creation techniques and characteristics are fully reflected in this sonata. "Piano Sonata No. 11", the first movement, is a "variation suite consisting of a theme and 6 variations."

Theme: A genre style that reproduces a two-part theme, similar to the characteristics of Italian Sicilian dance folk music, with a simple melody, clear and singing. More inner and lyrical in character, the music's serene mood is close to that of Mozart's spirit, while the depth of emotion shown is unprecedented. The theme has a beautiful Andante, 6/8 beat, A major, dotted rhythm, the musical duration is basically one beat and one note, the melody is deliberately simplified, and the repetition of the same sound leaves room for subsequent variations. Among the four phrases of the theme, the first half is 8 bars, and the second half is 10 bars: the first half of each sentence has a smooth and lyrical melody, and the second half of each sentence has thickened sound and is a chord statement.

And each phrase begins with the characteristic rhythm of Sicilian dance music. The presentation and reproduction parts of the theme are singing, and the middle part is mainly dance. The whole theme is the interpenetration of singing and dancing, each with its own emphasis. From a general point of view, "Mozart's piano sonatas cannot compete with Beethoven's 32 piano sonatas, especially with Gunslinger, Moonlight, and Passion. But today there are thousands of pianos in the world, and the piano sonatas of Mozart and Beethoven Musical scores are always put together and will definitely continue into the next century, as long as people are still human and retain their basic humanity..." The music of Mozart and Beethoven are always complementary, just like the sun and the moon, the woods and the Birds, sky and sea are always complementary. On this planet of ours, wherever there is a piano, there must be piano sonata scores by two writers on the piano. This is called immortality.

Performing his works must grasp the musical style that is both implicit, elegant, and exquisite. Specifically, the following points should be noted.

1. Very melodic.

The main themes of Mozart's works are often simple and highly singing. When playing, it should be clear and prominent, not hasty. Every note must be played thoroughly but not dryly, solid but not hard, and full of charm.

2. Play crystal clear music.

In terms of finger touch, non Legato should be the main focus. Use your fingertips to touch the keys quickly and not harshly, so as to produce even and clear sounds.

3. Pay attention to the processing of musical phrases and the comparison of strengths and weaknesses. Mozart's works rarely have ups and downs in contrast between strengths and weaknesses, but almost every sentence has a crescendo and fade-out curve. Strong changes in f-PPP rarely appear in his works, but there are often echoes and contrasts between musical phrases. Just like a conversation, every question and answer is well-proportioned. Sometimes, it is not easy to play two short phrases well.

First of all, each phrase itself must have a gradually increasing and decreasing curve. Secondly, there must be a contrast of strength and weakness between sentences. For example, the first phrase can be played slightly weaker, as if to raise a question.

The second phrase can be played slightly stronger than the first phrase to achieve the effect of answering the question. Of course, there are other processing methods, but they must be changed to form a contrast between the intensity and strength before and after.

4. Pay attention to all the marks on the score.

Playing Mozart's works does not allow the performer to have too much freedom, but should strictly follow all the marks and prompts on the score. Such as skipping, legato, rest, etc. In this way, the author's intention can be expressed more accurately.

5. Use the right pedal correctly.

There has always been controversy over whether the right pedal should be used to play Mozart's works. I think it should be used, but sparingly and concisely, and the clarity of the texture, syntax and playing method must not become unclear because of the use of the right pedal. It should be as unnoticeable as possible, used only for a short period of time for the sake of timbre to make a difficult legato easier to handle. Engel once wrote "Mozart in Philosophical and Aesthetic Literature", which listed extensively how European philosophers and writers worshiped Mozart. He said: "Two hundred years have passed. As an important part of the European spirit, Mozart Music is not only alive, but has become one of the strongest voices of the European era.

Who can imagine what the European spirit would be like without Mozart's music? The world would inevitably feel monotonous and lonely. "Just like Germany. The writer Stendhal said: "People who are fascinated by Mozart's music will not be satisfied from the works of other musicians."

In short, to play and appreciate Mozart's works, you must have a correct understanding , only after they are properly grasped can their beauty be fully revealed. Mozart was a natural musician, and the music he created was music from heaven. The pain of material life cannot affect his spirit at all. Despite the extreme misery of his life, there is nothing dark about his works. They all reveal warm light like spring and are full of vitality. If Beethoven expresses his complex spiritual life through music, which is the art of life, then Mozart expresses its beauty through music, which is art.

Introduction to Mozart

Mozart’s full name was Wolfgang Amadeus Mozart. He was born on January 27, 1756 in a family of court musicians in Salzburg, Austria. , died in Vienna on December 5, 1791, at the age of 36. Mozart showed great musical talent since he was a child. He learned piano from his father at the age of 4 and began composing music at the age of 5. When he was 6 years old, he and his sister went to Munich, Vienna, Paris, Milan, Pressburg and many other places under the leadership of his father. An experimental tour was conducted. This performance made Mozart so famous that he was even invited to the Royal Palace in Vienna to perform for the emperor. This music prodigy has an astonishing creative speed and brilliant artistic achievements. It is no exaggeration to call him a genius. In his short life, he composed more than 20 operas, more than 40 symphonies, more than 50 concertos, 27 string quartets, etc., totaling 622 works. . Mozart's music has clear and lively rhythms and sweet melodies. Many great men and scientists have loved his music throughout their lives. Opera is the mainstream of Mozart's creations. Together with Gluck, Wagner and Verdi, he is known as the four giants in the history of European opera. Mozart's opera works have strong national, contemporary and social characteristics.

Expansion: Vocal Art Singing Style

Vocal art is a form of expression of music art. It is developed in practice by people of all ethnic groups in the world through the accumulation of time and the baptism of history. What comes is the crystallization of human civilization and artistic creation. It is like a bright pearl, standing forever in the world's cultural forest, making a leap-forward contribution to the development of human civilization.

1. Overview of Vocal Art Singing Style

Vocal art, simply put, means that people obtain beautiful voice application skills through scientific practice methods, and can skillfully use singing to express The thoughts and feelings conveyed in musical and artistic works. Singing style describes the main ideological characteristics and artistic characteristics embodied in musical works. From the perspective of music creation, style refers to the uniqueness reflected in a work of art. Regarding the classification of vocal art singing styles, the more common classifications in society are: popular singing, bel canto singing, and ethnic singing.

2. Characteristics of Vocal Art Singing Style

(1) Characteristics of Popular Singing

Popular singing is the trend of art development in the world today, and it is also the development of music art. product. It not only reflects the genre and artistic development status of vocal music, but also reflects the people's living environment and social phenomena. It is a simple, easy-to-understand, easy-to-learn, and easy-to-perform entertainment method that is deeply loved by the public. Its rapid spread, relaxed and harmonious playing atmosphere, wide range of playing methods, and relatively direct expression of the creator's emotions have made it quickly gain a large number of loyal fans.

(2) Characteristics of Bel Canto

Bel Canto means singing beautifully. More than a century ago, this singing style, which originated in Italy in the 17th century, was introduced to China. It has beautiful melody, loud tone and free pronunciation, which has greatly promoted the pace of Chinese music art.

(3) Characteristics of National Singing Method

National singing method was developed from Chinese folk songs. It is a traditional Chinese singing form with strong national imprint and mass foundation. It was created by the Chinese people when they were working hard in nature. It has a profound mass foundation and embodies the spirit of the Chinese nation. Its broad, majestic, delicate and profound characteristics show the essence, spirit and spirit of the Chinese national music art.

3. Thoughts on vocal art singing styles

(1) Attitudes towards these three vocal art singing styles

For these three vocal art singing styles Style, we cannot evaluate their quality based on subjective assumptions. The popular works with profound attainments are also highly scientific and artistic in their singing methods. They can accurately use songs to express the emotions in their hearts and have extremely high artistic value. We must look at these three singing styles with a critical eye and a spirit of abandonment, extract their essence and discard their dross.

(2) Diversification of singing styles in vocal art

Due to the progress of society, singing styles in vocal art are becoming more and more diversified. Vocal art will not be limited to just one singing style. Creators will use their endless creativity and talent to make the vocal art singing style more artistic. Only by continuously integrating the three vocal art singing styles and constantly adding new singing methods can we create a more beautiful, ethereal and diversified vocal art.

(3) As the pace of the times accelerates, vocal art singing styles show new trends

Due to the development of the times, opportunities for cultural and artistic exchanges between regions and ethnic groups have increased. , the idea of ??musical harmony of one world and one note will become an irreversible trend. Our thinking and vision will be greatly broadened, and vocal music art will show new vitality and vitality. Today, whether it is bel canto, ethnic singing or popular singing, they are all important forms of vocal art. However, vocal art cannot be limited to singing method, or even can ignore singing method. As long as true emotions are expressed scientifically, naturally, beautifully and comfortably, it is very likely to become a new trend in vocal art singing style.

(4) The cross-border singing style has unique charm

The cross-border singing style has a strong fusion, cleverly combining the above three singing styles and the original singing style , taking the essence and discarding the dross, forming a unique singing style with great artistic appeal.

It is worth mentioning that this style does not exist for the purpose of singing method, but emphasizes the expression and transmission of emotions, enriches the diversified development of vocal art, and further expands the development space of the music market. It is worthy of readers' further study.

4. Summary

In short, any kind of vocal music works and singing forms have their own value and significance. They have witnessed the development of human civilization and history and reflected the development of human civilization. Intelligence. We should view them with tolerance, respect, and admiration, and take the initiative to shoulder the responsibility and mission of inheriting history.

Expansion: Aesthetic construction of vocal music art

1. Overview of the aesthetics of vocal music

(1) Melody beauty is the soul of musical works.

Songwriting is no exception. As a comprehensive form that combines music and language, music is the core of its language system construction. The charm of vocal beauty mainly depends on the melody beauty of the composition. The overall composition of a tune also includes melody, rhythm and harmony. Among them, melody and tone are the foundation, and the popularization and promotion of vocal music also mainly rely on the catchy melody and tone and the sensitive and bright emotional style. The beauty of the tone should first be consistent with the emotion or emotional characteristics provided by the lyrics, whether it is warm and cheerful, solemn and majestic, sad, sad, etc., it must be grasped while deeply exploring the meaning of the words. The general trend of emotional tone.

(2) Classification of songs.

Songs come in many forms. From the perspective of the status and importance of melody, harmony and rhythm in song creation, we can also try to divide songs. For example, traditional song melodies place special emphasis on the "human voice", and their emotional connotations are based on classical elegance; polyphonic works pay special attention to the weaving and coordination of harmony, and have "original" and "academic" tendencies ; As for rhythm, it plays an important role in the music of indigenous peoples such as Africa or in the creation of modern pop music.

(3) The beauty of the sound quality of vocal singing is the basis of the beauty of the voice.

The sound quality itself is not only the external standard of sound texture, but also the manifestation of singing vocal effect. It is based on certain technologies and methods. Appreciation of technology and methods is also one of the important reasons for vocal beauty. It is a good footnote that the worship of treble was once widespread in opera. The packaging or star effect of today's pop music is largely based on the singer's unique voice. There are countless such examples.

(4) The beauty of the pronunciation of the vocal tune. The beauty of the pronunciation is also an important component of the beauty of the tune. As far as Chinese vocal art is concerned, the method of shaping sounds according to the words and the tone includes the sum of the methods and techniques for the beauty of the sounds of all words. Even in Western vocal music, the pursuit of the beauty of words and sounds is something that a good singer must strive for. Taking Nikolai Gueda as an example, "Gueda not only has a wide range of repertoire, but his accurate pronunciation is also very eye-catching. In general, Gueda's characteristics are beautiful voice, clear pronunciation and impeccable technique." Clear articulation forms the basis for the perfect voices of singers. For example, singers worshiped by Al-Qaeda such as Gilly, Skippa, and Bjorlin have shown their advantages and strengths in this aspect. The beauty of the pronunciation of characters is the basis of the overall artistic effect of "the characters are correct and the tone is round". According to the needs of emotional expression, mastering and processing the tone and gesture of words, such as the weight and strength, high and low, high and low, fast and slow, and continuous and continuous, often form the basis for singers to embellish their voices.

2. Diversified singing concepts

Ideas are the forerunner of actions and play an important leading role in subsequent behaviors. Therefore, if we want to form a diversified singing style, we must take diversified singing concepts as the premise. National vocal music, as a traditional vocal art in my country, has formed certain aesthetic standards and habits during its long historical development process. On the one hand, singers must achieve this standard and habit through hard training and rich practice; on the other hand, they must realize that these habits and standards are neither static nor insurmountable. Each singer can make personalized attempts and explorations, and only bold innovation can form a distinctive personal style.

On the contrary, if it is just a blind imitation, no matter how similar it is, it will always be in the shadow of others, without personal style, and it will be difficult to leave a deep impression on the audience. For example, in terms of singing technology, many previous singers have organically integrated bel canto singing and ethnic singing, and have achieved good results.

Singers can definitely integrate more singing methods. As long as they are scientific and excellent, they can be used by me. Only by establishing an open and exploratory view of singing can we lay a solid foundation for getting rid of the misunderstanding of singleness and forming a diversified singing style. To sum up, we have summarized the overall composition of vocal art beauty from two aspects, indicating the specific characteristics of the factors that constitute beauty and the integration relationship between them. We believe that the aesthetic characteristics of vocal music are, on the one hand, contained in singing. The strength of the "vocal nature" is its yardstick, and sound and emotion are its core. On the other hand, it is reflected by the objective factors of vocal music, such as the relationship between words and music. Style and charm serve as a weathervane. ;