The first sentence contains metonymy, the second sentence is personification, the third sentence is allusion or exaggeration, the fourth sentence is not, the fifth and sixth sentences are synesthesia, the seventh or eighth sentences are metonymy and exaggeration, the ninth sentence is allusion, the fourth sentence Ten sentences exaggerate synesthesia, twelve sentences personify, and the last two sentences exaggerate or use mythology. The plan uses four rhetorical techniques: exaggeration, describing the charm of music that makes Furong cry and fragrant orchid smile; personification, in which "crying" and "laughing" are personified; The quotation implicitly uses Liu Xie's poem "The dew of autumn leaves is like weeping, and the spring flowers hold the sun like smiles"; synaesthesia turns the sound of music into the beautiful image of flowers.

These two sentences are still on the whole. The rhetoric of antithesis is used to make the content more vivid, profound and powerful, and the form is neat, symmetrical and harmonious, giving people the enjoyment of musical beauty and symmetry.

Four, cold light melts in front of the twelve doors. , Twenty-Three Silks Moving Purple Emperor

The word "cold" uses the rhetorical figure of setting colors to express the characteristics of things clearly and prominently with rich and colorful words. This rhetorical method is called setting colors. , also known as color application. The word "cold" here makes the shock of the music more intuitive and sensory, enhancing the image and appeal of the language.

"Integration." "The word uses an exaggerated figure of speech. In fact, the cold air and cold light cannot be melted, because Li Ping plays the konghou very well, and people are so intoxicated in the music that they can't even feel the cold of autumn.

" "Purple Emperor" uses pun rhetoric, referring to both the most respected god of Taoism and the emperor at that time. The word "Purple Emperor" naturally expands the poetic meaning from the human world to the fairyland, showing the author's ingenuity in crafting words.

These two sentences also use the rhetorical figures of antithesis. "Twelve Gates" versus "Twenty-Three Silks", "Rong" versus "Dong", and "Cold Light" versus "Purple Emperor", giving readers a sense of contrast. The majestic aesthetic enjoyment of music

5. Where Nuwa refines stones to mend the sky, the stones break the sky and amaze the autumn rain

These two sentences use the rhetorical figure of manifestation, which means manifestation. It refers to making things and scenery that are actually unseen and heard come alive, thereby greatly enhancing the artistic appeal of language. The meaning of these two sentences is that even the goddess Nuwa couldn't help but forget the magic of patching the sky after listening to Li Ping's performance of the konghou. The heavy responsibility actually caused a "shattering" and caused a lot of Qiu Yu to describe the imagined things as if they were in front of our eyes.