1. Mozi's theory of "non-music" embodies the music views of producers and ruled, and its essence is non-Confucianism, which is a part of Mozi's criticism of Confucian political opinions, and has an important influence on the music theories of Taoism, miscellaneous schools and various schools of thought, and is an important source of China's music theory. In essence, it is a concrete measure that his "frugality" principle is applied to prevent aristocratic waste. Mozi put forward the principle of frugality from the standpoint of "the interests of the country and the people", and "non-happiness" is also a part of his "frugality" thought Li Chunyi's article "On Mozi's" Non-Music "said:" Mozi's "Non-Music" theory is a kind of reaction to the music art itself; However, as far as its social and political significance is concerned, it basically reflects the desire of the small producer class and the people to protect their lives and property and improve their social status during the period when ancient slavery was on the verge of disintegration and began to transition to feudal system since the end of the Spring and Autumn Period, and made a heroic and sharp criticism of the corrupt lifestyle and' rites and music' system of the ruling class at that time, which was of great progressive significance under the historical circumstances at that time. " 2. Shang Yang: It is required to sing the war with music, promote the great cause of unifying the world, praise the merits of the landlord class king with music, serve the new feudal system, and exclude other music, deny music education, and deprive people of the right to enjoy music culture. Han Fei: He believes that music is useless and harmful, but affirms some practical values of music, and advocates depriving people of the right to enjoy music, while giving emperors the privilege of indulging in debauchery. How do I know what you think? It's not a worm in your stomach. 3. On the basis of drawing lessons from and inheriting the pre-Qin music aesthetics, Lv Chunqiu combines the theories of various schools and puts forward its own unique views. It put forward the important category of "fitness" for the first time in the history of music aesthetics, and analyzed and demonstrated it; It also summarizes and perfects the theory that music has great functions for individuals, countries and society. 1> Lv's Spring and Autumn Annals preserves the musical aesthetic thoughts of Yin and Yang, and holds that music comes from and is unified with nature, while music reacts on nature to promote the harmony of the whole universe. 2> Lv's Spring and Autumn Annals also discusses the origin of music, saying that "music comes from the first year" and "sound comes from people's hearts", but it does not solve the relationship between them, emphasizing that the sound of music is a simulation of the sound of nature, which is a simulation of the origin of music. 3> It is also said that music is born of measurement, emphasizing the principle of "peace", demanding "moderation" rather than "obscenity", and that excessive voices are not conducive to health preservation. Affirm people's aesthetic desire for music, and oppose indulgence. It is believed that only by combining a peaceful subjective state of mind with moderate objective happiness can we really get aesthetic pleasure from "desire" to "joy", and there is obvious Taoist thought of health preservation. 4. The pre-Qin Confucianists generally took heaven as the dominant factor and carried forward Yang's traditional cultural thought. The Confucianists advocated "being", remained promising, and joined the WTO, emphasizing personnel over nature. Taoism values softness and respects yin, advocates the orthodoxy of Huangdi and Laozi, and thinks that everything belongs to the earth, and the earth is "Kun" and the earth is soft. Therefore, Taoism carries forward the traditional cultural thought of softness, worships "nothing", has nothing to do, retreats, and values nature over personnel. Their musical thoughts are not only parallel and opposite, but also integrated and converged. Confucianism and Taoism, whose yin and yang are in harmony and complement each other, have a far-reaching influence on China's ancient music thoughts. In the development of China's ancient music thoughts, their works are brilliant and brilliant, and they can not be separated from them in later thoughts, either Confucianism or Taoism. This should be the tradition and characteristic of China's music thought. To tell the truth, this topic is enough to write tens of thousands of papers /A-gzxk25218.html 4> The relationship between music and politics is close to Confucian aesthetics. The core is: the law is precious and true; Tianle 6. The characteristic of the miscellaneous family is to unify Confucianism and Taoism with the theory of Yin-Yang and Five Elements, with Taoism as the core. It not only criticizes Mozi's "non-music" proposition, affirms people's aesthetic desire for music, but also opposes indulgence of desire and clearly advocates abstinence. It is believed that only by combining peaceful subjective state of mind with moderate objective pleasure can we get "pleasure" from "desire" and truly obtain aesthetic pleasure. 7。 It is acknowledged that music can make people happy and give people a sense of beauty, but it is believed that the premise of making fun and enjoying music should be "success without great future trouble"; It is believed that at that time, "the hungry can't eat, the cold can't wear clothes, and the laborers can't rest", so they can't have fun and listen to music; It is believed that music is not only useless, but also harmful. Enjoying music will waste people, hurt money, mismanage politics and even ruin the country. This view of music as a harmful thing, putting forward the theory of music subjugation and advocating the prohibition of music, is a narrow utilitarian musical aesthetic thought.