The background music when Tony and Ahu assassinated several insiders except Watson one by one to protect Lu Liangwei was a classic, with a light and lazy rhythm and rhythm accompanying the killer again and again. The calm, relaxed, and somewhat disdainful attack (especially the scene where Ah Hu squats next to the car and snipers four eyes) appropriately renders the inner world of the killer at that time. The calm appearance is yet cold, and the gentle melody hides murderous intent. The director placed the flames of violence under the surface of peace, just like throwing a hard stone into quiet water, which can better express the hardness of the stone. Perhaps this is also an aesthetic characteristic of violent aesthetics!

The background music when Brother Bullet kidnapped Lu Liangwei and exchanged fire with the enemy in "Nan Sang Wai" was so damn exciting! So delicious! ! ! The enemy trapped Brother Bullet in the shed, and the two sides engaged in a fierce exchange of fire. The strong rhythm of the background music made people breathless. The rhythm became faster and faster, and Brother Bullet broke through the wall from the shed. When it comes out, the rhythm explodes. As Bullet Brother gradually distances himself from the enemy, the rhythm gradually becomes calmer.

At the end of the film, Brother Bullet: "Have I ever missed anyone in my life as a policeman?..." The background music is light, peaceful, and a bit vicissitudes of life. When it is said, "Everything I do is for the stability and prosperity of this place," the background music is loud and majestic.

The above is my review of some of the background music in "The Fuse". Of course, I have never studied music systematically, I just rely on feeling.

hehe! This is purely a family opinion, I hope you can give me some advice!

As for what the name is, please tell me when you know it, thank you