Li Ping's harp and harp quote describes the music as crisp and exciting: Kunshan jade is broken and the phoenix screams.
"Li Ping Konghou Yin" is a work by Li He, a poet of the Tang Dynasty. This poem uses a series of unexpected metaphors to vividly reproduce the poetic and rich musical realm created by the musician Li Ping. It vividly records Li Ping's superb skills in playing the harp. It also shows that the author has a deep understanding of the music and his ability to play it. Rich artistic imagination.
The language of the whole poem is sharp and beautiful, the conception is novel, and it is unique. It only uses two sentences to briefly describe the music itself, but uses a lot of pen and ink to exaggerate the moving effect of the music that is shocking, weeping ghosts and gods, and a lot of associations. , imagination and myths and legends make the work full of romanticism.
Original text of the work: Wu Si, Shutong and Zhang Gaoqiu, blank and condensed clouds are not flowing. Jiang E cries about the sorrow of women in bamboo, while Li Ping plays the Chinese harp. Kunshan's broken jade phoenix screams, hibiscus weeps and dew fragrant orchid smiles. Cold light melted in front of the twelve doors, and twenty-three silk threads moved the purple emperor. Where Nuwa refines stones to mend the sky, the stones break the sky and make the autumn rain startle. In the dream, I went to Kunshan to teach the gods and women, and the old fish danced the thin dragon dance. Wu Zhi sleepless and leans against the osmanthus tree, flying wet and cold rabbits sideways with bare feet.
Appreciation of works:
Li Ping was a disciple of Liyuan and became famous for his good playing of the harp. "The emperor sees him once a day, and the princes and generals immediately greet him." His wealth seems to be far higher than that of Li Guinian, a famous singer in the prosperous Tang Dynasty. His superb skills were enthusiastically appreciated by poets. Li He's article is rich in imagination, magnificent in color, and has strong artistic appeal. Fang Funan of the Qing Dynasty compared it with Bai Juyi's "Pipa Xing" and Han Yu's "Listening to Master Ying Playing the Qin", and praised it as "copying sound to text".
The biggest feature of poetry is its unique imagination, vivid images and full of romanticism. The poet is committed to transforming his abstract feelings, emotions and thoughts about the sound of the harp into concrete objects through association, making them visible and perceptible. The poem does not directly judge Li Ping's skills, nor does it directly describe the poet's self-feeling. Some of it is just a description of the music and its effects.
However, throughout the whole article, the poet's feelings are expressed everywhere, and he expresses his feelings and evaluation of the music in a tortuous and clear way. This integrates external objects and internal emotions, forming an artistic realm that is pleasing to the eye and mind.