1. Miliza KorjusMiliza. Korjus is a Polish soprano singer (1909-1980). Her father Arthur, of Estonian nationality, is a chief of staff of the Russian Royal Army. Her mother Anna, Married to him as a noble. Later, her parents separated from each other for some reason, and she began to study music during this period. As a young girl, Korjus traveled and sang. During the Lenin era, due to certain pressures, she escaped from the Soviet Union and entered Estonia to reunite with her father. And married a physicist named Kuno.Foelsch. After a period of travel, Korjus continued her music career in Germany. Her opera singing and recordings quickly made her a leading singer in Europe, earning her the nickname "Berlin Nightingale". A film producer even signed her to a ten-year film contract after hearing her recording. Korjus' only Hollywood film was "Spring Dawn" in 1938. Her second marriage was to a doctor named Walter Shector. She died of heart failure in August 1980. Militza Korjus - Bell Song from Lakme (Delibes)Korjus's gorgeous variations Korjus in the spring dawn on the green embankment. . . Regarding Korjus I have two CDs of hers. . . One is mainly waltz. . . There is also a picture of some opera excerpts. . . I feel that her singing is indeed in line with the reputation of "the sound of the flute". . . Watery coloratura. . . . Among them, the high A of Song of Shadows is impressive. . . (Some of MS’s recordings are from her earlier years... her voice condition was better at that time...) 2. Amelita Galli-Curci (Amelita Galli-Curci, 1882) -1963) Italian soprano. He studied piano and composition in Milan and taught himself singing. After making his debut in Verdi's Rigoletto, he performed Bizet's Don Procopio in Rome in 1909. After making his debut in Verdi's Rigoletto, he performed Bizet's Don Procopio in Rome in 1909. After that, he toured Egypt, South America, Spain and Russia and became famous far and wide. After that, he toured Egypt, South America, Spain and Russia and became famous far and wide. Started performing in the United States in 1916. Started performing in the United States in 1916. After singing Puccini's "La Bohème" in 1936, he retired from the stage. After singing Puccini's "La Bohème" in 1936, he retired from the stage. Curci's Una voce poco faAmelita Galli-Curci - Bell Song (Lakme) 3, Lily Pons Lily Pons (Lily Pons, 1904.4.12-1976.2.13) French coloratura soprano singer (American citizen in 1940). Born in Draginan, France. In his early years, he majored in piano at the Paris Conservatory of Music. In 1925, he studied vocal music from Gorostia. In 1928, she premiered the opera "Lakme" (composed by Driber and played the heroine Lakme) in Mulhouse, Alsace, and received favorable reviews. In 1931, she performed Lucia in Donizetti's "Lucia di Lammermoor" at the Metropolitan Opera House in the United States, which shocked the United States. From 1931 to 1938, he sang at the Metropolitan Opera House in the United States and the Teatro Colón in Buenos Aires. At the same time, he also traveled and performed throughout Europe and the United States. Retired in 1964. In 1972, at the age of 68, he held a successful concert in his later years with the accompaniment of the New York Philharmonic Orchestra.

Her voice is beautiful and smooth, full of high flexibility, wide range and vivid expression. She is one of the most popular coloratura sopranos after Galli-Curci in the first half of the 20th century. She is good at singing Lucia, Lakme, Gilda, Rosina, Mignon, Amina, etc. LILY PONS SINGS FROM LUCIA 1937Lily Pons - Una voce poco faLILY PONS SINGS LIKE A BIRD FILM 1937 This relatively early recording of Lily Pons is not very open and dry, and the use of coloratura is also more prominent. . . And this one is a later recording. . . . (Forty or fifty years old) I feel like MS is a bit more expensive. . . But the tone is starting to get a bit dry. . . Sometimes MS still has "breaks" = =. . . . . 4. Erna Sack Erna Sack (1898-1972), a famous German coloratura soprano, was born in Spandau, Germany (now Berlin) in February 1898 and died in Wispa, Germany in 1972 Den, aged 74. Erna Sack was a famous and prominent "German Nightingale" in the 1930s. She was born with a good voice and was self-taught. This genius, extremely high-pitched coloratura soprano who could sing across four octaves, recorded many of Telefunken's most valuable recordings in the mid-1930s. Erna Sack's specialty was operettas, Italian songs with bel canto skills, and popular songs at the time. Erna Sack - Voices of Spring (second half) Pay attention to the first few seconds and don't be scared. . . . . Erna Sack - Blue Danube This person is always messing around with g3 and a3 - -. . . High-pitched sounds that last for more than ten seconds often appear. . . . Always be mentally prepared when listening to her CDs = =. . . . MS can sing the highest note up to b3. . . 5. Mado Robin (Mado Robin, 1918-1960), a French coloratura soprano. She is known as the world's super coloratura soprano and the "French Nightingale". She is one of the two highest-singing women in the bel canto system of the 20th century (the other is Erna Sack). Especially when she does not abuse her high notes, she sings most artistically. Mado Robin is a gifted soprano. She can accomplish a task that ordinary sopranos cannot achieve despite their best efforts - "relaxingly and happily" singing an octave higher than high-C, and the higher the pitch, the better. , her control became more and more stable. Not only that, Robin's voice was extremely sweet, which made her an unparalleled coloratura soprano. What makes the world regretful is that Mado Robin died young at the age of 42. A fragment of Mado Robin's Lucia's crazy scene (the last note has b3...) Mado Robin - Una voce poco fa This person has a pattern when singing: the last note is drawn upward - -. . . So if you want to hear the highest note, just skip to the end = =. . . . 6. Maria GalvanyMaria Galvany (1876-1949) is a famous Spanish coloratura soprano. Maria Galvany made her debut at the Lucy House in 1897, and subsequently sang in several important opera houses, although never at the most important opera houses such as La Scala, Covent Garden, and the Met. Galvany died in Rio de Janeiro in 1949. (Some comments say: Spanish coloratura sopranos tend to have well-developed high registers, are good at skipping notes, and have instrumental coloratura skills, but their vocal legato ability is poor (seems doubtful). Sometimes the coloratura use is too mechanical and rigid, and too ostentatious; Maria Galvany is a typical figure in this regard, her shortcomings and advantages are equally obvious.

)Maria Galvany - Arditi - L'incantatriceMaria Galvany - Der Holle RacheThe sewing machine coloratura - -. . . . It is said that he was in a miserable state in his later years. . . . From this CD, I found out that her legato ability is not bad either. . . . And the bass area is also quite solid. . MS is still a big coloratura. . . . It’s just that the recording quality is really limited. . . Her skills sound somewhat compromised. . . . 7. Luisa Tetrazzini Luisa Tetrazzini (1871～1940), Italian coloratura soprano, was born in Florence on June 29, 1871 and died in Milan on April 28, 1940. Luisa Tetrazzini is known as the "Nightingale" of Florence, Italy. She has an excellent head voice above high C and has a famous high E. He studied voice at the Florence Conservatoire from his sisters Eva and Ceccherini. She made her stage debut in 1890 at the city's Teatro Pagliano, playing the role of Inez in "The African Lady". After performing in some theaters in Italy, she performed abroad, including St. Petersburg, Madrid, Mexico and Buenos Aires. She was once known as the first soprano in Argentina. In 1907 and 1908, she performed successfully as Violetta in "La Traviata" at Covent Garden in London and the Manhattan Opera House in New York. Other roles she is good at include Lucia, Gilda, Rosina, Amina, etc. During the First World War, he performed many charity performances in Italy and held many concerts after the war. Although her bass is a bit pale and childish, her middle and high registers are exceptionally beautiful and full, especially the high notes above C. The cadenzas and skips she sang were flexible and smooth, and her attainments were extremely high. She was one of the most outstanding coloratura sopranos of her time. In his later years, he coached in Milan. She was penniless when she died, and the state paid for her burial. Luisa Tetrazzini is best known for her roles as Violetta in La Traviata and Gilda in Rigoletto. (Not in good shape - -...) Una voce poco fa (I feel pretty good...) A video of the ring song. . . . She is also considered a veteran coloratura. . . The sound is a bit more masked. . .