Tips on how models walk on the stage
Introduction: How do models walk on the stage? The following is a little knowledge about model walking that I have carefully compiled for everyone. You are welcome to refer to it!
The platform step is dynamic, but the starting position is a static posture, so the key points start from the posture. What needs to be paid attention to is to keep the body straight, have the power to pull upward, and keep the neck straight , the head is upright, the chin is flat, the shoulders droop naturally, the hands should not appear stiff and weak, the upper body should be relaxed as much as possible, avoid unnecessary movements, prevent the abdomen from thrusting forward and the buttocks from sticking back. When walking, the buttocks cannot twist to one side, and the abdomen should be tightened and lifted Breasts, do not lower your head and look down at the ground with your breasts in your hands. When taking a step, step out and drive the thigh, then lift the knee (knee is slightly bent), the inside of the knee should be close to each other, and finally the calf drives the foot. The foot should be in a straight line when landing, not a small semicircle, and the front toes should be pointed outward. This is because of the calves of Chinese models. It is in a '0' shape, and the toes can be corrected a little bit.
The route is the trajectory of the model's displacement. During the performance, the model should walk in a straight line. Whether it is diagonal or curved, it must be arranged accordingly. It is a changing factor that cannot be ignored. Different routes will cause differences between the models and between the models and the audience. The different relationships between the models and the stage, the route changes the formation, and the formation changes the visual effect.
The direction in the steps is also a kind of language. The face-to-face direction is intimate, and the back-to-back direction is contrast. When facing the audience, the positive effect of the clothing is displayed, because the model communicates with the audience more directly at this time, and it is easier to be taken seriously. The return performance has its back to the audience, but this does not mean the end of the performance, but the beginning of another visual method, because the costume performance in motion is a four-dimensional art, and the dynamic effect on the back is irreplaceable.
Although there are specific rules for the steps, models can still come up with their own style, and their body shape characteristics and personality types should be displayed in the steps. On the one hand, you have to explore this on your own, and on the other hand, it also depends on the vision of the director. If they treat the performance personality with tolerance, do not impose their own requirements on models whose basic skills are mature, and give their subordinates space to express themselves, In the face of some super-standard movements, if he can distinguish what is the result of lack of training and what is the expression of personality and style, he is a qualified artist. Not every choreographer has such qualities. Be open-minded.
The rhythm of the stage reflects the model's coordination level with the two arts of music and performance. Several different styles of music, including slow, rapid and medium speed, should be used to train the model's adaptability. In particular, some rhythms should be selected. Not too strong in sex. Do not use percussion tunes to test the model's feelings. This is the easiest way to expose the model's weakness in breaking down the melody structure.
The gait during costume performances changes from time to time. Chinese clothes can be more subtle, suits can be more calm, and trendy clothes can swing the hips more, and the steps may not necessarily stay in the same line. You can walk like an ordinary person. Similarly, you can also cross step; sportswear can be running and jumping, or you can use dance steps; the gait of cheongsam performance is relatively stable, the feet walk in a straight line, the rhythm is slow, the eyes should not move randomly, and the gestures should be in front of the chest Most of them have double-clasped hands; while the gait of the dress performance should have Western characteristics, the gait should be stable, but not like a lady, but like an aristocratic salon, with a sense of calmness and a bit of aloofness.
The characteristics of a model’s steps are determined by different factors. Such as the theme of the scene, the designer's requirements, clothing style, and fashion trends will determine the changes in the stage steps on the scene. ;