1. The first is noise reduction. Before recording, we need to record a dry sound for noise sampling, then right-click on the audio track and find the waveform editor.

2. Right-click the waveform, find Effects (offline), find the recovering noise reducer to perform noise sampling, make appropriate adjustments to the noise level and noise reduction button, and then click the save button in the icon. , and then load the saved noise preset for noise reduction processing after recording.

3. Use the BBE exciter and the antarestube sound warmer to deal with the sound that lacks power after the recording is completed. Generally speaking, the treble of boys is not bright, and the bass of girls is not enough, so we use our own needs to Adjust, but only in moderation. We generally set it not to exceed 6 to 7db, otherwise it will cause distortion.

4. Then comes the pressure limit. The function of the compression limiter is to balance the overall dry sound volume. We use the built-in compressor for post-production (found in the dynamics of the object effector). We can adjust those 5 buttons appropriately based on the effects in the preset. We do not give the values ??of those 5 here. We need to use our own ears to adjust them to what we think is the best effect.

5. EQ balance. The equalizer is also described with its own band (. We see that there are 4 gain intervals, among which bass, mid-bass, mid-treble, and treble correspond to intervals 1, 2, 3, and 6 respectively. Therefore, we use our own actual conditions to adjust each gain interval. Gain in intervals (by adjusting the up and down buttons next to the gain)

6. The fifth step is to add appropriate reverberation. Generally speaking, we need a certain amount of reverberation when working in a good recording studio, but if If you are recording in a place with poor sound-absorbing environment, adding reverb will make the effect worse. We can also simply adjust the 5 buttons below through presets.