1. Literary knowledge of "Ansai Waist Drum"

Ansai Waist Drum is a unique folk large-scale dance art form with a history of more than 2,000 years. The unique and charming Ansai waist drum image set off a craze on the loess land, showing the simple and bold character of the farmers in the northwest Loess Plateau, and expressing their unique artistic personality. Show your style in Beijing, the capital of China, in Hong Kong, and all over China, and attract the attention of the world. The bold and rough movement changes and the vigorous and unrestrained dance fully reflect the honest, simple, brave and powerful personality of the people in the northern Shaanxi Plateau.

As early as 1986, Ansai Waist Drum won the highest honor, the Grand Prize, in the first Chinese Folk Dance Competition. In recent years, it has been performed at the opening ceremony of the 11th Asian Games, the Hong Kong Return Celebration and other large-scale events. , and went to Japan to perform. The Ansai waist drum performance can be performed by a few people or thousands of people. Its majestic momentum and exquisite expression are intoxicating. It is known as "the best drum in the world". In 1996, Ansai County was named the "Hometown of Chinese Waist Drums" by the Ministry of Culture.

2. Literary knowledge of the author of Ansai waist drum

Ansai waist drum is a unique folk large-scale dance art form with a history of more than 2,000 years.

The unique and charming Ansai waist drum elephant set off a craze on the loess land, showing the simple and bold character of the farmers in the northwest Loess Plateau, and expressing their unique artistic personality. Show your style in Beijing, the capital of China, in Hong Kong, and all over China, and attract the attention of the world.

The bold and rough movement changes and the vigorous and unrestrained dance fully reflect the honest, simple, brave and powerful personality of the people in the northern Shaanxi Plateau. As early as 1986, Ansai Waist Drum won the highest honor, the Grand Prize, in the first Chinese Folk Dance Competition. In recent years, it has performed at the opening ceremony of the 11th Asian Games, the Hong Kong Return Celebration and other large-scale events, and has also performed in Japan.

Ansai waist drum performance can be performed by a few people or thousands of people. Its majestic momentum and exquisite expression are intoxicating. It is known as "the best drum in the world". In 1996, Ansai County was named the "Hometown of Chinese Waist Drums" by the Ministry of Culture.

3. In the article "Ansai Waist Drum" written by Liu Chengzhang, the main rhetorical devices used are (), (), ()

Read the article "Ansai Waist Drum", The main rhetorical devices used are (parallel), (repetition) and (metaphor).

This article makes extensive use of rhetorical techniques such as parallelism, repetition, and metaphor. It is majestic, rhythmic, hearty, vivid, and emotionally strong, fully expressing the charm of life and strength.

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1. Parallelism

Parallelism is a way of arranging words or sentences in strings that have the same or similar structure, closely related meanings, and consistent tone. A rhetorical method that uses phrases (subject, predicate, verb, object) with related or similar meanings, the same or similar structure and the same tone (subject, predicate, verb, object) or sentences side by side (three or more sentences), paragraphs side by side (two paragraphs are enough), To achieve an effect of strengthening the language potential.

Example sentences in the text:

1. This waist drum immediately makes the cold air become hotter, makes the tranquil sunshine become splashing, and makes the sleepy world immediately become Got excited.

2. Reminds people of: The setting sun shines on the banner, and the horse roars in the wind!

Reminds people of: thunder thousands of miles away and flashes thousands of miles away!

It reminds people of: the great enlightenment that becomes dark and clear again, becomes clear and dark again, and then finally becomes clear forever!

3. No restraint, no fetters, no blockage. It was such a force that broke free, broke through, and knocked away!

4. Every dance move is full of power. Every dance move is whirring. Every dance pose is a hurried change of light and shadow. Every dance posture makes people tremble in the strong artistic enjoyment, which makes people breathtaking.

5. The harder you beat, the harder it gets! The body becomes a heavy and swirling thought!

The harder you beat, the harder it gets! There are no secrets in my thoughts!

The harder you beat, the harder it gets! Pain and joy, life and dreams, escape and pursuit, are all intertwined in this dance and drumbeat! Spin! Gather! Bentu! radiation! Fly! sublimation! People have become a vast mass; sounds have become a vast mass...

2. Repetition

Repetition is to emphasize a certain meaning, highlight a certain emotion, and deliberately reuse certain words. Words, sentences or paragraphs, etc.

Example:

1. The heavy sound of hundreds of waist drums collided on the cliffs with jujube trees growing in the surrounding areas. The cliffs suddenly turned into cowhide drum heads, and the only sound was heard Rumble, rumble, rumble.

2. The heavy sound of hundreds of waist drums collided with the hearts of the audience who had forgotten all the complication. The hearts of the audience suddenly turned into cowhide drum heads, rumbling, rumbling, rumbling.

3. What a magnificent, bold and fiery dance broke out on the Loess Plateau - Ansai Waist Drum!

3. Metaphor

Metaphor is a commonly used rhetorical device. It uses something B that is similar to thing A to describe or explain something A. It is a figure of speech in rhetoric. one.

It is also called "metaphor" or "analogy". In ancient China, it was called "bi" or "analogy".

Example sentences in the text:

1. Behind them It is a field of sorghum, and they are as simple as that piece of sorghum.

2. Hundreds of young people with drums on their backs, like hundreds of stones that are constantly knocked up by strong earthquakes, are dancing wildly on you.

3. Like the shower, it is the rapid drum beat; like the whirlwind, it is the flying tassels; like the frog, it is the jumping footsteps; like the sparks, it is the flashing pupils; like the fighting tiger, It is a strong style.

4. About Ansai Waist Drum

1. Appreciation of "Ansai Waist Drum" This is a hymn to life and strength.

< p> In the article, Ansai waist drum is not simply a carrier or a symbol of human life force; it itself is the most complete and complete expression of human life force. In this way, the author naturally believes. It is necessary to devote all the enthusiasm and writing power to singing and praising it. It is difficult to sing and praise it in one song and two songs, so there are three songs and three praises in it.

In the author's writing, it is almost impossible to distinguish between form and praise. The content, which is the object and the subject, has truly achieved a seamless unity. Instead of long, cumbersome, dull and weak sentence patterns, there are more concise, powerful, crisp and resounding short sentences; there are no long and complicated paragraphs. A sentence or two is self-contained.

Parallelism is widely used, and the forms of parallelism are diverse: there are parallelisms within sentences, but also between sentences and paragraphs. It not only directly describes the majestic energy released by this waist drum, but also multi-facetedly renders it from the human feeling, human association and the resonance of the surrounding environment such as the mountains and the earth.

It uses progressive and dynamic descriptions from beginning to end, instead of static descriptions, and makes the movements of the human body and the sound of the waist drum interact with each other in the tense tense. The two become one, artistically forming a whole that expresses the source of life and the source of strength - all these formal pursuits create a fast-beating rhythm and a scorching atmosphere in the article, which is overwhelming. Such momentum is in harmony with the life force of the people that the author wants to sing about.

The Ansai waist drum belongs to the people who live on this land. Only by creating such wonders can the inherent power be released.

The author is from Shaanxi. From his description, we can see his infinite fascination and enthusiasm for the Loess Plateau and Ansai waist drum. Only in this way can he write heartily and wonderfully.

This piece is similar to Qiao Liang's "Plateau, My Chinese Color". , Qiao Liang's work is a general grasp of the Chinese nation's character traits, while Liu Chengzhang's "Ansai Waist Drum" is an objectification and concreteness.

Readers can compare the two articles. Reading the works together and comparing them with each other will surely lead to a deeper understanding of the true nature of our national character and the expression of its vitality. (Jinmei, selected from "Chinese Prose Appreciation Library? Contemporary Volume", Baihua Literature and Art Publishing House, 1993 edition) 2. Appreciation of "Ansai Waist Drum" Musical instruments are often used to create momentum, exaggerate the atmosphere, and express emotions. They vary depending on region and Different nationalities are classified into "Western" and "national". Furthermore, due to differences in structure and "playing" methods, they are called wind instruments, string instruments, percussion instruments, etc. Of course, the effects of playing them are also very different. Same.

Ansai waist drum is a "unique skill" of the Loess Plateau. Its rough, powerful and dynamic style is integrated and inseparable from the local natural environment, geographical features, folk customs and sentiments. Another point is also quite meaningful: it is a combination of human and drum. No other musical instrument can require the combination of human and musical instrument to reach such a high level.

Human performance and musical instrument "performance" are completely integrated, and the two complement each other and bring out the best in each other. Therefore, a successful performance is one in which people use the power of the drums, and the drums use the power of people. It is hearty and hearty, and the essence, energy, and spirit are all unhindered and connected in one continuous line.

The prose "Ansai Waist Drum" captures this characteristic of "Ansai Waist Drum" and puts the description of people and drums in the same position. In the beginning, people were quiet, as quiet as simple sorghum plants.

The movement of the leaves in the wind brings out their tranquility. The same goes for the drum, which "sluggishly" "seems to have never sounded".

The hundreds of drummers on the Loess Plateau with sorghum as the background are destined to have an extraordinary performance! All of a sudden it exploded, exploded. The author uses metaphorical parallelism to create this "magnificent", "bold" and "fiery" formation: "showers", "whirlwinds", "random frogs", "sparks" and "fighting tigers".

Waist drum changes people's feelings and triggers people's associations, and the highest state of all this is "breaking away" - "bound", "breaking through" - "fetters", "breaking away" "" - "Occluded". Real poetry needs to be sung repeatedly, which is the tradition since the Book of Songs.

Repetition and parallelism are necessary means to create rhythm, exaggerate the atmosphere, and express emotions. It should be reminded that "repetition" is not "repetition", nor is it the simple appearance of the same word, sentence, or paragraph more than twice.

In "Ansai Waist Drum", every appearance of the sentence "What an Ansai Waist Drum" has a new feeling, new connotation, and new scene. "A Good Ansai Waist Drum" determines the basic pitch, color, atmosphere and main spiritual direction for the whole article. No matter how the context and context sway, flourish and the words are soaring, it will not go too far. This is the composition One of the conventions is also the fundamental reason why the article is "this" rather than "that".

The "spiritual connotation" of this article is also here: "There is no room for restraint, no room for fetters, and no room for blockage. It is such a force that breaks free, breaks through, and knocks away!" These two Closely connected paragraphs are the unchanging soul that flows through all actions, scenes, and chapters. Every subsequent exclamation and discussion never leaves it.

Please pay attention to the following places: "The rumbling and majestic ***..." In the paragraph, "The occurrence and resolution of labor pains..." expresses the response to the changes in the motherland after the reform and opening up. The excitement and pride of the new era; "Except for the Loess Plateau, where can there be such a thick layer of soil!" It can be understood as a metaphor for the thousands of years of brilliant and glorious history of the Chinese nation. The solid premise and foundation; the four short paragraphs led by "the harder the beating gets stronger" and the appearance of short sentences in the short paragraphs play a role in deepening the theme, warming up the feelings, and enhancing the intensity. The beginning is quiet, and the ending is quiet like "another planet". This arrangement of sudden explosion and sudden stop is obviously very ingenious.

Its direct effect is that the main part becomes more fiery, lively and powerful because of the silence at the beginning and end. The connotation expressed by "Ansai waist drum" is extremely rich, but "poetry has endless explanations" and different people can have different understandings.

Just feel it, this rhythm, momentum, color, this vitality, this pure excitement of reading.

5. Information about Ansai waist drum

Ansai waist drum has a long history and unique style. It integrates dance, song and martial arts, and has the characteristics of changeable formations, vigor and boldness.

Today, Ansai waist drum has left the Loess Plateau, and its rugged and unrestrained image has spread throughout the country. "Waist drum" is a folk dance form widely spread in northern Shaanxi. It is especially popular in Ansai County in Yan'an area and Hengshan, Mizhi, Yulin and other places in Yulin area. It is a dance with great influence among Shaanxi folk dances. One of the species.

Shaanxi waist drum has a broad mass base and a long history of development. In some major spreading areas, almost every village has a drum troupe and every household has a drummer.

And it is passed down from generation to generation and lasts for a long time. Precisely because it has been spread for a long time, has a wide scope, and has a large number of participants, although the basic form and rhythm of the dance are roughly the same, different performance styles and customs have been formed in different regions.

Ansai waist drum is one of the representative ones. Ansai waist drum is mostly performed in the form of a group, with drummers (called "sling drums" or "kick drums") ranging from dozens to more than a hundred.

The team includes characters such as Latte Art, Umbrella Head, Barbarian Woman, and Barbarian Man, as well as various small performances such as "Donkey Running" and "Water Boat" to form a mighty folk dance team. . The performance emphasizes the overall effect and requires the neatness and unity of movements and the standardization of formation changes. It mainly uses the bold and rough dance postures and powerful drumming skills of the drummers to fully demonstrate the masculine beauty of the men living on the Loess Plateau. .

Ansai waist drum has a complete performance program and activity customs. In the past, it was mostly performed at festive festivals and temple fairs. The annual Spring Festival to Lantern Festival was the most concentrated activity time.

Before the event begins, the president of the temple fair (elected by each village) must first organize a sacrificial activity, called "visiting the temple": the dance team, led by the umbrella leader, beats gongs and drums, blows suona, and sometimes lifts They go to the temple with whole pigs and sheep and other offerings to burn incense and worship the gods, praying for good weather and peace for the country and the people. They also play and play in the temple square to entertain the gods.

The "visiting the temple" ends at the beginning of the first month. After 1989, the waist and drum troupe began to conduct door-to-door New Year greetings, commonly known as "alongmenzi". There is a local proverb: "The gongs and drums are ringing, and the sticks are chopping down!" "The crowd couldn't sit still.

At this time, the waist drum team visited each house in turn according to the situation in the village, and performed for a while in the courtyard of the main house and in front of the kiln. The umbrella head moved the scene according to the situation of each house. A few auspicious yangko songs are sung to express New Year greetings. The host family believes that the waist drum team entering the house to beat, dance and sing can ward off disasters and ensure peace throughout the year.

It is a legacy of the ancient "countryside Nuo" custom. Sometimes two groups of waist drummers meet on the way. Usually, the umbrella leaders sing Yangko to each other to greet the New Year and give way to each other. However, sometimes there are situations where they do not give way to each other. At this moment, we have to compete in the competition.

The two teams are playing gongs and drums, and the sound of suona and waist drums is like rolling spring thunder. The drummers are beating and jumping like crazy, beating to the extreme. *, the drum music pauses, and the umbrella leaders of both sides come out to sing in antiphony. This is also an aspect of the competition skills.

Until one team's formation is chaotic, the movements are inconsistent, and the drumbeats and formations are not unified. If you cannot answer a piece or a song correctly, you will be considered a loser, and you will take the initiative to give way and let the winner go first.

After the "Yanmenzi" is over, the waist drum troupes from neighboring villages have to pay New Year greetings to each other, visit each other, and perform exchanges. This is the same as Northern Shaanxi Yangko, which is called "Tacaimen".

At 15 o'clock on the first lunar month, the waist drum troupes of each village gathered in the square and began to compete with each other. Drummers from all walks of life showed off their skills and competed with each other, becoming the top waist drum performers in the year.

This not only invigorated the rural Spring Festival cultural and entertainment activities, but also promoted the popularization and improvement of waist drum through mutual observation and competition of skills. There will also be a "turning the lantern" (also known as "turning the nine tunes") that night, and almost everyone is competing to play, and the whole family will turn together.

At that time, the drums will sound, the lights will flash, and the waist drum team will lead the way, and everyone will follow, presenting a lively scene. The activities of the waist drum team usually last until the 17th and 18th day of the first lunar month, and end after worshiping the land god.

Since then, the villagers have settled down to prepare for spring plowing and production. The performance forms of waist drum can be roughly divided into "road drum" and "field drum".

"Road Drum" is a performance form in which the waist drum team dances while walking. It is led by two umbrella leaders, followed by the dance team B-Umbrella consisting of drums and latte art. There is a drum player behind the head, called "Toulu Guzi". He must be a skilled drummer. He directs the whole team's movement changes and rapid rhythm. At the back of the team, there are clowns dressed as barbarian women and barbarian men, and some dressed as Monkey King, Zhu Bajie and other characters from Tang Monk's Buddhist scriptures, twisting and making fun at will to add to the joyful atmosphere of the festival.

Since "Road Drum" is performed while marching, its movements are generally simple and small in amplitude. It mostly performs "cross steps", "walking steps", "horse steps and waist wrapping?" and other movements. Commonly used formations There are "single crossing the street", "double crossing the street", "single dragon tail swinging", "double dragon tail swinging", etc.

"Field drum" refers to the performance form after the waist drum team arrives at the performance location and opens the venue. . At the beginning, the umbrella leader waved the umbrella to give the command, and the drums and drums suddenly started to sing, and the dancers danced along with the umbrella leader.

This section is called "Stepping on the Big Field", and the performance is slow in order to open up the venue and open up the scene. Open the team to stabilize the audience's mood. The second section is full of singing and dancing, the performance rhythm becomes faster, the range of movements is larger, and the formation changes are many.

Commonly used formations include "sacred tower", "ancient temple", After the "gold medals are hung in front of the gods", "the monks wander around the door", etc., the umbrella head stands in the center of the field and leads the yangko singing. The lyrics depend on the occasion and the object. When "visiting the temple", There are temple worship services, general performances include New Year greetings to the audience, and there are also content such as celebrating the harvest and wishing good luck.

During the Umbrella singing, the dancers walked slowly in circles on the sidelines and repeated each verse. The last sentence of the song is commonly known as "the sound after the song". After singing, the umbrella leader exits the venue and performs with drums and latte art, walking out of various complex and changeable formations.

Due to time constraints, the dancers fully displayed their unique skills, with passionate emotions and ups and downs, which brought the performance to a climax. In recent years, in order to highlight the skills of carrying drums, Ansai waist drum performs "field drums" with drums on their shoulders. Performing alone in the venue

Under the command of Toulu Guzi, the drummers were in high spirits and danced wildly. At this time, the drumsticks were waving, colorful silks were flying, and the drums were thundering, shaking the earth. , powerful and contagious. After this section, intersperse

6. What is the history and culture of Ansai waist drum?

Preface: What is Ansai waist drum? A unique form of folk large-scale dance art performance, known as "the best drum in the world", with a history of more than 2000 years.

Since the intangible cultural heritage has received national attention, Ansai waist drum has become the most popular dance performance in the world. It was included in the first batch of national intangible cultural heritage lists. Ansai waist drum has moved from rural areas to cities, from the Loess Plateau to the north and south of the Yangtze River, from farmyard dances to Tiananmen Square, from self-entertainment to the big screen, and from the barren loess. The plateau is on the world podium.

The unique Ansai waist drum brings joy and hope to the people on the loess land, showing the simple and valiant character of the farmers on the northwest Loess Plateau and showing their uniqueness. Unique artistic personality. The origin of the Erwaist Drum 1. The drum is a symbol of spirituality. The early earth drum marked the beginning of agricultural cultural dance in the agricultural period.

"Shang Shu·Yi Ji" "Cracking stones, picking up stones, and dancing with all the animals" records that the tribesmen in primitive society used stone tools as musical instruments and beat them to make sounds, and at the same time imitated the images and movements of various animals to perform totem dances; in "Yixi Ci" "Dance of drums to the fullest" shows that the emergence of drums linked drums and dance, becoming the beginning of the inspiration culture in the farming era and becoming an expression of the national spiritual characteristics. Beating drums is used in war to herald the beginning of war.

According to relevant records, in ancient times, men from various tribes in the Yellow River Basin often wrapped a hollow tree trunk with sheepskin, carried it around their waists, and struck it to drive away wild beasts. Later, it was used for alarm and combat.

It reached its peak during the Spring and Autumn Period and the Warring States Period, with the Qin State at its peak. 2 The origin of Ansai waist drum Ansai waist drum has a long history, and its formation and development are inseparable from the local geographical and historical environment, customs and customs.

Ansai is located in the northern part of the Yan'an region of Shaanxi Province. It has a vast territory, thousands of ravines, and the Yan River winding through it. It is a typical Loess Plateau landform.

Ansai has been an important military town since ancient times. It is known as the "throat of Shangjun" and the "key of the north gate". It is one of the important border defenses against foreign invasion and has a military status that cannot be ignored.

As early as the Qin and Han Dynasties, waist drums, like swords, guns, bows and arrows, were regarded as indispensable equipment by garrison soldiers. When encountering an enemy attack, they would beat drums to express the message and convey the message; when the two armies met, they would beat drums to support the battle; and after returning from a victorious battle, the soldiers would beat drums to celebrate.

Ansai, as the name suggests, is a stable frontier fortress. Today's Ansai County was the border between the Northern Song Dynasty and the Western Xia Kingdom. "Ansai waist drum" is also named after this. It has endured for thousands of years and has gradually become one of the folk art performance forms with a profound mass foundation.

With the passage of time and changes in times, waist drum has gradually transformed into a tool for mass entertainment and a folk dance for local people to pray to gods, celebrate harvests, and celebrate the Spring Festival. According to a survey, among the 120,000 people in Ansai County, about 10,000 households have waist drums, and as many as 50,000 to 60,000 people can dance.

In 1942, the new Yangko movement that emerged in Yan'an and the Shaanxi-Gansu-Ningxia Border Region made Ansai waist drum, an ancient folk art, develop significantly and became a way for the people to celebrate victory and liberation. This method, known as the "Victory Waist Drum", spread throughout the land of China and has been recorded in the glorious annals of history. In 1951, Ansai waist drum participated in a national folk music and dance performance. Ai Xiushan and other folk artists from Ansai Fengjiaying Village taught waist drum skills to the China Youth Art Troupe. After performing at the World Youth and Student Festival in Budapest, they won the With the special prize, Ansai Waist Drum became famous at home and abroad.

Ansai waist drum spreads faster and faster, its scope becomes wider and wider, and it is widely praised. Three Performance Forms and Characteristics 1. Performance Form of Waist Drum Ansai waist drum is mainly performed in the form of a group, with as few as dozens of drummers and as many as hundreds of drummers.

Hundreds of people perform at the same time, the momentum is majestic, and the expressiveness of relaxation and relaxation is intoxicating. It is called "the best drum in the world". In some major waist drum areas, almost every village has a drum troupe and every household has a drummer. The tradition has been passed down from generation to generation and has a long history.

Because it has been circulating for a long time, involves a wide range, and has a large number of participants, the basic form and rhythm of the dance are roughly the same. The dense drumming, strong steps, changeable formations, and powerful shouts all show the masculine beauty.

The team includes characters such as Latte Art, Umbrella Head, Barbarian Woman, and Barbarian Man, and various small performances such as "Donkey Racing" and "Water Boat" form a mighty folk dance team. The performance emphasizes the outstanding overall effect, requiring uniform movements and consistent formation changes. It is mainly expressed through the vigorous and powerful dance postures of the drummers and the rhythmic drumming skills, which embodies the desire of people living on the Loess Plateau to break through Poor living conditions and a good desire to break through the ideological constraints.

Ansai waist drum has a complete set of performance modes and activity programs, and is often performed on festive holidays and temple fairs. The first to fifteenth day of every year is a time for intensive activities.

Before the event, sacrifices are performed, commonly known as "visiting the temple", and then they go door-to-door to pay New Year greetings. Then the waist drum teams from neighboring villages communicate with each other, which is called "caimen". The performance reached its peak --- the drum troupes from neighboring villages competed with each other. The drummers were full of energy and enthusiasm. At this time, the drumsticks were dancing in unison, colorful silks were flying, the sound of the drums was shaking, and the earth was shaking with great momentum. It is vast and highly contagious, and a series of activities and performances make the scene a lively and prosperous scene. 2. Characteristics of waist drum Ansai waist drum is a unique and representative art form in northern Shaanxi folk art. It has extraordinary skills, cheerful rhythm and high difficulty.

Ansai waist drum is mainly composed of multiple rhythmic elements such as running, jumping, twisting, turning, flashing, shaking, dancing, kicking, hitting, leaping, pedaling, and soaring. It has formed a unique style during the long-term spread. It has the characteristics of bold and rough, majestic, vigorous and passionate, sonorous and powerful, vigorous and powerful, smooth and elegant, free and generous, relaxed and changeable. The crowd praised Ansai's waist drum for its "generous style and hard playing. The drummer is energetic, the kicking is brutal, the turning is fierce, and the jumping is tiger-like. It's exciting to watch and encourage people to listen to."

The drummers couldn't help but shake their heads, shoulders and waists to follow the rhythm. The inner emotions and the outer rhythm were effectively unified, achieving both form and spirit, and the unity of essence and spirit. From these techniques, the vivid surface art space Writer Magazine 2011 No. 5 reflects the rugged, bold, courageous and tenacious character of the Ansai people, embodying the warm emotions of the working people in the loess of northern Shaanxi and fully displaying them.

7. Information about "Ansai Waist Drum"

Ansai Waist Drum is a Han folk dance in Shaanxi Province.

The performance can be performed by a few people or thousands of people. The majestic momentum and exquisite expression are intoxicating. It is known as the best drum in the world. In 1996, Ansai County was named the Hometown of Chinese Waist Drums by the Ministry of Culture.

On May 20, 2006, Ansai waist drum was approved by the State Council and included in the first batch of national intangible cultural heritage lists. Ansai waist drum is a unique large-scale folk dance art form with a history of more than 2,000 years.

The unique and charming Ansai waist drum statue set off a craze on the loess land, showing the simple and bold character of the farmers on the northwest Loess Plateau, and expressing their unique artistic personality. Show your style in Beijing, the capital of China, in Hong Kong, and all over China, and attract the attention of the world.

The bold and rough movement changes and the vigorous and unrestrained dance fully reflect the honest, simple, brave and powerful personality and character of the people in the northern Shaanxi Plateau. Ansai waist drum can be performed by thousands of people.

As early as 1986, Ansai Waist Drum won the highest honor award in the first Chinese Folk Dance Competition. In recent years, it has been performed at the opening ceremony of the 11th Asian Games, the Hong Kong Return Celebration, and the 2009 National Day Ceremony. Performed at events and performed in Japan, Germany and other places. Ansai waist drum is a folk square group art spread in Ansai County in northern Shaanxi Province. It shows the passion of the people in northern Shaanxi and is a unique and representative art form among the folk arts in northern Shaanxi.

During its long-term spread, it has formed a rough and unconstrained style, powerful and powerful, vigorous and passionate, majestic, vigorous, powerful, sonorous and powerful, graceful in dance, free and generous, smooth and elegant, fast and fierce. It has the characteristics of being open and relaxed, being group but not chaotic, and being ever-changing. Ansai waist drum integrates dance, martial arts, gymnastics, percussion, wind music, and folk songs.

It concentratedly expresses the joy of the people of northern Shaanxi after their victory and harvest, and integrates the honest, practical, optimistic and cheerful character of the people of the Loess Plateau. At the same time, it is a reappearance of the spiritual outlook of the Chinese nation and an integral part of the culture of the Yellow River Basin.

Therefore, it is not only deeply loved by the masses, but also famous overseas, and can be called "China's No. 1" and "China's No. 1 Drum." Ansai waist drum is played from the countryside to the city; from the Loess Plateau to the north and south of the Yangtze River; from the farmyard to the front of Tiananmen Square; from self-written and performed to the movie and TV screen; from the Peasant Games to the Asian Games; from the poor valleys of northern Shaanxi On the world podium.

Ansai waist drum has spread all over the country with its unique and exquisite art, breaking out of Asia and going to the world. This is not only a representative of the Loess Plateau, but also a representative of China and the world! Ansai waist drum can be divided into literary and martial arts according to different styles and rhythms. "Wen waist drum" is relaxed, cheerful, lively, with small movement range, similar to the style of Yangko; "Wu waist drum" is cheerful, intense, rough and unrestrained, and has larger movements. The kicking, jumping and rotating movements, especially the drummer's leaping skills, give people a heroic and exciting feeling.

At present, Wen and Wu waist drums are gradually combined to form a new style, and Xihekou Township and Zhenwudong in Ansai are the most distinctive. They vividly reflect the honest and simple temperament and character traits of the local people.

Especially in the performance, it organically combines folk martial arts and Yangko dance movements, which are relaxed and relaxed, lively but not chaotic, advancing and retreating in an orderly manner, majestic, and powerful. The masses praised it as "generous in style but hard in code".

If the melodious and high-pitched Xintianyou is the melancholy poetry of the Loess Plateau, then the Ansai waist drum is the cry and rush of the tenacious life of this land. This is a folk dance and a profound cultural phenomenon with a strong flavor of local people's life.

"Waist drum" is a folk dance form widely spread throughout northern Shaanxi. It is especially popular in Ansai County in Yan'an area and Hengshan, Mizhi, Yulin and other places in Yulin area. It is a form of folk dance in Shaanxi. One of the most influential dance styles in China. The waist drum in northern Shaanxi has a broad mass base and a long history of development.

In some major spreading areas, almost every village has a drum troupe and every household has a drummer. And it is passed down from generation to generation and lasts for a long time.

Precisely because it has been spread for a long time, has a wide scope, and has a large number of participants, although the basic form and rhythm of dance are roughly the same, different performance styles and styles have been formed in different regions. custom. Ansai waist drum is one of the representative ones.

Ansai waist drum has a long history. It was originally used by the ancient military to increase the morale of the army and convey information. Here it is used to express the cheers of victory and the joy of harvest. The dense drumming, powerful steps, changing formations, and majestic shouts fully demonstrate the masculine beauty of men and are extremely famous in the world.

Ansai waist drum is mostly performed in the form of a group. The drummers (called "sling drums" or "kick drums") range from dozens to more than a hundred people. The team includes characters such as Latte Art, Umbrella Head, Barbarian Woman, and Barbarian Man, as well as various small performances such as "Donkey Running" and "Water Boat" to form a mighty folk dance team.

Emphasis on the overall effect in the performance, requiring neat and unified movements and standardization of formation changes, mainly through the heroic and rough dancing postures and vigorous and powerful drumming skills of the drummers, fully demonstrating the masculine beauty of the men living on the Loess Plateau .