"Sunlight" starts with Baoluo's high-pitched singing, and a strong atmosphere of plateau music hits the face. There is still Quan Sheng's performance of the Morin Fhuur in the piece, but unlike the previous piece, Quan Sheng's performance in this piece incorporates more new ideas. It sounds completely different from the style of traditional Morin Fhuur music, and more like an avant-garde violin. music style. If we divide Paulo's "Flowers of Paradise" album into two parts to listen to, it is obviously a shortcut. Of the twelve works it has compiled, 5 have lyrics and music, and as many as 7 have no music or lyrics. In general, the album "Flowers of Paradise" is a mixture of ancient Chinese folk rhythms and "modernist" hazy poetry.

From the perspective of music, Bao Luo and Su Fang carefully created an ethereal and ethereal musical mood and atmosphere. Some of the sound effects produced by Midi are a bit similar to Enigwa and Deep Forest. Among the five works with clear lyrics and music, apart from the two versions of "Where Are There Flowers at the End of the World" and "On the Road", the only one left is actually "Time". The opening song "Where Are There Flowers at the End of the World" should be one of the masterpieces of the album. Baoluo's singing with a casual folk tone makes a kind of lonely sadness arise in the listener's heart. The following "On the Road" and "Time" are obviously continuations of it, so it is difficult to give people a strong auditory impression, and it seems to be too in-depth and repetitive of its musical themes. Judging from the other seven works of "Flowers of Paradise", in terms of lyrics and music, they are all hazy poems that were popular in the mid-to-late 1980s. The whole article is derived from one's own abstract thinking consciousness, and "Flowers of Paradise" and "What Do You Want to Know" give people a sense of being out of date with the times. However, Baoluo's varied voice and the accompaniment of Su Fang's arrangement can be said to be in perfect harmony, more or less making up for the emptiness of the lyrics.

If we regard Paulo's "Flowers of Paradise" as an album with a strong sense of music that travels between mainstream and alternative music. Then we will find that Bao Luo and Su Fang's alternative literacy is still limited, and they lack the spiritual nourishment that alternative music relies on. Su Fang's exquisite requirements in production actually wore away the singer's sharpness and sharpness. Paulo's unscrupulous scream at the end of "What Do You Want to Know" was the only outlier in the entire album, and it was so short that it disappeared in an instant. .