A brief discussion on how to allow students to accurately grasp the singing style of songs. Summary Style is a kind of cultural accumulation and a tradition. The style of songs mainly refers to the style of tunes formed by music materials. The formation of a singing style will be affected by many aspects, such as the timbre, the content of the repertoire, the particularity of the artistic treatment of the repertoire, and the characteristics of the body and movements during singing. This article mainly focuses on accurately grasping the singing style of the song from the aspects of the style of the work, pronunciation and other techniques. Keywords Singing style, work style, enunciation and enunciation. For vocal singing, style is the singer’s unique artistic personality revealed in the process of re-creating the art of song, and reflects the singer’s unique aesthetic pursuit. Without style, one can only be a singer. Only by establishing a beautiful style can one become a singer. Of course, the formation of a singing style will be affected by many aspects, such as the timbre, the content of the repertoire, the particularity of the artistic processing methods of the repertoire, the characteristics of the body and movement during singing, etc. The content of singing style mainly has two aspects: one is the style of the work; the other is the singer's personal style. The themes of the songs are different, and the corresponding music melody and rhythm are different, resulting in different styles of works. The singer's aesthetic pursuit of pronunciation is the beautiful singing style formed through long-term training and practice, and this singing style is the organic combination and perfect unity of these two aspects. Therefore, we mainly accurately grasp the singing style of the song from the aspects of the style of the work, enunciation and other techniques. Not all vocal actors can sing any vocal work well. Therefore, we have to distinguish between Chinese and foreign songs, classical and modern songs, and essentially grasp the style of the work to achieve the perfection of the singing style. Because there are many differences between Eastern and Western music, as well as race, national system, religion, traditional customs, etc., they will be reflected in everyone or in their words and deeds. Therefore, in the traditional impression, Easterners are graceful and Westerners are unrestrained. Easterners are reserved while Westerners are cheerful. On the stage, the East tends to be colorful and fiery in form, while the West is plain and gentle. Therefore, in terms of understanding of Chinese and foreign works, it is easy for Easterners to sing Western works with a completely Eastern flavor, while Westerners singing Eastern works often make people laugh and say "they are completely foreign." The key to the problem is the difference and grasp of the styles of Chinese and foreign works. When singing Puccini's "Mimi Aria", you cannot be tactful, gentle and respectful like a classical Chinese lady. No matter how gentle "Mimi" is, it is also Western gentleness, with Italian and Western European flavors in every word. Especially as the music rises and falls and reaches its climax, it seems to be getting further away from tenderness and being associated with words such as magnificence and excitement. The farewell of "La Traviata" is not the "hate as high as the mountains and hatred as the sea" of the white-haired girl. A famous Japanese violinist played the Chinese version of "Butterfly Lovers". After recording the record, he was still dissatisfied, so he came to China to learn how to sing Yue Opera. She wanted to use the strings to "sing" the Yue Opera-style "Butterfly Lovers" well and grasp the essence of the music. This story of an artist who truly pursues art is touching to hear. These examples are intended to illustrate whether the performance of vocal music works is accurate or not. One of the first prerequisites is whether you can distinguish between "middle" and "outer". Even if you understand it theoretically, you must practice it personally and accurately grasp the style of the work. Only then can you master the singing. Fundamental approach to style. Similarly, it is equally important to be able to distinguish between classical and modern. For example, the singing of folk songs is nothing more than words, tunes, emotions, and rhymes. If you want to grasp the style of a folk song well, you must not only carefully consider the articulation, tune, and charm, but also grasp the rich style of folk songs. Local color, and the national language with local style is a very important aspect in grasping the style of folk songs. For example, "Liuyang River", a folk song with a strong local flavor in Hunan, would be nice if it was sung in Mandarin, but when I sang this song. The local dialect of Hunan is ingeniously used in these sentences, such as the word "river" for the Liuyang River, the word "road" for the dozens of miles of waterway to the Xiangjiang River, and the word "chu" for someone who came out of the river. I sang them respectively as "Liuyang Lives, dozens of miles of water leaked to the Xiangjiang River, and who was injured?" I think this song uses the local Hunan dialect combined with Changsha's euphemistic and clever melody style, which makes the audience You can feel the friendly charm of Xiangyin, and it is more in line with the characteristics of local languages, especially the aesthetic habits of ordinary people. Therefore, not all vocal actors or even famous singers can sing any vocal work well. Only by grasping the style and characteristics of folk songs can we sing with charm.

Vocal singing is the art of language and the human voice. The singer's mastery of language should be accurate, clear and moving. Some people say that accuracy and clarity of language are the minimum requirements for measuring the level of a singer. The range, volume, breath support, etc. of singing are many times more "exaggerated" than speaking. Therefore, you should have an accurate and clear language pronunciation foundation in order to sing the lyrics accurately in the melodious tone of the music. If the words are not accurate and the tune is not correct, it will definitely affect the grasp of the song style. At the same time, the intuitive impression of the singer's style on the audience mainly comes from his pronunciation characteristics. Therefore, the accuracy of enunciation and pronunciation is very important for students to grasp the singing style of songs. For example, the light and dynamic beauty of Li Guyi's singing is mainly the result of the elasticity of her articulation. The smooth and smooth beauty of Wei Wei's singing is closely related to her articulation, rhyme return, and over-addition of pronunciation, which creates a strong overall sense of the words. Therefore, the articulation style is of great significance to the formation of the entire singing style and the level of the singer's artistic achievement. So, how can we ensure the accuracy of pronunciation? First of all, it is necessary to do a good job in the standard method of articulation training, which is the basis for establishing a beautiful singing style. Only a style based on standards will be beautiful. This style is the product of the perfect combination of standards and the organs related to the singer and articulation. Of course, without this foundation, a certain style will be formed, but that is the "bad style" criticized by Engels, and "bad personalization" in literary creation will not work. Secondly, there is the training method of pronunciation and pronunciation, but this can only be started after students have gone through standardized training and laid a certain foundation. We can take the following steps: (1) Individual training, select words that students may pronounce in a certain style, do interleaved training in speaking and singing, put forward clear requirements for students, and point out that "singing" these words can make them How the listener feels. (2) Make specialized etudes, select words suitable for cultivating a certain style, connect them into meaningful sentences, or combine meaningless word combinations, and accompany them with music. When students practice singing, put forward the same clear ideas as single training Require. (3) Select songs, help students process the songs, and determine the phrases that need to be strengthened and that can highlight a certain style. (4)Physical training. Help students design body movements that are consistent with the song style and the student's personal singing style. In addition to mastering the accuracy of articulation and enunciation, we also need to master some other skills, because skills are the bridge to form style, and the formation of style also reflects the existence of certain skills. What kind of style should we have? What kind of techniques are there. For example, when singing long-range picks and slides, if the throat organ cannot remain relatively stable. If the breath is too shallow, the sound will be jammed and the desired effect will not be achieved. There will be no "this" style at all. Therefore, you must first work on basic voice training, strengthen breathing, open the throat, stabilize the throat, expand the vocal range and other exercises. Only in this way can we grasp the characteristic intervals. For another example, when singing foreign works, the tone of classical art songs and the tone of opera arias cannot be blindly the same. Two tone methods must be distinguished, and the two tone methods must be distinguished from the tone of Chinese national vocal music singing. The difference. To accurately express the style of the work, singing with sound is a major skill. In addition, the grasp of style also plays a certain role in promoting skills. The grasp mentioned here refers to the understanding of the style of the work and the intention and pursuit of the style of the image created by the voice in the heart. To sum up, as a student who loves singing, when singing a piece of music, I can only continue to learn, research and explore. Only by summing up experience and putting it into practice can you master the singing style of songs. On this basis, coupled with our comprehensive and solid theoretical basic knowledge and superb singing skills, we can make our own contribution to our beloved singing art.