It should be the fourth one
Beethoven's "Symphony of Destiny" was originally called "Fifth Symphony". It is a very philosophical work and the most representative work. Works in Beethoven's artistic style. "Symphony of Destiny" has a rigorous structure, concise techniques, and vivid images. There is a very clear internal connection between each movement. The whole work is passionate, grand and full of strong artistic appeal.
The whole song has four movements.
The first movement is bright Allegro, sonata form. The theme of destiny knocking on the door appears at the beginning of the music.
This motive develops the panicked first theme, which runs throughout the first movement and drives the music forward. The first theme is passionate and powerful, with a courageous momentum, expressing Beethoven's indignation and strong will to challenge the feudal forces. Then, the French horn blew a horn tone that was changed from the fate motive, leading to a tender, lyrical and beautiful second theme.
It expresses Beethoven’s desire and pursuit of happiness and a better life.
The motivation of fate breaks in again, leading to the expansion, and the majestic fate once again prevails. In the development part, modulations are very frequent, which adds to the original instability and makes the music appear richer.
The recapitulation part is the same as the presentation part. But at the grand end of this movement, the two themes merge again, and the momentum of the music is unstoppable, further showing the people's strong will and belief in victory over the darkness.
The second movement
Slightly faster Andante, double theme variations. The first theme is lyrical, serene and contemplative, played by the viola and cello. The elastic rhythm and undulating melody give this theme an inherent passion and power. The second theme is first played by the woodwinds, and then the heroic triumphal march is played by the brass instruments.
In the epilogue, the first theme is simply expanded, showing the hero's optimism and the confidence and strength gained from contemplation for further struggle.
The third movement Allegro and Scherzo are the contrast of various forces on the eve of the decisive battle.
The cello and double bass sounded eager tones, but the violin sighed helplessly. The theme of fate is still dangerous and compelling, and fate still wins the first stage of the decisive battle. However, the darkness will pass and the dawn is just around the corner. Accompanied by the dance theme played by bass strings, an inspiring section is introduced, which symbolizes the people's confidence and optimism in fighting against the forces of darkness.
Finally, the first theme stretches upwards freely under the performance of the first violin. The band's range is increasing, the sound is strengthening, and an irrepressible force leads the music directly into the glorious melody. Finale.
The fourth movement
Allegro, sonata form. It begins with a majestic triumphal march. First, the band plays the glorious first theme, and then the strings play the joyful second theme, which expresses the people's incomparable joy in victory. At the climax of the Development Department, the carnival was suddenly interrupted, and the threatening voice of fate sounded in the distance again, but it was already hanging on and could no longer stop the trend of history.
As a result, the brilliant and bright first theme sounded again, with overwhelming momentum, showing the incomparable joy of the people's final victory after struggle. This decisive battle with fate finally ended with a complete victory for the light.
Answer: yuhaitao1210 - Director Level 8 12-30 21:37
The basic elements of music refer to the various elements that make up music, including the pitch of the sound, the length of the sound, The intensity and timbre of the sound. These basic elements are combined with each other to form the commonly used "formal elements" of music, such as rhythm, melody, harmony, intensity, speed, mode, musical form, texture, etc. The formal elements that constitute music are the means of expression of music.
1. Rhythm: The rhythm of music refers to the length and strength of the mid-tones in the music movement. The rhythm of music is often compared to the skeleton of music.
Beat is the periodic and regular repetition of heavy beats and weak beats in music. Traditional Chinese music calls the beat "banyan", "ban" is equivalent to the strong beat; "eye" is equivalent to the sub-strong beat (middle eye) or weak beat.
2. Melody: Melody is also called melody. The ups and downs of the music are organized horizontally in an orderly manner according to a certain rhythm to form a melody. Melody is one of the most important means of expression in the complete musical form. The progression direction of a tune is endlessly changing, and there are three basic progression directions: "horizontal progression", "upward" and "downward". The direction in which the same sound progresses is called horizontal progress; the direction from bass to treble is called ascending; the direction from treble to bass is called descending. Common ways of progressing tunes include: "repetition of the same tone", "progression" and "jump forward". According to the adjacent notes of the scale, it is called a progression. The jump into the third degree is called a minor jump, and the jump into the fourth degree and above is called a major jump.
3. Harmony: Harmony includes "chords" and "harmonic progressions". Chords are usually sound combinations formed by three or more tones that overlap vertically (simultaneously) according to certain rules. The horizontal organization of chords is the harmonic progression. Harmony has obvious color functions of thick, light, thick and thin; it also has the function of forming phrasing, dividing sections and ending the music.
4. Strength: the strength of the midrange of the music.
5. Speed: how fast the music progresses.
6. Mode: The tones used in music are connected according to a certain relationship. These tones form a system with one tone as the center (the main tone), which is called mode. Such as major mode, minor mode, my country's pentatonic mode, etc. The notes in the mode, starting from the tonic note and arranged from low to high, form a scale.
7. Music form: the horizontal organizational structure of music.
8. Texture: the combination form of each voice part in a polyphonic musical work (including vertical and horizontal combination relationships).