1. Early period: Beethoven, Cherubini, Weber, Paganini, Rossini, Bellini, Donizetti, Schubert, Czerny.

2. Early stage: Mendelssohn, Chopin, Schumann, Liszt, Berlioz, Meyerbeer.

3. Middle period: Verdi, Wagner, Offenbach, Brahms, Johann Strauss Jr., Bruckner, Frank, Gounod, Bizet, Saint-Sa?ns.

4. National music school: Glinka, Tchaikovsky, Smetana, Dvo?ák, Sibelius, Albéniz.

5. Post-Romanticism: Fauré, Mahler, Richard Strauss, Rachmaninoff, Elgar, Glazunov.

The Romantic music school is a new genre that emerged after the Vienna classical music school. It emerged in the early 19th century. The creations of artists during this period are manifested in their admiration for subjective emotions, love for nature and fantasies about the future. The forms of artistic expression have also undergone new changes compared with the past, and the formation and development of romantic thought and style have emerged.

Extended information:

History

The music of the Romantic period can start from 1813, when E.T.A. Hoffmann discussed Beethoven’s romantic spirit, to 1914 Until 2001, when Schoenberg proposed the "liberation of dissonance".

The music of the Romantic period paid more attention to the expression of emotions and images than the music of the previous Baroque and Classical periods. Relatively speaking, form and structure are underestimated. The music of the Romantic period was often imaginative. A lot of the music of the Romantic period was influenced by unrealistic literary works, and had a considerable composition of title music.

Romantic music emphasizes diversity, develops the role of harmony, depicts the special qualities of characters, and makes greater use of modulation techniques and semitones. Beethoven is the pioneer of romantic music, the representative of romantic opera is Wagner, and the representative of piano music is Liszt.

Romantic music greatly enriched and expanded the musical structure, and many small musical structures appeared, such as sketches, humours, ballads, Arabic-style songs, musical moments, and capriccios. Songs, romances, intermezzos or improvisations, etc.

Romantic music reflects the tendency of widespread influence and national differentiation. In France, Berlioz, Italian Rossini, Hungarian Liszt, Polish Chopin and Russian Tchaikovsky appeared. . Romantic music declined in the era of Mahler and Brahms.

In the late Romantic period, more different music schools appeared, including French Impressionism (Debussy, Ravel) and national music schools across Europe (Sibelius, Smetana, Qianli Group, etc.) etc.