The river water is played by erhu.

Jiang He Shui was originally a folk music in northern Liaoning and southern Liaoning. Originally, it was not instrumental music, but brand music as vocal music, which appeared in the Yuan and Ming Dynasties and was called Jiang Ershui at that time.

In the early 195s, composers Zhu Guangqing, Wang Shilu and performers Gu Xinshan and Zhu Changan adapted it into a two-pipe solo, and endowed it with new content and life, and its name became Rivers and Rivers. In the early 196s, Huang Haihuai, a young teacher of Hubei University of the Arts, was deeply moved after listening to it, and came up with the idea of transplanting this piece of music to the erhu.

After his second creation, the "Rivers and Rivers" of Erhu Opera was born in 1962. In 1963, his student Wu Suhua became famous by playing the erhu version of "Rivers and Rivers" at the "Shanghai Spring" Music Festival. Since then, "River Water" has become famous all over the world, and its spread is really like the water of rivers, endless and endless.

Appreciation of Rivers and Waters

The tone of sadness and beauty in Rivers and Waters has a tragic beauty of compassion, which is exactly in line with people's compassion. We say that among all human emotions, the noblest feelings should be sympathy and compassion, which will eventually rise to a kind of sad and beautiful pleasure.

Specifically, when we hear a sad melody, we often feel a little sour, and this slightly sour feeling is almost the same as the sorrowful heart.

After that, we can accurately understand a kind of sad and beautiful emotion from the sad melody and cause a * * * sound, thus producing a kind of sad and beautiful pleasure and entering the aesthetic realm. This is the aesthetic consciousness and tragic pleasure brought by the sad charm of Jiang He Shui.

In addition, the tragedy of "Rivers and Rivers" not only aroused great aesthetic appeal and sympathy, but also triggered an infinite potential to overcome and even change human suffering and social injustice. This is also her aesthetic implication.