The pinyin of Huanxisha is [huà n x: sh ā], which is described in detail as follows:

1. Introduction:

1. Huanxisha was originally the name of Tang Jiaofang, and later it was used as a epigraph. This tune is divided into two types, namely, Pingzhuan, with 42 words as the majority, and 44 words and 46 words. Han Wo, a native of the Tang Dynasty, was the first to adopt this tone, usually taking his word "Huanxisha Hangovers and Sorrow" as the main body, and there are four other variants.

2. There are 42 characters with normal body and double tones, with three sentences and three rhymes on the top and three sentences and two rhymes on the bottom. This tonal syllable is lively, which is commonly used by graceful and unconstrained poets. The representative works include Yan Shu's "A New Word and a Cup of Wine in Huanxisha", Qin Guan's "Huanxisha's Lonely and Cold Building" and so on.

3. Huanxisha was originally named as Jin Yu Ji and Pian Yu Ji in the Tang Dynasty, both of which were annotated with Lu Gong in Huang Zhong Gong's Zhang Ziye's Ci, while Ren Bantang's Tang Sheng Shi called Huanxisha incomprehensible, Liang Qixun's Ci Xue Diao Ming and Huanshaxi, and Du Fu's poems were moved to Mr. Chuan's Temple to wash medicine. This tone was first adopted by Han Wo, a Tang Dynasty poet, who usually used his words as the formal body with a flat rhyme style and another rhyming style. This tone has a bright syllable and is commonly used by most poets of graceful and unrestrained school.

2. Genre:

1. Compared with the Tang and Five Dynasties, the musical form of Huanxisha in the Song Dynasty has both inheritance and certain development and changes. In the musical form, the establishment of the fixed writing format of the epigraph Huanxisha makes the lyrics and musical tunes organically combined. In order to express different moods, there are also some forms of variation, such as spreading and reducing words, and some poets have created Huanxi Sha Man.

2. In terms of lyrics, the literati's creation in Song Dynasty was more prosperous, and the scope of materials was greatly expanded. The subject matter was broad and broad, and the style highlighted the two ends of low-back tactfulness and cheerful agility. In the Jin, Yuan, Ming and Qing Dynasties, in addition to the form of Ci, Huanxisha remained in the form of Sanqu and Qupai in Southern Opera, and remained prosperous until the Qing Dynasty, occupying an important position in the history of Yuefu literature.

3. With regard to the alias of Huanxisha epigraph, Zhang Mi's ci has a sentence with a fragrant pan-small courtyard flower, which is called a small courtyard flower; Han Yan's ci has a sentence with a peony blooming in the courtyard, which is called a courtyard spring; there is a sentence with a west wind drunk with osmanthus, which is called a drunk osmanthus; there is a sentence with a yellow chrysanthemum after frost, which is called a frost chrysanthemum yellow.