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Knowledge of simplified musical notation required to learn pipa

To learn a musical instrument (not just pipa), you should first learn to read music. This is an essential skill for learning an instrument. Musical notation includes five-line notation and simplified notation. Most Chinese folk music is notated in simplified notation. Below is the simplified musical notation knowledge about Pipa that I compiled. Welcome to read.

Introduction to simplified musical notation

Regarding how to memorize simple musical notation, here is a brief introduction:

Simple musical notation is a notation method. Because it is simple, clear and easy to understand, it is very convenient in notating and reading music. Simplified musical notation is a notation that uses Arabic numerals 1, 2, 3, 4, 5, 6, and 7 to record pitches.

Tags: 1 2 3 4 5 6 7 i

Singing method: do ri mi fa sol la si do

Simplified musical notation is used to distinguish the pitch of sounds. Write high and low points to record the pitch of the sound. The small dots written above the notes are called treble dots, and the small dots written below the notes are bass dots. The note with one treble point is called treble, which means singing an octave higher. The note with two treble points is called double treble, which means singing two octaves higher. The note with one low point is called bass, which means singing eight degrees lower. degree singing. A note with two bass points is called a double bass, meaning it is sung two octaves lower.

A note without small dots above and below it is called alto.

To accurately represent the absolute height of the note, key signature markings must also be used. Key signature marks are represented by 1=F, 1=G?, etc.

In the musical notation, the length of the note is represented by adding a short horizontal line after or below the note. The line added behind the note is called a delay line; the line added below the note is called a subtraction line.

Each time a delay line is added, the value increases by one beat. For example:

Whole note (add three dashes after the note) 5 - - - Sing four beats

Half note (add a dash after the note) 5 - Sing Two beats

Quarter notes (no lines behind or below the notes), such as: 5 Sing one beat

Each time a subtracting line is added, the value is reduced by one-half. For example:

Eighth note 5 (add a short horizontal line under the note) Sing half a beat

Sixteenth note 5 (add two short horizontal lines under the note) ) sing a quarter beat

Thirty-second note 5 (add three short horizontal lines under the note) sing an eighth beat

In addition, you can also Add a small dot after a note (or rest) to extend the duration of the note. The small dots added after the notes are called dotted notes, and the notes with dots are called dotted notes. The function of the dot is to extend the duration of the note before it by half.

The basic symbol representing the rest of a sound is the rest (0). To represent rests of different lengths, increase the number of zeros. The commonly used rests are as follows:

Full rest: 0 0 0 0

Half rest: 0 0

Quarter rest: 0

Eighth minute rest: 0 (plus one dash below)

Sixteenth minute rest: 0 (plus two dashes below)

Thirty-second rest: 0 (plus two dashes below) Three horizontal lines)

There is no clef problem in the simplified musical notation system. Its pitch is represented by notes and key signatures.

The time signature in simplified music notation is the same as the staff notation. It is marked with fractions. It is recorded together with the key signature at the bottom left of the music name. The key signature is recorded first and the time signature is recorded later. To the lower right of the music title is the name of the songwriter.

Introduction to Pipa Qu Overlord’s Armor Removal

The first part describes the preparations for war, with a certain war atmosphere. "Camping Drum" is the introduction to the whole song. At the beginning, the rumbling war drums played by the pipa in the bass range were deep and tragic, and their intermittent role foreshadowed the tragic ending of this war. From "tent" to "going out" is a coherent whole, which describes a series of preparations before the battle. Starting from "arrangement", the music gradually becomes tense, and "out of array" compresses the original tune, which adds to the tense atmosphere and directly leads to the arrival of the battle.

The second part is a fierce battle. Including "fighting" and "fighting at Gaixia". Like "House of Flying Daggers", it depicts the momentum of the Battle of Gaixia and the specific scenes of the battle. This is the most intense part of the whole song and the climax. However, it is not the focus of the whole song. From Xiang Yu's perspective, the Battle of Gaixia quickly ended in failure. This is hinted at at the beginning of the music. Their feelings after failure are the real focus of this piece of music.

The third part describes Xiang Yu’s failure and the tragic mood of the Chu army’s return home. Here again, "Chu Ge" and "Farewell My Concubine" are the centerpieces. In "Chu Song", the pipa uses the long-wheel technique to play a sad, sad, heart-breaking melody, which is in sharp contrast to the previous battle.

Then "Farewell My Concubine" echoes "Chu Song" with its rapid singing music and the slide method played with pitch. It profoundly expresses the sad mood of King Chu Bawang, a historical figure who was "overpowering the mountains and overwhelming the world", who was so sad and angry when he was besieged on all sides that he bid farewell to Concubine Yu and wanted to kill himself. In several sections such as "Chasing Soldiers", the music uses materials from "Fierce Fighting under Gaixia", using different playing techniques and strong rhythms to express the tense atmosphere of the breakout and the Han army's pursuit, making the music once again appear tense. degree, forming a second climax, forming a contrast between before and after.

Finally, there are two paragraphs: "The Sound of Drums and Horns" and "The Army Returns Home". These two paragraphs are the continuation of the emotions of "Chu Song" and "Farewell My Concubine". What they depict is the failure of the Chu army. The feeling of sadness and anger afterwards. The melody is euphemistic, but not sad. "The troops return home" is the ending, which has a coda function. The tragic atmosphere is reduced here, like the recognition that things are a foregone conclusion, and like a feeling of just recovering from a fierce change. The desolation felt for the first time after waking up from the numbness.