This is Yanni's most brilliant work. From then on, Yanni's music completely bid farewell to the "advertising music" period. It includes nine new works and two adaptations of old works from the Taj Mahal in India and the Forbidden City in China concerts. The whole album is full of passion and thrilling. Except for "Waltz in 7/8", each of the nine new songs is extraordinary. The orchestra's performance, the singer's singing, and the musicians' solos blend together. Yanni's music has never been so rich and varied, especially Alfreda Gerald, Vann Johnson's singing and Pedro Eustache's various flutes and saxophone performances. , adding unprecedented highlights to Yanni’s music. Compared with the Acropolis Concert, the orchestra and the musicians' solos in this music integrate more naturally, and the melody is no longer as "relatively single" as before. Some places can be said to be unexpectedly clever. In short, Yanni's music here shows a mature and free side, but it is a pity that Yanni's own performance was covered up by many musicians and seemed to be nothing new.

dance with a stranger

deliverance

inghtingale

love is all

niki nana(we're one)

prelude

renegade

southern exposure

tribute adagio in c minor

waitz in 78< /p>