One of the characteristics of "Spring Rhapsody" is that the protagonist's music creation closely follows the life experience of joys and sorrows, as well as the major social changes and historical turning points since the 1950s and 1960s. It is precisely the personalization and musicality of these social changes that makes everyone sigh and every family sing when the audience revisits these familiar songs. For example, when the film showed the people's tragedy and social turmoil during the Cultural Revolution, it used only one Pingtan song "Butterfly Loves Flowers" to set off the wedding of Zhao Liming and Su Yu in the midst of adversity. The tragic and melodious melody and lyrics are well-known to everyone. But after being interpreted in the director's figurative film, it took on a whole new historical content. This musical method of describing the Cultural Revolution shows that the Chinese screen has developed a film style that pushes forward historical events and injects new cultural connotations. Another example is "The Toasting Song", which was a surprise and good news that the "Gang of Four" was crushed. At the same time, there was news that Su Yu gave birth smoothly and that both mother and daughter were safe. Zhao Liming, who was drunk and lost his temper, danced happily with his reborn parents in distress, the folks from northern Shaanxi. Only then did he sing the ecstatic mood of the people, and pour out the passionate joy of the musicians. The atmosphere of victory and the pride of the people in "The Toast Song" have been exaggerated in a freehand manner that goes beyond realistic description. Only this kind of exaggeration can sublimate the audience's memories of history and review of past events in an emotional way.