In January 1986, at the 9th World "Tomorrow" Acrobatic Circus Competition in Paris, he won the first gold medal, the "France Presidential Award".
"Hand Skills" is a skill performance in which hands are used to skillfully and skillfully manipulate, throw and catch various objects. Props are balls, sticks, plates, knives, hoops, rackets, etc. in daily life. Chinese handicraft performances can be traced back to the Spring and Autumn Period more than 2,000 years ago. At that time, "sword playing" and "pill playing" had reached a very high level. By the Tang Dynasty more than 1,300 years ago, acrobats could already "dance with two swords and dance with seven balls."
The handicraft performances of the three brothers Qian Jianping, Qian Jianhua and Qian Jianwen integrated handicrafts with music, sports and dance, and appeared on the stage with a brand-new performance, demonstrating the level of the world's top players. . Their individual skills are superb and their collective coordination is seamless. Qian Jianping can throw and catch eight badminton rackets at the same time and form a variety of beautiful patterns in the air; Qian Jianwen throws seven colorful circles as soon as he takes a shot, and finally increases it to ten. While dancing and throwing, wonderful scenes emerge one after another. The most magical thing is the "collective circle". Eighteen circles form two "color bridges" between three people, and the colorful circles are seen dancing and chasing in the air. Suddenly the drum music stopped, Qian Jianping raised his arms, and all eighteen colorful circles were accurately placed on the heads and hands of Qian Jianhua and Qian Jianwen.
The Chinese acrobatic community believes that "Chinese acrobatic skills belong to the Qian family." The three Qian Jianping brothers are the grandsons of Qian Bingzhang, a famous Chinese acrobatic artist. Under the careful guidance of their grandfather, they practiced hard for 20 years and achieved perfection in their skills. After watching their performance, foreign experts believed that "the history of handicrafts should be rewritten from China."