1. Wood Drum Dance
Wooden Drum Dance is a sacrificial dance of the Miao people in Gujiang Fangbai (Chinese pronunciation of Miao language, or translated as reverse row). The wooden drum is used as the only accompaniment instrument, and the drummer beats it to form complex and changeable dance tunes. The rhythm is four or six beats. With the hips as the fulcrum, the head, shoulders, hands, waist, legs, and feet twist, swing, and kick, turning naturally, often with rapid reversals to form a strong contrast.
The biggest feature of wood drum dance is its madness, which emphasizes the rough and unrestrained, free and heroic movements, such as wild persimmons flying through the forest, and waterfalls falling off cliffs. What the wooden drum expresses is the difficult journey and spirit of the Miao ancestors who braved all obstacles and persevered during their migration. The dancers are mostly young men and women; they dance around the drums, dancing and spinning. If there are many people, there will be several circles inside and outside, with women inside and men outside. And those who are tired can take a break, and newcomers can join at any time.
2. Ancient Ladle Dance
The "Ancient Ladle Dance" is the oldest and most primitive dance popular in the Miao villages in the Yahui area of ??Danzhai County, with the nature of sacrifice and self-entertainment. . The ancient ladle dance is named after the accompaniment of the ancient ladle, which is carved from pine wood and looks like a household water ladle. The panel of the harp has four sound holes and a sound column, which is inserted directly into the base of the board. Ring box. The guqin is not only a prop in the hands of young men when dancing, but also the only accompaniment instrument in the dance.
3. Stepping on drums
"Stepping on drums" is one of the Miao folk dance forms, and it is also a sacrificial dance. The accompaniment instruments are brass drums and wooden drums. Dancers generally form a circle, with women in the inner circle, and a large drum in the center. One or two people hold drum sticks and beat the drum. The dancers face the circle and slowly change different dance steps in accordance with the rhythm of the drum. Their hands swing naturally and dance when they hear the drum. .
4. Bench dance
"Bench dance" is one of the forms of Miao people that is purely self-entertaining and passionate after drinking, and combines sports with dance. One or several people hold benches and beat each other as drumbeats, and everyone dances around them. The drumbeats mostly adopt the rhythm of 4/4 and 3/4. The crowd sometimes gathers and sometimes disperses, and the dance movements are large, which looks rough, bold and exciting, showing the bold and hospitable temperament of the Miao people.
5. Miao Lusheng Dance
"Lusheng Dance" is the most popular dance with sacrificial and self-entertainment characteristics among the Miao people in southeastern Guizhou. Men, women and children can do it, and it is formed from this. The unique aesthetic concept of life of the Miao people. Those young men and women who are good at singing and dancing are regarded as wise and intelligent, while those who are not good at singing and dancing are regarded as having no future.
6. Doye Dance
Doye is a large-scale singing duet dance. "Duo" in Dong language means singing, dancing, etc. "Ye" is a song that leads the crowd to harmony. Doye is an antiphonal dance performed by dozens or hundreds of young men and women gathered in a field. As early as the Song Dynasty, there was a record of "Chen, Yuan, Jingzhou... During the farming break, one or two hundred people were Cao, holding hands and singing, and several people played the sheng to lead the way."
7. Fish-Giving Dance
The Fish-Giving Dance is a primitive fishing and hunting dance performed during the "Shiguanren" activities. The person dressed as a primitive man held a wooden stick with pickled fish and danced a martial arts primitive dance towards someone who was watching the fun. This person must walk into the arena and dance with the primitive man. The two parties dance until the steps, head postures, and gestures of the two parties match, and the pickled fish held by the "primitive man" falls into the opponent's mouth.
At this time, the "primitive man" went to catch fish and gave them to other people. If the two parties are not in sync, a fish-giving dance will take a long time to end. Most young men in many Dong villages can dance this kind of martial arts dance.
8. Lion Dance
It is a dance activity held by the Dong people during the Spring Festival. It is mainly divided into three forms: celebration dance, lion dance and green lion dance. Celebration dance is a lion dance team that dances the lion door to door on festival days to congratulate people. When the lion arrives at the door of a house, the owner holds firecrackers on bamboo poles to welcome him. The lion immediately danced a festive dance in front of the door. The master gives a red envelope of money, the lion takes it in his mouth and then thanks him. He bowed to the ground and took three steps back to say goodbye. Go to another place to celebrate.
9. Dragon Lantern Dance
It is a celebration held in the first month. The steps of the dragon dancer are consistent and the gestures are in harmony with the movements of the dragon head dancer, so that the dragon dances and flips in various movements following the dragon treasure, and goes to the door of each house to celebrate.
10. Lusheng Dance of the Dong Nationality
The Lusheng Dance has disappeared as much as the Sheng Music. The current ones are mainly divided into performance dances and carnival dances in the competition. The dance performance is mainly reflected in the variety of steps. When the Sheng music changes from one segment to another, the upper body, head, and hands and arms holding the Sheng change with a right-swinging dance posture.
This kind of Sheng dance is mainly a Lusheng dance in which the Sheng team plays the Sheng or slowly enters the stage during the march. The carnival dance of Lusheng is a large-scale sexual Lusheng dance held on Saisheng Ping. This kind of Lusheng dance has a strong rhythm, fast movements, and unrestrained emotions. It is like thunder and lightning and strong wind, and the atmosphere is like fire and very warm.
Extended information:
The development history of folk dance (primitive stage):
1. Primitive dance
Primitive dance is "laborers A simple representation of action." There is a record in "Shangshu" that "hit the stone and pull the stone, and all the beasts will lead the dance". It means beating working tools such as stone knives and stone axes as accompaniment. The crowd transformed into various beasts and danced.
There is also a record in "Lu's Spring and Autumn Annals": "Xi Getian's music. Three people played the ox tail. They cast enough to sing eight ques." The dancers held the ox's tail and stamped their feet while dancing. While singing. Dance is actually a virtual representation of primitive human labor scenes. Also seen in primitive group dances on painted pottery basins.
2. Witch Dance
The word "witch" is a pictographic character in oracle bone inscriptions. It looks like a person dancing with his hands spread out, each holding an ox's tail. It is said that Xia Yu once choreographed the dance himself. To the Shang Dynasty. Chengtang is also good at witch dance. "Witchcraft" was popular in the court. Spring and Autumn Period and Warring States Period. Witchcraft is very popular in Chu land. Beautiful women acted as cloud gods, water gods, mountain gods, etc., singing and dancing, and the scene was grand and grand.
Baidu Encyclopedia-Ethnic Dance