Baritone (Baritono) is a voice between bass and tenor (later called tenor). Below I will bring you a relevant introduction to baritone, welcome to read!
Definition of Baritone
Baritone (Baritono) is a A voice between bass and tenor (later called tenor).
In Italy during the Romantic period, due to the expansion of the composer's application range, the baritone increasingly played complex roles. Therefore, the baritone's range is similar to that of the tenor in Rossini's works. . Such as Ernesto in Bellini's "Pirates", Terbo in "The Puritans" and so on.
Coincidentally, Verdi's operas starting from Rigoletto require singers to raise their chest voice to a higher range, so the "Verdi baritone" appeared. In the golden age of grand opera, composers also imitated Verdi. For example, Thomas's "Hamlet" and Debussy's "Pelias et Mélisande" all arranged unique baritone roles. . In Germany there are also subdivisions for "Performative Baritone", "Heroic Baritone", "Treble Baritone", "Knight Baritone" and "Bass Baritone"; they also divide some vocal areas A high-pitched, light-toned, nasal voice is called a French baritone.
Classification of baritone
Lyrical baritone
Lyrical baritone This is a high baritone known for its lyricism, with a range of a?g2 or a2. For example, King Alfonso XI in Donizetti's "The Beloved", Amand in Verdi's "La Traviata", and Escamillo in Bizet's "Carmen" all fall into this category.
"La Traviata" is a three-act opera created by Verdi based on the libretto of Dumas Xiao's novel. The story tells the story of Violetta, a famous prostitute in Paris who liked to wear camellias, so she was known as the "La Traviata". She hangs out in the romantic world, but longs for true love. Fortunately, he met Alfredo, a young aristocratic young man, and was moved by his sincere affection. He resolutely left the luxurious Paris social circle and lived with Alfredo in the countryside. Unexpectedly, Alfredo's father Armand (baritone) heard the news and came to stop him. He resolutely begged Violetta to leave his son. For the sake of her lover's future and the family's reputation, Violetta reluctantly agreed. . Reluctantly, he returned to Paris and resumed his old career. Alfredo misunderstood him and humiliated Violetta in public in a rage. Violetta. Unable to bear this kind of stimulation, Lady Camellia, who was already suffering from tuberculosis, became terminally ill, and finally passed away in the arms of her lover.
Scene 1 of Act 2 of the play: Armand comes to Violetta’s hermitage and accuses and obstructs her love affair with Alfredo. There is a lyrical baritone aria "In Proven?a". The main idea of ??the lyrics: You spent the wonderful time of your childhood in your hometown. Since you left home and went far away, my dear, you have forgotten the sunshine, forests, fields and the blue ocean of your hometown. Your hometown is so kind to you. People at home are looking forward to it, hoping that you will return to your hometown soon, return to the arms of your relatives, and find peace and recovery. You are tortured here, and your future is all hopeless. If you go back to your hometown with me, you will be happy and refreshed. You can leave your worries and sorrows and rest quietly at home. God lets me bless you and you will come home soon!
Bizet's "The Song of the Matador" has become a popular aria, and Onegin's aria "Please don't deny writing to me" It is also familiar to the audience. At concerts, you can often hear Mozart's "Don Giovanni" serenade "Come to the Window", Valentine's aria "Leaving Home" from Gounod's "Faust", etc.
Dramatic baritone
The range of dramatic baritone is f-e2 to g2. The voice is strong, rich and emotionally intense.
For example, Tyramond in "Lohengrin", Jago in Verdi's "Otello", Boris in Mussorgsky's "Boris Godunov", Leoncavallo's " Tonio in "Pagliacci" and Wozzeck in Berg's "Wozzeck" all belong to this type. Some of them (such as Wozzeck) have a timbre closer to a bass.
In the first scene of Berg's "Wozzeck", Wozzeck shaves the captain's face. The captain lectures Wozzeck seriously about what morality is. Wozzeck responds respectfully: "Yes" , Mr. Captain?. Later he added: "Poor people have no choice but to give birth to children through moral procedures." He was very angry when he learned that his wife Mary had an affair with the band leader. In the second scene, Wozzeck takes Mary to the forest path beside the pool, and the moon slowly rises while the two talk. Wozzeck asked how many years we have been in love, and Mary answered three years. Wozzeck asked Mary, why do you have such lovely lips? Then he kissed her. At this time, the blood-red moon had risen above their heads. Wozzeck shouted that it was the color of blood as he took out a knife and stabbed Mary in the throat. Mary screamed in pain "Help", but soon fell down and died. In the third scene, Wozzeck walked into a bar after killing someone. The blood on his arm caused a commotion among the male and female dance partners. In the fourth scene, Wozzeck ran to the river looking for the murder knife, and finally walked into the river in despair and died. In this scene, Wozzeck's long singing fully demonstrated the strong dramatic expression of the low baritone.
A virtuoso baritone
His vocal range is similar to that of a lyrical baritone, and he is good at language, fast-paced and witty performances. Historical examples: Tongue-twisting recitatives, recitatives, and arias are common in Rossini's works. The rapid succession of function words and the endless repetition of lyrics make the music light and lively, and the audience is fascinated by the actor's superb pronunciation and enunciation. Admired for his skills. There is also the familiar fast aria "Please make way" by Figaro in "The Barber of Serbia" which is also a typical example of this type.
World-famous baritone
1. T. Tito Gobbi
2. Gino Bechi
p>
3. Dietrich Fischer-Dieskau
4. Hermann Prey
5. Blue Renato Bruson
6. Bryn terfel
7. Dmitri Hvorostovsky or Dmitri Hvorostovskii
8. Leo Nucci
9. Tita Ruffo