When "The Voice of China 2019" announced the four mentors, Li Ronghao's name was prominently listed, which made many viewers think that he might not be qualified and might be relatively weak.
Compared with the veterans Na Ying and Yu Chengqing on the tutor table, he seems junior and immature. Compared with Leehom Wang, who is also debuting on the stage, he seems to have less expectations and less topicality.
On the one hand, during those years when he was deeply involved in music creation behind the scenes, Li Ronghao collaborated with countless singers to write songs for them. This allowed him to better understand the characteristics of different singers and tailor songs that can perform for them. works;
On the other hand, after he became a singer, the music and albums he made were relatively successful. He is a creative musician who produces works. He integrates it from the perspective of being a singer and making works. When you join your own team members and players, it will be easier for you to find hits.
We often feel that there are some people, such as a folk art master, who can play, play, sing, and have great talents in everything, but he may not be able to bring out good apprentices, just like some scholars who have very good knowledge. Rich, but you may not be able to give lectures on stage or be a teacher.
Li Ronghao is exactly the person who can write, sing and speak well in the field of music, and he also knows how to explore and bring into play the characteristics of students.
On the one hand, when selecting contestants, he has his own judgment goals. He pays more attention to the contestants' own vocal characteristics and performance space, rather than just looking at their singing skills and performance at the time. degree. Under such standards, it is easy for him to discover some good prospects who have very good foundations but are relatively ordinary in auditions;
On the other hand, it can be seen from his choices in so many rounds that he chose People also need to see if they can help the other party, such as choosing songs that fit the other party's characteristics and performance, providing better suggestions and room for improvement, etc. When he thinks, "I can help this player very well." When the situation arises, he will take decisive action and win it with his sincere musical attitude.