The answer is a bit redundant, but it is better to be more detailed. The author can choose the first sentence of each paragraph.

Father Adelfeo also has a dual role in the film. symbol.

On the one hand, he is a symbol of religious power that is opposed to human desires. In the old Paradiso Cinema, he held the censorship rights over films shown in public. When the director showed his film review process, he used an upward shooting angle. The priest's dark figure appeared in the middle of the theater screen, covering the screen, reflecting a kind of power that controls everything. And once a kissing scene appears in a black film, the priest can ring the bell and ask the projectionist to cut it out, showing an unhesitating attack on people's love desires. However, after the new Paradise Cinema was built, the power of religion was no longer so strong. The priest lost the right to review the film, and people finally saw the kissing scene in the film.

On the other hand, Father Adelfeo, as a flesh-and-blood person, also embodies the victory of humanity over divinity in himself. When reviewing the film in the old theater, every time the people on the screen danced, the priest himself would hum the music along with it. On the day when the new cinema was inaugurated, the priest held a holy water jar to sprinkle water and pray for the theater. As a result, while watching the musical, he actually held the water jar and swayed gently to the rhythm of the music. The holy water jar seemed to have become an instrument in his hand. . When the kissing scene was shown on the screen of the new cinema for the first time, people cheered. The priest was helpless and could only say angrily: "I don't want to watch this kind of movie." While speaking, his eyes were fixed on the screen. .