1. Verses about the answer

Verses about the answer 1. The feelings expressed in the answer verses

To understand the poem, you must first know the person

Wang Rong Wang Rong (467-493), with the character Yuan Chang, was from Linyi (now Shandong) in Langya. Rarely promoted scholars, tired of moving to the prince and abandoning others. He wrote to Emperor Wu of Qi asking for a self-examination, and moved him to Secretary Cheng, Danyang Cheng, Zhongshu Lang and host guest minister. Xiao Ziliang, King of Jingling, was promoted to General Ningshuo and one of the "Eight Friends of Jingling". Later, because he supported Xiao Ziliang as emperor, he was sentenced to death after failure. He is good at poetry, prose and pronunciation. He once created the "Yongming style" with Shen Yue, Xie Tiao and others. His deeds can be found in "Book of Nan Qi: Biography of Wang Rong" and "History of Nan Qi: Biography of Wang Rong". There are more than 80 poems and more than 50 articles in existence. The original collection is ten volumes, which were later lost. The Ming Dynasty compiled "Wang Ningshuo Collection".

The main characteristics of Wang Rong's poetry are: implicit and charming conception, delicate and fresh and natural description of scenery, gorgeous and easy and fluent language, which to some extent shows a style similar to Xie Tiao's. ——

Near the high platform, tourists want to take a look and walk up to the high platform. The well lilies bloom in summer, and the window laurel blooms in autumn. Flowers fly low and cannot enter, and birds come when they are far away. Also look at the shadow of Yundong, with the moon lingering around.

——

Among them, the literal translation of "Flowers flying low can't get in, but birds come when they are far away" is: low places, broken flowers are falling and flying, and they can't enter the windowsill; high altitudes, The lone bird flaps its wings and leaves, flies far away, but then flies back... This brushwork is delicate, subtle and restrained, and has a strong artistic charm.

Wang Rong is one of the "Yongming style" poets. During the Yongming period, society was relatively stable and the economy was prosperous. Wang Rong did not have any big storms in his life. His career was not as bumpy as Su Shi's. Therefore, rather than saying there are any thoughts and feelings, it is better to say that it is a professional artistic creation, an act of poetry among scholar-bureaucrats and literati. Facing the vastness of the high platform, the sight of flowers flying, and the sight of birds scattering and returning, it is inevitable to feel a little helpless and sigh! In other words, it describes the scenery in a popular way...

And "when the birds disperse and come from afar", I can understand it as: when the poet comes from afar and climbs to the high platform, the birds flutter their wings and fly away. At this time, it indicates that the bird may never come back, and the original light sadness and helplessness in thoughts and emotions immediately sublimate. If the scenery doesn't leave me, where can I be left? It brings out one's own loneliness and deep-seated helplessness.

From a phonological point of view, it rhymes with "ai", and "Yongming style" pays special attention to this type. If it is replaced by "when the birds disperse from afar", it will not conform to the style.

However, I still prefer "When the Birds Scattered"~

Poetry is a literary and artistic genre, and everyone has their own opinions and understandings. In fact, as long as you spend a little time reading On it, you can find your own answer ~ This has a lot to do with personal mentality. Oh, you, the host, are very good! Nowadays, ancient literature is in decline. I hope you are a friend who really loves poetry. I don’t care about the 50 points. After all, I don’t often use Baidu. I just hope that more people can like ancient literature and more people can study it and find their own meaning of life! Finally, thank you!

(Ahem, I actually read the wrong word~ If it is "chosen time", it reflects its unrestrained freedom... But in this case, it is not as good as the original sentence... Analyzing from the word contrast, "flower" Flying ˉ low ˉ unable to enter, birds scattered ˉ far ˉ Shi Lai" in "low" and "far" are both adjectives, and "choose" is a verb)

2. Answers to ancient poems

1. Throughout the ages, when people are in difficult situations and are in a dilemma, they will naturally recite the famous line from Lu You's "Visiting Shanxi Village": mountains and rivers are full of doubts, but there is no way, and there is another village with dark willows and bright flowers.

2. There are many people in ancient and modern times who have praised snow, but Cen Shen, a poet of the Tang Dynasty, wrote it best in the poem "Song of White Snow to Send Magistrate Wu Back to the Capital": "Suddenly, a spring breeze came overnight, and thousands of trees were blown away. Pear blossoms bloom."

3. Farewell poems occupy a considerable proportion in ancient Chinese poetry. Many poems are still widely recited by people today.

Wang Wei expresses his deep feelings for his friends in "Sending Yuan Er Envoy to Anxi" by "persuading you to drink another glass of wine, leaving Yangguan in the west without any old friends"; Li Bai uses the scene to express his emotions in "Sending Meng Haoran to Guangling at the Yellow Crane Tower", He implicitly expresses his reluctance to leave his friend with "The shadow of the solitary sail is far away in the blue sky, and only the Yangtze River can be seen flowing in the sky"; Li Bai uses the depth of water to describe the depth of love in "A Gift to Wang Lun", and his famous sentence of turning the invisible into the tangible is "The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's love for me." Gao Shi comforted his friends in "Farewell to Dong Da" with "Don't worry about having no friends in the future, and no one in the world knows you"; Wang Bo was even more optimistic. "Farewell to Du Shaofu's Appointment in Shuzhou" uses the phrase "a close friend is as close as a distant neighbor" to send a message to distant friends, indicating that as long as hearts are in harmony, even if the distance is far away, they will feel close at hand.

4. To develop the western region, the most important thing is to return farmland to forest, so as to create oases in the northwest desert and grasslands in the Gobi, recreating the "sky is blue and the wild fields" in "Celego" The scenery is vast, with wind-swept grass and low cattle and sheep.

5. "Rewarding Lotte Seeing Gifts at the First Banquet in Yangzhou" contains philosophical philosophy and shows that new things will definitely replace old things: Thousands of sails are passing by the side of the sunken boat, and thousands of trees are springing in front of the diseased trees.

6. In "The Clear Sky and the Sand? Autumn Thoughts", the sentence that uses nine kinds of scenery to form a picture is: withered vines, old trees and dim crows, small bridges and flowing water, people's homes, and the west wind and thin horses on the ancient roads.

7. The two sentences in "Crossing the Lingding Ocean" that best reflect Wen Tianxiang's noble national integrity are: Since ancient times, no one has died, and his loyalty will be remembered by history.

8. "Rain" is a common scene described by ancient poets, such as "Rain falls heavily during the Qingming Festival." Please write two more poems containing the word "rain": ①The light rain on Tianjie is as moist as crisp cakes , the color of grass looks far away but there is no grass up close. ②The morning rain and dust in Weicheng are light, and the guesthouses are green and willow-colored.

9. There are many famous sentences describing autumn scenery in ancient poetry. Please write down two sentences: ① Stop and sit in the maple forest at night, the frost leaves are as red as the February flowers. ②Poor on the third night of September, the dew is like pearls and the moon is like a bow.

10. The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it. (Yang Wanli's "Little Pond")

11. Relatives and friends in Luoyang are like asking each other, and a heart of ice is in a jade pot. (Wang Changling's "Farewell to Xin Jian at the Furong Tower")

12. The lotus leaves in the sky are infinitely green, and the lotus flowers are uniquely red in the sun. (Yang Wanli's "Walking off to Lin Zifang at Dawn from Jingci Temple")

13. The spring breeze is green again on the south bank of the river. When will the bright moon shine on me again? (Wang Anshi's "Mooring at Guazhou")

14. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. (Bai Juyi's "Remembering the South of the Yangtze River")

15. The lonely smoke is straight in the desert, and the sun is setting over the long river. (Wang Wei's "The Envoy to the Fortress")

16. Sometimes when the wind blows and the waves break, the cloud sails are hung directly to help the sea. (Li Bai's "Traveling is Difficult")

17. Sneak into the night with the wind, moistening things silently. (Du Fu's "Spring Night Joyful Rain")

18. Stop and sit in the maple forest at night, the frost leaves are as red as the February flowers. (Du Mu's "Mountain Journey")

19. The wild flowers are gradually charming the eyes, and only in Asakusa can there be no horse hooves. (Bai Juyi's "Spring Journey to Qiantang Lake")

20. People have joys and sorrows, and the moon waxes and wanes. This is a difficult thing in ancient times. (Su Shi's "Shui Tiao Ge Tou")

21. Falling red is not a heartless thing, it turns into spring mud to protect the flowers. (Gong Zizhen's "Miscellaneous Poems of Jihai")

22. Helpless, the flowers fall away, and the swallows return, as if they had known each other before. (Yan Shu's "Huanxi Sand")

23. Spring silkworms will not run out of silk until they are dead, and wax torches will turn into ashes and tears will not dry up. (Li Shangyin's "Untitled")

24. The journey of the sun and the moon, if it comes out of it. The stars are as brilliant as if they came out of it. (Cao Cao's "Viewing the Sea")

25. Don't be afraid of your bones being shattered into pieces, you must keep your innocence in the world. (Yu Qian's "Ode of Lime")

26. If you want to compare the West Lake to the West, it is always appropriate to put on light makeup and heavy makeup. (Su Shi's "Drinking the First Sunny and Later Rain on the Lake")

27. Don't laugh when you are lying drunk on the battlefield. How many people have fought in ancient times. (Wang Han's "Liangzhou Ci")

28. At Hanshan Temple outside Gusu City, the midnight bell rang for the passenger ship. (Zhang Ji's "Night Mooring on Maple Bridge")

29. Thousands of households always exchange new peaches for old charms every day.

(Wang Anshi's "Yuan Ri")

30. The garden is filled with spring scenery and cannot be contained, and a branch of red apricot comes out of the wall. (Ye Shaoweng's "A Visit to the Garden Is Not Worth It")

31. I urge God to cheer up and send talents of any kind. (Gong Zizhen's "Miscellaneous Poems of Jihai")

32. Jianjia is green, and the white dew is frost. The so-called beauty is on the water side. ("The Book of Songs? Jianjia")

33. The wild fire will not burn out, but the spring breeze will blow it again. (Bai Juyi's "Farewell to the Ancient Original Grass")

34. If you want to see a thousand miles away, go to the next level. (Wang Zhihuan's "Climbing the Stork Tower")

35. I don't know who cuts the thin leaves. The spring breeze in February is like scissors. (He Zhizhang's "Ode to the Willow")

36. When Wang Shibei set the Central Plains Day, he did not forget to tell Nai Weng about family sacrifices. (Lu You's "Showing Children")

37. Constant cutting and confusion are the sorrow of divorce, especially the feeling in the heart. (Li Yu's "Happy Meeting")

38. Standing at the top of the mountain, you can see all the mountains and small mountains at a glance. (Du Fu's "Wang Yue")

3. Help: Answer the poem

Qin Guan's "Magpie Bridge Immortal"

The fine clouds make tricks, the flying stars spread hatred, Yinhan is far away and dark.

As soon as the golden wind and jade dew meet, they will defeat countless people in the world.

Tenderness is like water, good times are like dreams, and I can’t bear to look at the magpie bridge on the way home.

If the love lasts for a long time, how can we stay together day and night?

"Magpie Bridge Immortal" is a poem praising the Chinese Valentine's Day written by Qin Guan, a poet in the Song Dynasty. "Magpie Bridge Immortal" is the name of this poem, and it is also the title of the poem. This kind of example of the same tune and title is common in the lyrics of the Tang and Five Dynasties. After the Southern Song Dynasty, the relationship between lyrics and music became more and more distant, and it became popular to add titles to the tunes to indicate the things and content being chanted.

The thin clouds make tricks, the flying stars spread hatred, and the silver man is far away in darkness. Xianyun is Weiyun, Feixing is meteor, and Yinhan is the Milky Way. Slight clouds, shooting stars streaking across the night sky, and the distant Milky Way. These are all specific natural scenes on the night of July 7th, not ordinary night descriptions. Playing tricks, conveying hatred, and darkness are the vivid images of Weaver Girl and the description of Weaver Girl's typical character and behavior. The legendary Weaver Girl is an expert at weaving, and the things she weaves are so ingenious that they surpass the lightness and splendor of clouds. Therefore, in the old days, on the night of July 7th, women in both the palace and the public would display fruits and needlework in the courtyard under the moonlight, and beg the Weaver Girl to give them the wisdom and skill to weave, embroider, and sew clothes. Give them a good hand at needlework. Therefore, Chinese Valentine's Day is also called Qiao Qiao Festival. The word "Nongqiao" implies many rich contents. Flying stars convey hatred, and this hatred is not ordinary hatred, but like what Bai Juyi wrote in "Song of Everlasting Sorrow" that lasts forever and sometimes ends, this hatred lasts forever. The clouds in the night sky were like the brocade weaved by the Weaver Girl, and the meteors streaking across the night sky were like conveying to her the resentment that the couple could not be reunited. At this time, the Weaver Girl quietly passed through the distant Tianhe to meet the Cowherd. The series of actions of making tricks, conveying hatred, and darkness are written in a very layered manner, and they organically combine the character's personality, behavior, and environment, and play a very good role in blending the scenes. In this sentence, the specific scene of Chinese Valentine's Day is euphemistically and appropriately written, which requires a lot of ingenuity.

As soon as the golden wind and jade dew meet, they will defeat countless people in the world. The golden wind is the autumn wind, and the jade dew is the white dew. This is a specific scene in autumn. The word "Golden Wind and Jade Dew" indicates the festival season. A gold character is added before the word "wind" and a "jade" character is added before the word "lu" to show the beauty of the scenery. In such a good time and beautiful scenery, a couple who truly love each other can reunite overnight, which is better than countless reunions in the world, and it is better than countless times. True love cannot be separated by the Milky Way. With this kind of true love, even if we meet once a year, it is beautiful and valuable; without a combination of love, even if we stay together day and night for a lifetime, it is meaningless. It can be clearly seen from here that the author's views on the reunion of the Cowherd and the Weaver Girl on the Chinese Valentine's Day and on love are completely different from those usual views. In the author's opinion, Weaver Girl is the real winner of noble love, not the loser. The Weaver Girl is very enviable. This sentence is actually the last sentence of the whole word.

Xiaqiao: Tenderness is like water, vacation is like a dream, can you bear to look at the Magpie Bridge on your way back? Remote connection means meeting in darkness. From the darkness to the encounter, from the encounter to the in-depth depiction of the scene after the encounter, the levels are very clear. Tenderness is like water, which refers to the tenderness of the Weaver Girl when meeting the Cowherd. It is clearer and softer than the Milky Way water in front of her. Comparing love with water, love is as deep as water and water is as soft as love. The two are connected and play a role in setting off and deepening each other. Good times are like dreams, and we meet once a year. I don’t know how many feelings I have to express. How can we not feel like a dream when we first meet? Can this wonderful occasion of meeting each other not be as beautiful as a dream? Such a loving couple can meet in secret, and it's only one night a year. Can they be willing to be separated? However, I don't want to go back but I have to go back and have to walk the Magpie Bridge Road. This is where the hatred lies. This sentence exaggerates the deep and sincere feelings of the Weaver Girl. It is connected to the water of the Milky Way and the road to the Magpie Bridge. From emotion to scenery, from scenery to emotion, and from the situation to the deep understanding and portrayal of the character's psychological state, it is euphemistic and implicit. This is exactly the characteristic of the graceful poets.

If the love lasts for a long time, how can it last day and night? As long as the love between two people is truly lasting and lasting, why should they stay together day and night?

This poem has fifty-six characters, which is the same number of words as a Qilu poem, but the syntax is different. It writes about wispy clouds, shooting stars, golden wind, jade dew, the distant Milky Way and the Magpie Bridge on the Milky Way. It also writes about the cleverness of the Weaver Girl and the hatred of the Weaver Girl. She quietly crossed the Milky Way, walked across the Magpie Bridge, and went to the wedding day that she dreamed of once a year. Her heart was full of tenderness; she just walked towards the Magpie Bridge with all her heart, without thinking at all that she would still have to come back from the bridge after one night. , she still had to endure the pain of isolation and separation year after year; she only felt the long-lasting love and the preciousness and joy of meeting this night; she did not pursue staying together day and night, feeling that this was beautiful One night is better than countless things in the world, and it is eternity. This is the sentiment of the Weaver Girl on Chinese Valentine's Day. The author cleverly blends emotions with scenes everywhere, creating characters in the blend of scenes. This character is flesh and blood, complete and full.

If the love between the two lasts for a long time, how can it last day and night! The story of hatred and long-lasting love is secretly used in Bai Juyi's "Song of Everlasting Sorrow"...

4. Answers to ancient poems

1. Write down the rhetorical methods used in the following sentences.

(1) The beetles are burning under the cauldron, and the beans are weeping in the cauldron. (Personification)

(2) The war rages on for three months, and a letter from home is worth ten thousand gold. (Exaggeration)

2. The two ancient poems "Bamboo and Stone" and "Lime Ode" seem to be about objects, but they are actually about (one's own moral integrity)

3. Li A wanderer away from home looks at the bright moon and misses his hometown and relatives. Such poems include: "Looking up at the bright moon and lowering his head to think of his hometown" in "Silent Night Thoughts"; poems describing the sorrow and inability to fall asleep during the journey include "Mooring at Maple Bridge at Night" "The moon sets, the crows cry, the sky is filled with frost, the river maple fishes and the fire faces the sorrowful sleep".

4. Each of the following idioms contains the name of a poet.

(1) Zhang Guan, Li Dai, beautiful mountains and clear waters, tacit understanding (Li Qingzhao)

(2) The white jade is slightly flawed under plums in the melon field (Li Bai)

(3) Unyielding and unyielding, a spark of fire will set a prairie fire (Li Bai) Qu Yuan)

(4) Far-sighted and at a loss as to what to do (Gao Shi)

5. Answers to ancient poems

Drunken Book at Wanghu Tower on June 27

Author: Su Shi

The black clouds rolled over the mountains without covering the mountains, and the white rain dropped into the boat.

The ground wind blows away suddenly, and the water under Wanghu Tower is like the sky.

Su Shi (1037-1101), also known as Zizhan and Dongpo Jushi, was a great writer and artist in the Northern Song Dynasty. He had outstanding achievements in poetry, prose, calligraphy, painting, etc., and had an influence on later generations. Very deep. His poems are free, bright and bold. He is good at using fresh metaphors to describe landscapes, and is good at revealing profound philosophy from common things.

①Wanghu Tower - beside the West Lake outside Tangmen, Hangzhou.

The West Lake in summer is sometimes cloudy, sometimes sunny, sometimes windy, sometimes rainy. It is in various shapes and forms, which is extremely charming. This little poem describes the scene of the West Lake, which changes from rain to sunshine and changes in wind and clouds.

The first two sentences describe clouds and rain: thick, black clouds like ink rolled in, and before they had time to cover the mountains by the lake, heavy white rain fell on the lake, and the rain's feet beat on the lake. The water splashed, like countless crystal pearls, jumping into the cabin of the swimming boat. "Black clouds turn ink" and "white rain dances with beads", two vivid metaphors, not only describe the tense atmosphere when the weather suddenly changes, but also highlight the poet's joyful mood of enjoying the rain in the boat.

The third sentence writes about wind: Suddenly, a strong wind swept across the earth, causing the rain and clouds to fly on the lake. The word "suddenly" is used very lightly, but it highlights the rapid change of the sky and shows the huge power of the wind. The last sentence writes about sky and water: After the rain, the sky cleared, and the wind and waves calmed down. The poet left his boat and climbed up to the building, leaning on the railing and looking out. He saw no water on the lake, but the water reflected the sky. The color of the water was as bright and clear as the sky, and it was the same color of blue. Where is the wind? Where is the cloud? I don’t know where everything has gone. It’s as if everything just now never happened.

The poet was first in the boat and then at the top of the building, quickly capturing the dramatic changes in the natural scenery on the lake: clouds rolling, rain falling, wind blowing, and the sky clearing. He wrote about distant and near, moving and moving. Quiet, with sound and color, scenery and emotions. As you read it, you will have an immersive feeling - as if you have experienced a sudden shower in the middle of the lake, and then come to the top of Wanghu Tower to enjoy the beautiful scenery of water and sky.

6. Answer the meaning of ancient poems

This is a poem that expresses interest in something. The poet uses ancient swords to symbolize upright admonishers and ministers, hoping that those who hold the power of the country will Everyone, including himself, can fulfill their duties and play their role fully. This poem was written around the time when Yuanhe was first appointed Zuo Shiyi. Bai Juyi's allegorical poems are good at using various metaphorical techniques to create various real artistic images of the persecuted, exposing and criticizing the tyranny and unreasonable phenomena of feudal rulers. Therefore, many of these poems have become ideological reflections of reality. A famous poem that is combined with artistry, "Li Duwei's Ancient Sword" is one of the most outstanding poems about things. The pictorial technique used in this poem is very clever. In the whole poem, only one Li Duwei's ancient sword is used as the description object. However, every word is a reflection of the author himself, and the meaning is very clear. Although there is not much ink, but The language is gentle and tactful, with infinite twists and turns, which is thought-provoking. Structurally, this poem can be divided into three levels. The eight sentences from the beginning to "Autumn water is still flowing" mainly express the extraordinary appearance of the ancient sword. The first sentence reads "The ancient sword is cold and dark, and it has been forged for thousands of years." It uses the three characters "han and dark" to describe the ancient sword's gleaming cold light, bright and uncertain shape, and to describe the extraordinaryness of the sword. It does not start with the sharpness of the sword. And just showing the flickering light of the sword is the brilliance of this poem. Seeing the cold light before seeing the sword is enough to show that it is an extremely sharp sword. "Qianqianqiu" inherits the word "ancient" from "ancient sword". It is ancient and sharp, so there is no doubt that this sword is a treasure. In order to further exaggerate this sword, the poet further wrote: "The white light absorbs the sun and the moon, and the purple energy exhausts the bullfight." According to Wang Jia's "Supplementary Records", King Goujian of Yue once worshiped the God of Kunwu Mountain with a white bull and a white horse, and cast it in gold. To make eight swords. Its name is to cover the sun. Use it to point to the sun, and the sun will be completely darkened. The third one is called turning soul, if you point to the moon, the toad and rabbit will turn upside down. The poet borrowed this allusion to exaggerate the extraordinary features of the sword. These four sentences describe the extraordinaryness of the sword from the poet's point of view. In order to confirm his own opinion, the following four sentences are confirmed by the comments of onlookers. The guest saw that the sword was "as clear as a jade box, and the autumn water was clear and steady". "Yue Jueshu" written by Yuan Kang of the Eastern Han Dynasty states: "The sword of Tai'a is like autumn water." The use of autumn water to describe the light of swords has a long history. After describing the ancient sword as "cold and gloomy" and capable of "taking in the sun and the moon" and "fighting bullfights", the poem also describes it as "clear autumn water", further expressing the ancient sword's majesty and extraordinary power. Therefore, even if the guests like it very much, they have to lament that they are ordinary people and dare not expect to get it. They should let this ancient sword fulfill its due mission.

The next step is to describe the excellent quality of the ancient sword.

Not only is the sword gleaming, extremely sharp, and gorgeous in appearance, it is also of high quality and is unmatched by ordinary swords. "The treasure has its own nature, and its fineness and hardness are incomparable." This shows that its purity and hardness are unparalleled. This is not an exaggeration, because it "can be bent even inch by inch, but cannot be softened around the fingers", just like a soldier who can be killed but cannot be humiliated, trying his best to show its hard texture. Liu Kun, a poet of the Western Jin Dynasty, wrote in his poem "Regift to Lu Chen": "What is the meaning of steel-making, turning it into softness around the fingers." Here, the meaning is reversed, showing the quality of the ancient sword that is hard, cannot be softened, and does not succumb to external forces. However, once it is put into use, it will not hesitate to fight. As the saying goes, "If you want to straighten the hearts of scholars quickly, you will behead the heads of sycophants." It is willing to serve as the vanguard of killing sycophants and eliminate evil spirits for the country and the people. As for personal grudges, the sword is not willing to serve. It disdains to do those scandalous things that require midnight operations. This paragraph reveals the inner quality of the sword from two aspects: the sword's incomparable purity and its willingness to kill the traitor. It is more important than the beautiful appearance and the cold light, and it can also show the essence of the ancient sword as a treasure. The last two sentences highlight the main theme of the poem, which is also Bai Juyi's successful application of the method of "showing one's ambition in the final chapter". It means: Such a sharp weapon should be used in the most appropriate place, so as not to insult my glorious title of "magic weapon" (Jin Zhang Xie's "Seven Lives" calls the sword "the rare magic weapon"). This is to warn the admonishers, including myself, that they should not be afraid of offending the powerful and dignified, but they should not just discuss some trivial matters to deal with their responsibilities. This poem expresses the extraordinary and excellent qualities of a sword to create an image of an upright minister and admonisher who puts the overall situation of the country first and does not care about personal grudges. At this time, the poet was Zuo Shiyi, so he naturally wanted to show his integrity as an admonisher. However, the main theme of the poem is not stated clearly and directly, but is expressed closely by the characteristics of the sword. There is not a sentence in the whole poem that is not written around this ancient sword, and each sentence depicts the ancient sword from a different angle. Extraordinary and upright. Chanting swords and praising people naturally merge into one. Sima Qian's "Historical Records: Biography of Qu Yuan and Jia Sheng" praised Qu Yuan and said: "His ambition is clean, so he calls things fragrant." On the contrary, people have also formed a mentality that because he calls things fragrant, he is auspicious and clean.

The novel metaphor, careful use of allusions, appropriateness and naturalness, without leaving any trace, are also the distinctive features of this poem. For example, "The white light absorbs the sun and the moon, and the purple air discharges the bullfighting", "It can be bent even inch by inch, but cannot be softened around the fingers", "I wish to straighten the heart of a scholar quickly, and cut off the head of a sycophant minister" are all adapted from the poems of the predecessors. These allusions strengthen the image of the poem and make the connotation of the poem more profound and rich.

7. I need some questions and answers about poetry

1. When writing comments at the end of the semester, the teacher will wish you: ("Go to the next level."

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) 2. Xiao Ming is not focused on studying all day long. Please use the verses you have learned to persuade him: ("If a young man does not work hard, an old man will be sad.") 3. When we waste food, the old man often uses Li Shen's poem of the Tang Dynasty educates us: ("Who knows that every grain of food on the plate is hard work."

) 4. Sometimes, some people have a negative attitude towards what they are doing in their environment. You can't see things as clearly as others, as people often say ("The authorities are confused, but the bystanders know clearly"). The poem by Su Shi, a poet of the Song Dynasty, in "Inscribed on the Wall of the Western Forest" ("I don't know the true face of Mount Lu, just because I am in this mountain") illustrates this simple truth.

5. When we want to repay our mother's deep kindness, we will naturally recite "The Song of the Wandering Son" by the poet Meng Jiao of the Tang Dynasty ("The thread in the hands of a loving mother, the clothes on the body of a wanderer. The secret of departure" If there is a tight seam, I am afraid that I will return later.

Whoever speaks of grass will be rewarded with three rays of spring.") 6. When we celebrate festivals in other places, we often quote the poem "September 9" by the poet Wang Wei of the Tang Dynasty. "Reminiscent of Shandong Brothers" ("I am a stranger in a foreign land, but I miss my family even more during the holidays") to express my longing for my family.

7. Nowadays, people often use the famous sentence in "Du Shaofu's Appointment in Shuzhou" ("There are close friends in the sea, and neighbors are as close as the end of the world") to express their deep affection for distant friends. 8. When I came to the foot of the waterfall and looked up at the waterfall pouring down and splashing with flying water, I couldn't help but think of the poem ("The flowing water falls three thousand feet, it seems like the Milky Way falling from the sky").

9. There was a math problem last night. I racked my brains and couldn't figure out the solution. Just when I was ("There is no way out of the mountains and rivers"), my father came over. After some advice from him, I suddenly realized that it was really ("There is another village with dark flowers and bright flowers").

10? It’s my grandpa’s 70th birthday. Everyone wishes him: “Blessed as the East China Sea, and longevity as long as the Southern Mountains.” Grandpa sighed: ("The sunset is infinitely beautiful, but it's almost dusk."

) I quickly stopped my grandfather's words: "('Frost leaves are redder than February flowers'). Grandpa, your body is stronger than The young man is still strong."

Grandpa smiled happily. 11. "If a young man doesn't work hard, he will become a fool (2)" comes from "Han Yuefu·Chang Ge Xing".

(1) Sadness (2) Sadness (3) Sadness 12. The next sentence of "The flowers fell helplessly" in Yan Shu's "Huanxisha" is (3). (1) The return of the familiar bird (2) The return of the familiar wild goose (3) The return of the familiar swallow 13. The author of "Poetry in Seven Steps" is (1).

(1) Cao Zhi (2) Cao Pi (3) Cao Cao 14. "But let the flying generals of Longcheng be there, and don't teach Hu Madu (1)". (1) Yinshan (2) Border Pass (3) Yanshan 15. The next sentence of "Look at the red and wet place at dawn" in Du Fu's "Spring Night Rain" is (2).

(1) Flowers in Mianyang City (2) Flowers in Jinzhou City (3) Flowers in Jinguancheng 16. "The garden is full of spring scenery and I can't close it, and a branch of red apricot comes out of the wall" comes from Ye Shaoweng's ( 1). (1) "It's Not Worth It to Visit the Garden" (2) "Looking at Spring" (3) "Joyful Rain on a Spring Night" 17. "There are close friends in the sea, and we are as close as our neighbors to the end of the world" is the poem of (1).

(1) Wang Bo (2) Li Bai (3) Bai Juyi 18. "Since ancient times, no one has died, but his heart is still shining (2)" is a poem by Wen Tianxiang. (1) Hanqing (2) History (3) Hanqing 19. "Sit down and sit in the maple forest at night, the frost leaves are as red as the flowers in February" means (1).

(1) Because (2) Sit down (3) Seat 20? The next sentence of "Four Hundred and Eighty Temples in the Southern Dynasties" in Du Mu's "Jiang Nanchun" is (3). (1) How many towers are in the mist (2) How many towers are in the storm (3) How many towers are in the mist 21. "I am a stranger in a foreign land alone, and I miss my family even more during the holidays" is a poem of (1).

(1) Wang Wei (2) Wang Zhihuan (3) Wang Bo 22. "Tian Jing Sha·Qiu Si" is a small poem, written by the Yuan Dynasty (2). (1) Zhang Yanghao (2) Ma Zhiyuan (3) Yuan Haowen 23. The sentence "The wild fire will not burn out, but the spring breeze will blow it again" comes from (1).

(1) Bai Juyi's "Farewell to the Ancient Grassland" (2) Wang Changling's "Out of the Fortress" (3) Du Mu's "Jiangnan Spring" 24. "Suddenly a spring breeze came overnight, and thousands of pear trees bloomed" is (3). (1) Spring scenery (2) Pear blossoms (3) Snow scene 25. "Spring silkworms will not run out of silk until they die, and wax torches will turn to ashes before their tears dry up." comes from "Untitled" in (3).

(1) Li He (2) Li Qingzhao (3) Li Shangyin 26. "The boundless falling trees rustle, and the endless Yangtze River rolls in" comes from Du Fu's (2). (1) "Song of Thatched Cottage Broken by the Autumn Wind" (2) "Climbing High" (3) "Prime Minister of Shu" 27. "Thirty years of fame and fame, dust and earth, eight thousand miles of clouds and moon" are the words and phrases of (2).

(1) Yue Fei (2) Xin Qiji (3) Lu You 28. In the sentence "Falling red is not a heartless thing, it turns into spring mud to protect the flowers" in Gong Zizhen's "Miscellaneous Poems of Jihai", "red" refers to (2). (1) Red (2) Flowers (3) Leaves 29. "The bright moon rises on the sea, (3) ***this time" is Zhang Jiuling's famous saying.

(1) Heaven and Earth (2) Tianxia (3) Tianya 30? "Don't worry if you have no friends in the future, no one in the world will know you" comes from (1)'s "Farewell to Dong Da". (1) Gao Shi (2) Cen Shen (3) Wang Changling 31. The "jun" in "It is the beautiful scenery in the south of the Yangtze River, and you will meet again when the flowers are falling" refers to (2).

(1) Li Yannian (2) Li Guinian (3) Cui Jiu 32. "It's easy to say goodbye but hard to see each other" and "It's hard to say goodbye when we meet" respectively are the verses of (3). (1) Li Yu, Liu Yong (2) Liu Yong, Li Qingzhao (3) Li Yu, Li Shangyin.