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What is the background music in the TV series "Ordinary World"?

"The Immortals Can't Stop People from Thinking of Others"

Original singer of the song: He Guofeng (Northern Shaanxi dialect version), Wang Lei (Mandarin version)

Lyrics: He Guofeng

Composed by: Hu Xiaoou

Arranged by: Hu Xiaoou

The mountains can’t stop the clouds

Can’t stop, can’t stop, can’t stop the clouds

The tree can’t stop it

It can’t stop it. It can’t stop it. It can’t stop the wind.

The fairy can’t stop it.

It can’t stop it. I can't stop it, I can't stop it, I can't stop it

I can't stop it Blue

It’s easy for us to meet each other

Oh, it’s hard to talk

One is on the mountain

The other is in the ditch

We can’t keep up with those words

Let’s wave a hand

_I can see every village

_I can’t see that person

Ouch, my tears are falling

That sand and wormwood forest

"Gods Can't Stop People from Thinking of People" is the ending theme of the TV series "The Ordinary World", composed by The lyrics are written by He Guofeng and the music is composed by Hu Xiaoou. It is divided into two versions: Northern Shaanxi dialect and Mandarin version. The northern Shaanxi version is sung by folk singer He Guofeng, and the Mandarin version is sung by Wang Lei. The chorus part quotes the northern Shaanxi folk song "Tears Soaked in the Sand and Artemisia".

"The Ordinary World" is produced by China Television Entertainment Investment Group Co., Ltd., Shanghai Theater Film and Television Culture Co., Ltd., SMG Shangshi Pictures, China Television Film and Television, Shanghai Yuancun Pictures, Shaanxi Film A contemporary rural drama jointly produced by Investment Group, LeTV, Yulin Cultural Tourism and others.

The play is directed by Mao Weining and stars Wang Lei, Tong Liya, Yuan Hong, Li Xiaomeng and others. The drama premiered on Beijing Satellite TV and Dragon TV on February 26, 2015.

The play is adapted from Lu Yao’s novel of the same name. It tells the story of two brothers who still stick to their original dreams and persistent pursuit of love in the face of realistic pressure and life choices