Heavenly King Level: Describe in detail the vicissitudes of life and recall the passing years. The bumps and stumblings are bitter and sweet.
Teresa Teng's singing has the flavor of "detailing the vicissitudes of life and recalling the fleeting years". Although her life experience has been so bumpy, she has always behaved so confidently, naturally and calmly on the stage: there is no gut-wrenching wailing, no hoarse screaming, no coy kitsch, There is no high-profile rhetoric. Her singing, her smile, and even every gesture in her daily life, everything is so simple and natural.
Since ancient times, there has been only one Xishi, comparable to Deng Lijun.
The rhythm of modern times is so urgent, and the inner world of people living in "cement boxes" is often so irritable. Therefore, people try to learn from music and art. Looking for relief, Teresa Teng's songs have become the first choice for many people. Listening to her graceful, natural, smooth and unhurried singing is like listening to the smoky past like "telling the past in detail", making people feel more peaceful, warm, cordial and warm. Teresa Teng's elegant, natural and unhurried manner and style are what many stage performers expect but are unable to achieve. Su Shi has a poem that goes: "If you want to compare the West Lake to the West, it is always better to wear light makeup and heavy makeup." This is also a portrayal of Teresa Teng, and this portrayal is not only external, but also internal. People only rely on imitation, but lack Teresa Teng's talent, understanding and diligence, and in the end they can only imitate others.
His character is upright, round and graceful,
This is the king for thousands of years.
The charm of Teresa Teng is not only because of her appearance, her softness, her sweetness, and her singing voice, but also because of her smooth words, natural fluency, calmness, perseverance and confidence. As well as a series of well-rounded stage performances with "emotions often revealed at the end of the pen".
Stage art is a very influential art, and there is no need to be perfunctory and "fill the surface". In contrast, although Teresa Teng grew up in
, her Mandarin is so pure, and her pronunciation and enunciation in singing are so accurate and in place that she can't be described as "perfect in words and round in tone". For excessive reputation. Throughout her series of singing performances, there is neither the "Southern accent" of the southern Fujian dialect in the island, nor the "squeaky tone" often found in Hong Kong and Cantonese singers. Her Mandarin pronunciation has always been so pure and full of "emotional", and This is what many of our current stage performers desire but are hard to achieve.
Gold can only be made if it is bare. Humans are neither perfect nor gods.
It is said that Teresa Teng also had problems with inaccurate pronunciation in her early singing, but they were all rare words. In addition, she also made a joke about forgetting the lyrics. But humans are not gods, and mistakes are inevitable. Lu Xun once pointed out that "The Romance of the Three Kingdoms" described Zhuge Liang's "knowing things like a god" and pointed out that the novel depicts the character as "almost a demon." Teresa Teng is not only smart, but also extremely diligent. After continuous hard work, her singing art has almost reached the level of
in her middle and late stages. In her 20 to 30 years of stage career, if we compare her mistakes and successes, we can see that the probability of her mistakes is very small and can be ignored. Despite her faults, her setbacks and mistakes did not detract from her status as a great and epoch-making singer.