Some netizens shared a song called "LostRivers" on Weibo, claiming that they could beat any existing divine comedy, which aroused the hot concern of netizens. Because this song has neither melody nor lyrics, it is a broken voice from beginning to end, which is called "funeral music" by netizens. This song is really the representative work of singer sainkho namtchylak.
The netizen said on Weibo that this song should not be played on the stereo, so the reporter started to enjoy it with headphones on, but at one time he mistakenly thought that his headphones were broken, and he felt that all he kept playing was noise. I slowly discovered that the song was like this, and it was screaming from beginning to end. It is reported that the singer Shank Namchira is called "vocal extremist" and has many songs that sound suffocating. In addition, she has an excellent range spanning seven octaves, and then the reporter found some of her other songs, which are really ethereal and beautiful.
The reporter asked the famous musician Korqinfu by phone, and he said that Shanke is a singer he likes very much, and this song should be an exception: "Her music is excellent, and she has also performed many times in China. She studied Tuva's traditional two-voice singing, including some traditional vocal skills of witchcraft. Perhaps this song is her tribute to faith and totem. Although everyone doesn't sound like a song at all, it has a deeper meaning, so don't ridicule it as a divine comedy just because you don't understand it.
Lost River is Sainkho's earliest work, and it is a vocal experiment album that she completed by herself with all possible vocal methods. From the cover of Lost River alone, we can already feel a strong academic atmosphere. I'm afraid that after the "torture" of Lost River, we will be much more likely to face the violent roar of Yoko Ono and Diamanda Galas. The voice of Sainkho's primitive life state gives people a strong artistic tension, but such artistic treasures can only be seen from a distance, so we can't listen to Lost River casually. At least something like this can only be enjoyed for the time being. If it is widely spread, we may be able to enjoy it. So far, I can't define this kind of music. I'm afraid it can't be summed up by the word "Tuwa". Let's call it extreme vocal experiment for the time being. I remember Yao Dajun mentioned that avant-garde music must be bold and forward. Whether the audience accepts or has any opinions is not one of the considerations at all, which is one of the basic conditions for the progress of art history. Sainkho, together with Peter Kowald (double-reed bass), Werner Lüdi (upper bass saxophone) and Butch Morris (small brass trumpet), published another work when the sun is out you don't see stars, which is less violent and rough than Lost River. Recently, Sainkho had a series of voice performances in China, with five stops in a row. The publicity momentum was strong, and the voice of fans was very high. Who would have expected that this woman could perform in China in such a beautiful way? The land of China has indeed been performing miracles.