Essay on Dunhuang Dance Hand Gesture Language and Its Integration with Buddhist Culture

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Abstract:

The aesthetics of Dunhuang dance lies in the special morphological beauty it marks. The three S-shaped bends reflected in the body are the hallmarks of Dunhuang dance. Dance is the most basic cultural symbol in its performance culture. What communicates with it is the morphological beauty of hand gestures and language. Under the influence of Buddhist culture and the rendering of the historical stage, Dunhuang dance shows its mysterious color. From the murals of Dunhuang Mogao Grottoes, the inheritance and development of the spiritual and material culture conveyed by Dunhuang dance have gradually entered people's aesthetics and ideology. Under the influence of Buddhist culture, such ideology Language expression is more authentic and aesthetic, and the formal beauty of Dunhuang dance gesture language is constantly being discovered and created.

Keywords:

Dunhuang dance; culture; posture and language: beauty of form;

Introduction:

Dunhuang, as if left behind A pearl in the western desert, leaning on its crescent moon spring, stands in the west of China. The desert, Mogao Grottoes, murals and Gobi all reflect its thousands of years of cultural vicissitudes. In the Mogao Grottoes, murals with thousands of years of history, such as "Rebounding Pipa", "Flying Sky", "Six-Armed Avalokitesvara" and "Vajra Hercules", are carved on the ceiling and every visible wall. Now it has experienced a long period of oxidation and wind blowing, from the original golden color to a deep brick red color now, making it even more sacred because it carries thousands of years of history. It is the murals in the Mogao Grottoes that have inherited and developed a rich and colorful dance culture today, that is Dunhuang dance. The characters and dance language displayed in the stage performance of Dunhuang dance have formed a unique aesthetic under the influence of the Buddhist culture of the Mogao Grottoes murals. The body posture, hand gestures and breath shown in the dance belong to the language of Dunhuang dance. It has its own dance style and rhythmic breathing, especially the formal beauty of the hand gestures, showing a cultural language that is different from other classical dances.

1. The richness of the hand gesture language of Dunhuang dance

In the language of Dunhuang dance, hand gestures can show various changes and expressions. With the display of hand gestures, you can Discover the Buddhist cultural color revealed by its inner connotation and external image. From the perspective of extension and development, the initial Buddhist culture and faith prayers were carved and carved on the wall by a monk named Le Zun. Later, through the paintings of folk artists in ten dynasties, a series of pictures with the atmosphere of gods were formed. mural. Later, the body and hand postures of Dunhuang dance were extracted from the portraits in the murals. The body posture of Dunhuang dance is an S-shaped three-bend, which is a dance posture feature extracted from the murals. The hand postures of Dunhuang dance include "Buddha's hand", There are a series of hand shapes held by different characters such as "Devil's Staff Holding Hand", "Bodhisattva's Hand", "Flower Holding Hand" and "Music Hand". The hand postures are influenced by the Buddhist culture in the murals. There are also "Buddha's Hand", Names like "Bodhisattva's Hands". It is not difficult to see in the Dunhuang murals that the expressions and postures of these Buddha statues are a kind of peace, tolerance, and love, which is also their underlying spirit. The language of Dunhuang dance was refined and excavated from the murals. The dance performance presented on the stage reproduces the characters in the portrait on the stage. In the text introduction of the dance repertoire, it is often marked It depends on which grotto comes from which portrait, so that the audience can understand and deepen the character image to a certain extent, and the aesthetics will be gradually recognized and improved during the performance.

The "Buddha's Hand" in the Dunhuang dance hand posture is depicted in such a portrait. The "Buddha's Hand" in the hand posture is shaped by the thumb and middle finger pinching each other, and the other fingers standing upright. , looking at the outline of the hand formed by pinching two fingers together.

We stand in the long river of time, look back at history, discover and create different beauties. When we stand in front of the Dunhuang Mogao Grottoes murals again, the treasure of the sea, and feel the familiar atmosphere, we should feel like we have experienced Like painters from generation to generation over the millennium, they have a heart of respect and feel the great beauty brought by great love. ;