(1) Liu Tianhua, a Chinese national musician, found a unique way
Transformed musical instruments
Composed new songs
Developed fingering techniques
Make the erhu, pipa and other national musical instruments shine.
(2) The store is decorated with lights and colors, and national music is played.
(3) National music is a mirror of Chinese traditional culture. It reflects the long historical picture of the Chinese nation and its profound connotation.
(4) Daolang, the first snow in 2002, Chinese folk music. lishixinzhi
(5) She took up the heavy responsibility of protecting national music and used money from her personal CD sales and tour income to help 400 national music masters recruit disciples.
(6) The great Russian composer Glinka is the founder of Russian national music and the first composer in the historical development of national music culture.
(7) Ethnic music education can promote the construction of socialist spiritual civilization, improve national quality, enhance national self-confidence, and accelerate modernization.
(8) Later, a generation of national music pioneer Liu Tianhua combined Chinese and Western elements to reform the traditional instrument Erhu, making it officially enter the music hall of colleges and universities. As a result, Erhu teaching materials gradually developed with the continuous formation of professional Erhu schools. stand up.
(9) Mussorgsky made important contributions to the development of Russian national music and national vocal music.
(10) While discussing "Campus Guozhuang", the author tried to use the methods of ethnomusicology, sociology and folklore to think about and explore some of the cultural behaviors and cultural phenomena reflected in it. .
(11) Liu Tianhua is a famous national music composer, performer, educator and innovator in my country.
(12) A musical work with Chinese folk songs as the theme of piano variations, lishixinzhi. It combines national music elements with Western composition techniques.
(13) Today, Wang Luobin is considered the father of Chinese national music.
(14) This article suggests that “field work” should be used to replace the term “collection of styles” in ethnomusicological research.
(15) In the Global Music Journey class, babies will experience national music from all over the world, such as India, Japan, Thailand, Spain, and the music of some ethnic minorities in China. .
(16) As an important musical instrument in Chinese national music, the erhu has a long history, a wide range of works, and is easy to learn. It is widely spread among the people and has become a self-contained instrument. There are many masters throughout the history.
(17) In the distinctive folk music, people hold wine glasses in their hands and sway their bodies to the rhythm. Happiness and wine ferment in the air.
(18) Liu Tianhua inherited the tradition of national music and actively absorbed Western music composition techniques to create refreshing national instrumental works.
(19) The attitude towards Chinese national music should be inheritance and development, and the issue of the developing folk song singing style has become a prominent issue to be solved in the current folk song singing inheritance.
(20) Through the study of Li Guyi’s singing style, it can be seen that the unique charm of national music culture and the spirit of innovation are the two major factors that formed his singing style.
(21) Nowadays, everyone likes to sing pop songs, but we still cannot forget those excellent national music.
(22) I was born in a remote place, and I have had an indescribable love for the distinctive Russian folk music since I was a child.
(23) If a nation wants to stabilize its music and achieve a high degree of development, it must first inherit the excellent tradition of its own national music, because this is the root, and it cannot be left without this root.
(24) He Luting is a composer and music critic who has made important contributions to my country's music industry. He is known as the pioneer of Chinese national music.
(25) One of the basic principles of Hungarian scholar Kodaly’s music education thought is to create a national music cultural context, start with school music education, and inherit the national music tradition.
(26) The "noisy, tense" and "magnificent and cruel" music style is the characteristic of the music of the nomadic people in the northern grasslands. It had an impact on the creation of Yuan dramas, making it more sophisticated in phonology, syntax and Rhetoric and other forms of expression are very different from tradition.
(27) Since its establishment, our group has been active on the overseas Chinese stage, actively participated in various types of music activities, and is committed to inheriting and developing national music.
(28) The above aspects are hoped to fill some gaps in the study of funeral music in Guanyang County and even in China. It also provides some reference for the theoretical construction of national music in my country.
(29) All excellent Chinese and foreign art songs are produced while following their own creative rules and injecting elements of their own national music culture into them.
(30)