Dahujia: Qin music. Also known as "Hujia Nong" and "Hujia Song". According to legend, it was composed by Dong Tinglan, a qin player in the Tang Dynasty, according to the music notations passed down by "Shen Jiasheng" and "Zhu Jiasheng". Famous qin players in the Tang Dynasty such as Dong Tinglan, Xue Yijian and Chen Kangshi were all good at playing this piece. At that time, it was called "Erhu Jia" or "Two Books of Hu Jia" together with "Xiao Hu Jia". These two works first appeared in "Ancient and Modern Music Records" and were called "Da Hu Jia Ming" and "Xiao Hu Jia Ming". "Shen Jiasheng" and "Zhu Jiasheng", which were popular in the early Tang Dynasty, are famous for these two songs. Later, Dong Tinglan inherited the traditions of these two families and compiled the genealogy. Li Qi said in "Listening to the Sound of Dong Da Playing Hu Jia": "Cai Nu used to make the sound of Hu Jia, and she played it ten to eight beats." This should refer to "Da Hu Jia", because the "Da Hu Jia" in the "Miraculous Secret Manual" is now available. "Hujia" has exactly eighteen paragraphs. It has the same theme as "Eighteen Beats of Hujia" that was circulated in later generations, but the music is completely different. Liu Shang, a poet of the Tang Dynasty, said in "The Preface to the Eighteen Beats of Hu Jia": "The Hu people longed for Wen Ji, so they rolled up leaves to play the sound of the bamboo flute to play the sound of mourning. Later, Dong Sheng used the qin to write the sound of the Hu Jia into the Eighteen Beats, and today's " "Hu Jia Nong" is also the "Qin Pu" first appeared in the "Magical Secret Pu" compiled by Zhu Quan of the Ming Dynasty. The content is taken from Cai Yan's "Poems of Sorrow and Indignation". The whole song is composed of 18 paragraphs, which are based on Liu Shang's poems such as "The Beauty Follows the Captive", "The Dark Clouds of Ten Thousand Miles", "Sorrow in the Sky and Weakness", "Returning Dreams Come and Come", "The Grass Stays on the Water", and "Looking from the South". "Beidou", "A Cloudless Evening", "The Stars Fall", "Writing a Book with Blood", "Resent to Hu Tian", "The Ice and Grass Dry", "The Envoy Asks His Name", "Children Holding Clothes", "Wandering across life and death", "Feeling in love", "Looking around on the flat sand", "White clouds rising", and "The countryside is half deserted" are the titles of each section. The theme that runs through the whole song is a sadness that comes from a woman's heart and misses her hometown because of the pain of being displaced. The tone is like complaining or crying, which is thought-provoking. The frequent changes of tones and semitone progressions in the melody, as well as the characteristics of "more sounds and less rhyme", all reflect the unique style of Tang Dynasty Qin music.
Explanation of the title of "Dahujia"
"Magic Secret Book": According to Zong Xian's notes, the History of Qin says that Cai Yan, courtesy name Wen Ji, was the daughter of Cai Yong. Erudite, talented in debate, and good at music. His father Yong played the qin at night and the string broke. Yan heard it and said it was "the first string". It broke again. He heard it and said it was "the fourth string". His father was very different. Later, he moved to Wei Zhongdao in Hedong Province, and his husband died and returned to Ning. During the great chaos at the end of the Han Dynasty, Yan was captured by Hu Qi and became the queen of Fan. In the twelfth year of her reign, she gave birth to two sons, whom the king regarded very highly. In the spring moon, when I climbed the carriage, I felt the sound of the bamboo flute and wrote a poem to express my ambition: "The bamboo flute is moving, and the horses are crowing, and the lonely wild geese are returning and they are singing." Emperor Wu of the later period had an old relationship with Yong, and ordered the general to redeem Wen Ji and return to the Han Dynasty. The second son has a beard. Later Hu people yearned for Wen Ji, so they rolled up reed leaves and played a sad note while playing eggplant. Dong Tinglan of the later Tang Dynasty was good at congratulating the Shen family and writing the sound of Hujia on his qin.
"Zheyin Yizi Ziqin Score": It is the same as the magical secret score, and there are many "Hey! Watching him complain about Hu Tian, ??the white clouds rise, and the words written in blood will make people feel sad. "Huh?"
"Xilu Tang Qin Tong": (Postscript to "Hu Jia") Cai Wenji gave birth to a son after being captured for twelve years, and she hurt herself and died, and she wrote eighteen poems of condolence. The Lord of the Later Wei Dynasty, Pi, cherished his talents and redeemed them with valuable goods. The Hu people missed Wen Ji, so they blew the reed leaves to make a mournful sound on the bamboo flute. Dong Tinglan of the later Tang Dynasty wrote it on the piano.
"Wuzhizhai Qinpu": It was written by Cai Wenji. Due to the chaos at the end of the Han Dynasty, she was plundered by Hu Qi. She entered Han Dynasty and became Queen Zuoxian. In the 12th year, she gave birth to two sons, Wang Shisheng. When I feel the spring, I roll up the leaves into a bamboo slipper, blow it in a mournful way, and tune it into the music of the piano. The three sections are so wonderful that one is absorbed in one's mind; the fourth to seventh sections are difficult to compose; the eighth to tenth sections are extremely subtle; the twelve to fourteenth sections sound like sad thoughts, feeling lonely and depressed; the fifteenth section seems to be parting sounds; Six sections of rolling brushes and stabbings are like riding a chariot back to the Han Dynasty. The poem contains weeping, complaining, resentment and admiration, which is the tone of farewell between ancient and modern times.
"Jiao'an Qinpu": the same as Wuzhizhai Qinpu.
"History of Qin": Cai Yan, courtesy name Wenji, was the daughter of Bo Zhe, with wonderful music. ... Shaoshi was born in Wei Zhongdao, east of the river. His husband died without any children. The world was in chaos and was captured by Hu Qi, but was lost to King Zuoxian of the Southern Huns. In the twelfth year of Hu Zhong's reign, he gave birth to two sons. Cao Cao Su and Yong Shan were displeased that he had no heirs, so he sent an envoy to redeem him with a gold jade and remarried Chen Liu to Dong Si. Feeling sad and confused, I mourned and felt angry, and composed two chapters of poetry. His words said, "The Han Dynasty lost its power, and Dong Zhuo was in chaos;...the heart is broken and the death is coming back to life." This is to mourn the demise of the Han Dynasty, to lament the disasters that befell the people, and to suffer the humiliation of the Rong and Di. Returning is a pain in the eternal separation of nature, and those who hear it can sigh for it. It is said that "Hu Jia" was written by Wen Ji, and this is its meaning. ...(Cai Yan)
"Yuefu Poetry Collection": The Book of the Later Han Dynasty says, "Cai Yan, courtesy name Wenji, was the daughter of Yong. She was erudite, talented in argumentation, and had wonderful music. She lived in the east of Hedong, Wei Zhongdao, and her husband died. , childless, returned home. During peace, the world was in chaos, and Wen Ji died in the Southern Huns. In the twelfth year of Hu Zhong, Cao Cao gave birth to two sons, so he sent an envoy to redeem him with a golden jade. Married to Chen Liu and Dong Si. Later, he was moved by grief and grief, and composed two chapters of poems. "Cai Yan's biography says, "In the chaos of the late Han Dynasty, Yan was captured by Hu Qi, and he climbed to the Hu Palace in the spring moon. Sensing the sound of the bamboo flute, he wrote a poem to express his ambition, saying, "The wild geese are whistling while the wild geese are flying, and the lone wild geese are returning home." "The preface to the song Liu Shang of the Tang Dynasty said, "Cai Wenji is good at playing the qin, and she can play farewell to the cranes from Luan." . The barbarians invaded the Central Plains and were plundered by the Hu people. She became the queen of Fan. Emperor Wu had an old relationship with Yong and ordered the general to redeem her and return her to the Han Dynasty. Sound. Later, Dong Sheng used the qin to write the sounds of Hujia into eighteen beats, which is what today’s Hujia Nong is.” The Qin Collection says, "The big Hujia has eighteen beats, and the small Hujia has nineteen beats, both composed by Cai Yan." According to Cai Yi's Qin music, there are eighteen beats for the small and large Hujia. Shen Liaoji is known as "Shen Jiasheng" in the world.
"The little Hujia has another sound of agreement, with nineteen beats, which is called the sound of the Zhu family. The generation of the Zhu family is unknown. Li Liangfu Guangling's preface to the Zhixi genealogy says, "The person who made the agreement will be the most reasonable and diligent. "Li Qiguo's history supplement said, "Dong Tinglan in the Tang Dynasty was good at blessing in a deep voice, and covered the big and small Hujia." The sad and graceful car is so sad when you read it, but the sound of the picture is even more desolate. The scenery is full of wind and sand, and there is no need to hear the sound of tea. Also.
"Wuzhizhai Qinpu": A kind of resentment and sorrow, a feeling of sadness, written under the fingers on a clear night, under the moonlight by the guest window, in silence. Ghosts cry.
"Chuncaotang Music Score": There are Xiaohujia and Dahujia music in ancient times. This Wenji eighteen beats has a sad and delicate tone, as the saying goes, "There is something in it." "The sound of the pipa," he also made his own pipa to play the ear, which the ancients did not accept.
"Erxiang Qinpu": The excitement is generous, the tragedy is dripping, playing this is like reading a poem of grief and anger.
"Qin Xue Zun Wen": The Hu people were patrolling at night, rolling leaves and blowing them on the qin, and Wen Ji played it in order to express her thoughts about the Han Dynasty. The sound of pipa was tuned to Hu music at that time, and if the sound of pipa was removed, it would not be the Hujia tune.
"Tianwenge Qinpu": The tune is the same as that of Chuncaotang. /p>
"Xishao Ge Qin Pu": solution to the problem, postscript, same as Wuzhi Zhai Qin Pu
"Qin Xue Chujin": the music was composed by Cai Wenji, and was composed due to the chaos in the late Han Dynasty. It was plundered by Hu Qi and later returned to the Han Dynasty. Hu's music is full of resentment and admiration, crying and complaining, and the sound is sad, which is the tune of farewell between ancient and modern times. It’s not the correct tune, and I don’t know what the basis is. If the whole body is chanted, it is called 籱, and if it is 籱, it is called chant. Scholars have not been able to distinguish it easily, so I will correct it carefully so that the sound can be comfortable, the fingers are light and round, and the common people are not confused. The loss.
"Qin Xue Shu": Hu Jia Ci was written by Cai Wenji, which is the most elegant among the qin.