Beethoven's "Moonlight" Sonata was composed in 1801, when Beethoven was thirty-one years old. This work is currently one of the most popular piano sonatas among listeners, and its literary title also brings endless reverie to people.

Some people believe that the origin of the word "moonlight" is because the poet Ludwig Leerstable compared the music of the first movement of this sonata to the moon over Lake Fairvalisgitter. It was named after the colorful night scene; but some people objected to this view. For example, Ann Rubinstein believed that the name "Moonlight" was inconsistent with the work.

Some people think that the musical mood of the first movement is tragic, completely opposite to the meaning of Moonlight. However, the use of the name "Moonlight" continues to this day and is the most enthusiastically respected and loved. ?

Beethoven’s works are always rooted in the reality in which he lived. Beethoven endured all pain and enjoyed every joy in reality, and expressed them in his works. . From 1796 to 1800, it was the period when Beethoven's ear disease began to affect him more and more deeply. Beethoven's ears were ringing day and night.

It seems that the internal organs are also being tortured, and the hearing is getting worse and worse. Beethoven remained silent about his ear disease until 1801, when he sadly confided in a letter to his friend Dr. Wegeler that "the noblest part of himself, his hearing, has greatly declined."

Although Beethoven continued to fall in love and dream of happiness, in the end happiness was always disillusioned, causing Beethoven to fall into painful suffering. Beethoven still fell in love again and again. Falling in love, "Moonlight Sonata" is Beethoven's psychological experience of this love. Beethoven composed this work and dedicated the Moonlight Sonata to his love interest at the time. Ji Kedi, however, this beautiful and frivolous aristocratic lady finally abandoned Beethoven ruthlessly. It was in this complex painful experience and fierce inner conflict, in the expectation and disappointment of love, that she finally realized her love. This great work was born?

Extended information:

Music analysis of the "Moonlight" Sonata:

The first movement is filled with excitement. Fantasy, beautiful scenes of tranquil moonlight and flowing river. The emotions are sometimes expected and sometimes disappointed, sometimes pensive and groaning, sometimes flooded with thoughts, sometimes sad and suspicious, sometimes firm in faith. There is always some kind of crisis hidden in it, somewhere. This is an ominous premonition, and the whole movement is filled with sad and sad emotions, which seems to be the beginning of this serious relationship.

This is also one of Beethoven's most outstanding slow movements. There is a hidden compatibility between the coquettish, childish and selfish Qili Aita and Ji Kedi's abandonment. Its writing method can be said to be original, and the entire image of inner excitement always appears on the quiet and single timbre background.

This movement adopts the structure of a single three-part ballad, in the key of C-sharp minor, and consists of five parts: the introduction, the theme, the middle part, the reappearance of the theme, and the ending. On the bass tone supported by the descending octave, a faint sound of continuous triplets emerges, and the 5th bar ends with a complete cessation; the theme is bars 6-15.

E major. The tonality of the song leads people to longing for light, but this longing is short-lived, and then the tonality shifts to e minor, until the 15th bar ends completely with the dominant minor of parallel major (b minor), in the theme? The sound pattern dominated by long beats and the tight triplet rhythm form a sharp contrast.

The excited inner psychology expressed is placed in the continuous triplet accompaniment. On the background of the sound pattern, it seems that there is a person in a distant place talking about his tenderness to others, and the mood seems to be a little sad and desperate; the middle part is bars 16-42, which is the development and change of the theme music material, through the tune The sexual transformation and the brief deviation bring a new color to the music.

The theme reappears in bars 43-51, which is a repetition and affirmation of the theme, ending with a complete ending. Sections 52-69.

The entire movement runs through three important writing elements: the coherent sound pattern of triplet decomposed chords, the bass octave progression, and the hymn-like chord progression. These together create an ethereal, hazy, quiet, and melancholy mood. atmosphere.

The second movement is Allegro Minor, in the key of D flat major, with a compound ballad form. The whole movement has bright colors, bright and brisk moods, and incorporates lively and humorous minuet elements, forming a sharp contrast with the first and third movements.

The image created by this movement directly reminds people of the beautiful and frivolous Kirita Gichodi. The use of syncopation, jumping melody, and irregular changes in rhythm are all typical. Beethoven colors. ?

Measures 1-36 are the main ballad format. Sections 1-16 are the first part, sections 1-7 are the theme, and sections 8-16 are variations on the theme; sections 17-24 are the second part, which are developed from the elements of the theme and seem to be working with the theme. A humorous question and answer; sections 25-36 are the third part, which is a variation of the theme. ?

Measures 37-60 are the middle part of three tones. Sections 37-44 are the first part, and sections 45-60 are the second part. It is a 16-section phrase with thematic character, ending with an incomplete complete cessation.

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