"Für Elise" is a piano piece composed by Beethoven. So, how do we appreciate this work? Let's follow my steps to understand the appreciation of Beethoven's "Für Elise" Related content!
Appreciation of Beethoven's "Für Elise"
The refrain appears three times and becomes the basic theme of this piece of music. It is simple and friendly, and in a nutshell It depicts the gentle and beautiful image of the heroine, and it seems that Beethoven has endless kind words to say to her. The two hands alternately play broken chords, as if the two are having an intimate conversation.
In the first part, the chatter turns from chattering to pleasant conversation, and the music is smooth, cheerful and gorgeous. In the first sentence, the right hand lightly plays ornamentation notes and dotted sixteenth notes, enlivening the melody, as if it were the bright and cheerful tone of a girl; the left hand plays broken chords steadily and smoothly, gently and kindly, as if The male protagonist constantly responds to his lover's whispers.
The second sentence becomes more joyful. The right hand is composed of thirty-second notes of intensive decomposed chords, as if a girl is letting out bursts of laughter like silver bells.
The mood of the music in Part 2 changes dramatically, advancing layer by layer, and uncontrollable enthusiasm burns like a flame. The first sentence continues on the same bass, as if it is the heartbeat of the male protagonist, and like his fiery love, sincere and firm, the clear treble part combined with the powerful left hand continuous sound, making people feel like listening I saw the male protagonist's passionate confession, his deep and powerful eyes, and felt his steadfastness.
What follows is a connecting sentence. The right hand uses arpeggios to move up continuously, from slow to fast, and the lower part uses chords to promote the development of the music, as if the girl readily accepted his confession. At the highest note, a series of descending chromatic scales are full of gorgeous colors, showing the happy feeling of two people's heart-to-heart connection.
Finally, the music returns to the refrain, which is the last reproduction of the first part. When the music gradually becomes softer, it is like a pair of lovers holding hands and looking at each other, frozen in the gradually dispersing music.
Later evaluations of Beethoven's "Für Elise"
People like to call "Für Elise" "insignificant music". But this insignificance embodies Beethoven's strong creative concept that reflects his personal style and reflects his unique creative thinking. The music also has various other unique features, all of which demonstrate Beethoven's consistent rigorous spirit in his creations. Therefore, although "Für Elise" is only a short piece with a performance time of only more than 3 minutes, it can also be said to be a condensed body of Beethoven's music creation, which also permeates his spiritual expression.
"Für Elise" is just a piano piece by Beethoven, but the harmony techniques used in it still reflect Beethoven's style as a composer who "connects the past with the future". The buckle reflects Beethoven's consistent creative approach and still has an indelible impact on later generations.
Introduction to the author of Beethoven's "Für Elise"
Ludwig van Beethoven (December 16, 1770 - March 26, 1827) Day, aged 57), an outstanding German musician, one of the representatives of the Vienna Classical School, and one of the greatest composers in the history of world music. His works have had a profound impact on the development of world music, so he is respected as the "Saint of Music" and the "King of Symphony".
Beethoven’s nine symphonies dominate his major works. His representative works include Symphony No. 3 in E flat major, "Eroica," Symphony No. 5 in C minor, "Destiny," Symphony No. 6 in F major, "Pastoral," Symphony No. 7 in A major, and Symphony No. 9 in D minor, "Pastoral." Chorus" (main theme of "Ode to Joy"), Overture "Egmont", "Leonora", Piano Sonata No. 14 in C sharp minor "Moonlight", Violin Sonata No. 5 in F major "Spring", F major Second Romance.
He combined the culmination of classical music and pioneered romanticism, playing a decisive role in the development of world music.
His "Moonlight" appears in primary school Chinese textbooks in the form of "legend" (titled "Moonlight Song").
Beethoven's position in the history of music is extremely prominent. He was not only the master of the classical style, but also the founder of the romantic style. As a music master, Beethoven also paid considerable attention to art songs. He was a pioneer in the creation of German art songs. He composed more than 60 art songs with piano accompaniment throughout his life. His art songs featured extremely rich expression techniques and forms. To show and express the emotions belonging to all mankind. He has made extraordinary achievements in the field of art songs. Beginning in 1796, Beethoven began to feel that his hearing was gradually weakening. From 1813 to 1817, Beethoven's creation also showed a temporary decline. From 1818 to 1827, Beethoven became deaf in his ears and his health deteriorated. At the age of fifty-six, Beethoven had completely lost his hearing.