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Where is Kunqu Opera from?
Question 1: Where is Kunqu Opera? It originated in Kunshan in the late Yuan Dynasty and has a history of more than 6 years. Since the Song and Yuan Dynasties, China's operas have been divided into North and South, and Nanqu has been sung differently in different places. At the end of Yuan Dynasty, Gu Jian and others sorted out and improved the original tone of Nanqu, which was popular in Kunshan, and called it "Kunshan tune", which was the embryonic form of Kunqu opera. During the Jiajing period of the Ming Dynasty, Wei Liangfu, an outstanding opera musician, reformed and innovated the melody and singing method of Kunshan Opera, absorbing the advantages of southern tunes such as Haiyan Opera and Yiyang Opera, giving full play to the beautiful and distant features of Kunshan Opera, and absorbing the rigorous structure of northern tunes. By using the singing method of northern tunes, with the accompaniment instruments of flute, flute, sheng and pipa, he created a delicate and elegant "Shuimo Tune" which integrates the advantages of northern and southern tunes. Later, Liang Chenyu, a native of Kunshan, inherited Wei Liangfu's achievements and made further research and reform on Kunqu Opera. At the end of Qin Long's life, he wrote the first Kunqu legend "Huansha Ji". The performance of this legend has expanded the influence of Kunqu Opera, and more and more scholars are competing to create legends with Kunqu Opera and learning Kunqu Opera. Therefore, Kunqu Opera, together with Yu Yaoqiang, Haiyan Opera and Yiyang Opera, is called the four major vocal operas in Ming Dynasty. By the end of Wanli, due to the extensive performance activities of Kunban, Kunqu Opera was introduced to Beijing and Hunan via Yangzhou, ranking first among all operas, and became the standard aria of legendary scripts: "Songs from all directions must be directed at Wumen". In the late Ming and early Qing dynasties, Kunqu opera spread to Sichuan, Guizhou and Guangdong, and developed into a national drama. The singing of Kunqu Opera was originally based on the Wu dialect in Suzhou, but after it was introduced to various places, it was combined with local dialects and folk music, and evolved into many schools, forming a colorful Kunqu Opera system and becoming a representative opera of the whole nation. During the Qianlong period of the Qing Dynasty, the development of Kunqu Opera entered its heyday. From then on, Kunqu Opera began to dominate the pear garden, which lasted for 6 to 7 years and became the oldest existing opera form with a long tradition in China and even the world.

Question 2: Where did Kunqu Opera originate? It is also called Kunqu Opera, Kunqu Opera and Kunshan Opera. It is the oldest opera in China and a treasure in traditional culture and art in China. Guan Yunshi, who was a bachelor of Hanlin, was deeply influenced by the thoughts and literature of the Han nationality. He admired the scenery in the south of the Yangtze River and looked forward to a quiet and leisurely life. Later, he quit his job, lived in seclusion in the south of the Yangtze River, changed his name to "Yi Fu", and made a living selling medicine in Qiantang, calling himself "Luhua Taoist". He is good at composing Sanqu. The tunes he created were passed on to Yang in Zhangpu, Zhejiang Province, and later called "Haiyan Opera", which spread to the Ming Dynasty and was the pioneer of "Kunqu Opera". Since the mid-Ming Dynasty, he has dominated China drama for nearly 3 years. Kunqu opera, which combines singing, dancing and martial arts, is known for its elegant dictionary, tactful lines and delicate performances, and is known as the "ancestor of hundreds of operas". In Kunqu Opera, drums and banquets control the singing rhythm, and Qu Di and Sanxian are the main accompaniment instruments, and their singing pronunciation is "Zhongzhou Rhyme". In 21, Kunqu Opera was listed as a masterpiece of oral and intangible heritage of mankind by UNESCO.

Question 3: Where is the birthplace of Kunqu Opera? Wei Liangfu lives in Taicang. He is known as the "ancestor of Kunqu Opera" because he has made great contributions to the improvement of Kunqu Opera. The origin of Kunqu Opera "Kunshan Opera" should be spread around Kunshan.

Question 4: Where does Kunqu Opera come from? It is also known as Kunqu Opera, Kunqu Opera and Kunshan Opera. It is one of the oldest operas in China and also the traditional culture and art in China.

Kunqu Opera, formerly known as "Kunshan Opera" and "Kunqu Opera", is an ancient opera tune and genre in China. It has been called "Kunqu Opera" since the Qing Dynasty, and now it is also called "Kunqu Opera". Kunqu Opera is one of the oldest traditional operas in China, and it is also a treasure of traditional culture and art in China, especially in opera art, and it is called an "orchid" in a hundred gardens.

Kunqu Opera was produced in Kunshan, Suzhou as early as the end of the Yuan Dynasty (mid-14th century). It, Haiyan Opera originated in Zhejiang, Yu Yaoqiang Opera originated in Jiangxi, and Yiyang Opera originated in Jiangxi. It is called the four major vocal operas in the Ming Dynasty and belongs to the Southern Opera system.

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Question 5: Where is Kunqu Opera sung in? Kunqu Opera, also known as Kunqu Opera, Kunqu Opera and Kunshan Opera, is the oldest opera in China, and it is also a treasure of traditional culture and art in China. Kunqu Opera originated from Taicang South Wharf in China in the 14th century, and went to the whole country after being improved by Wei Liangfu and others. Since the middle of the Ming Dynasty, it has dominated the China theater for nearly 3 years.

The popularity of Kunshan Opera

Due to the extensive performance activities of Kunban, Kunqu Opera was introduced to Beijing and Hunan through Yangzhou at the end of Wanli, ranking first among all operas.

The artistic photos of Kunqu Opera

became the standard singing style of legendary scripts: "The quartet songs must be sung in Wumen" [5] In the late Ming and early Qing dynasties, Kunqu opera spread to Sichuan, Guizhou and Guangdong, and developed into a national drama. The singing of Kunqu Opera was originally based on the Wu dialect in Suzhou, but after it was introduced to various places, it was combined with local dialects and folk music, and evolved into many schools, forming a colorful Kunqu Opera system and becoming a representative opera of the whole nation. During the Qianlong period of the Qing Dynasty, the development of Kunqu Opera entered its heyday. From then on, Kunqu Opera began to dominate the pear garden, which lasted for 6 to 7 years and became the oldest existing opera form with a long tradition in China and even the world.

Kunshan Opera began to spread in Suzhou, and it spread to the south of the Yangtze River and the north of Qiantang River with Suzhou as the center during the Wanli period. At the end of the Wanli period, it also flowed into Beijing. In the Qing Dynasty, because Kangxi loved Kunqu Opera, it became more popular. In this way, Kunshan Opera became the most influential vocal opera from the middle of Ming Dynasty to the middle of Qing Dynasty.

according to scholars' research, "although the aesthetic interest represented by Kunqu Opera is obviously from the south, especially from the south of the Yangtze River, its cultural identity does not belong to one place at a time. It embodies the aesthetic pursuit and artistic creation of literati in China. It is precisely because it is a model of literati's elegance that it has a strong covering ability and is likely to be widely spread, and in the process of communication, it basically maintains its inherent consistency in aesthetics. " [6]

Question 6: Where is the origin of Kunqu Opera? The origin of Kunqu Opera

China opera, from Southern Opera in Song and Yuan Dynasties to Jin Yuan Ben and Yuan Zaju, gradually advanced and evolved. After the peasant uprising at the end of Yuan Dynasty overthrew the feudal rule of Mongolian aristocrats, the broad masses of people of all ethnic groups in the south got rid of the shackles of ethnic discrimination politically, production resumed, and business gradually developed. At this time, great changes have taken place in China's dramas, resulting in the decline of "Northern Drama" (Yuan Zaju < P >) and the revival of "Southern Drama".

At that time, the main script of Southern Opera was "Legend", and there were many vocal cavities for singing legends, among which the oldest one was the

vocal cavity originated in Haiyan, Zhejiang Province, which was popular in Jiaxing, Huzhou, Wenzhou and Taizhou, and was reintroduced to Jiangxi in Wanli. The popular area was Yi

Yang cavity, which was distributed in Jiangxi, North and South Beijing, Hunan, Fujian, Anhui and Taizhou. In addition, there are Siping cavity, Yiwu cavity and Leping cavity, all of which have little influence.

There is also a process of the revival of Southern Opera. In the early Ming Dynasty, the nobles and literati still regarded Northern Opera as elegant music, while the masses among the people generally liked Southern Opera with popular tune and complete stories. After the four legends "Jing (The Story of Jing Chai), Liu < P > (The Story of Liu Zhiyuan's White Rabbit), Bai (Wang Ruilan's always in my heart Moon-worshipping Pavilion) and Killing (Killing Dogs)" and Gao Ming's "The Story of Pipa" have been improved on the basis of popularity in all aspects, it has aroused the rank of scholar-officials < P >.

kunshan opera, which is "beautiful and far away, beyond the three operas", is called Kunqu opera for short. It started in Kunshan at the end of Yuan Dynasty and is a tribe of Nanqu. According to Ming? Zhang Guangde of Yufeng (Kunshan) wrote in the second volume of "The Record of the Original Works" that "Gu Jian was in Yuan Dynasty, though he was thirty miles away from Kunshan, he lived in a thousand piers, and he was good at southern ci and ancient fu. Kuokuo Timur heard his good songs and repeatedly appealed to unyielding. With Yang Tiedi < P >, Gu Aying, Ni Yuanzhen as friends, since the number of romantic people. His works include ten volumes of Tao Zhen Ya Ji, and eight volumes of Feng Yue San Ren Yue Fu, which are well-known in the world, and are good at developing the Austrian southern music, so the country was originally known as Kunshan Opera. "

before Wanli in Ming dynasty, kunshan dialect was only a qingqu popular in Wuzhong. The change and development of this kind of

Kunshan dialect, which is "clear, soft and graceful", was after the middle of Ming Dynasty. During the years of Jiajing (1522-1566) and Qin Long (1567-1572), Wei Liangfu, a native of Yuzhang (Nanchang) in Jiangxi Province, lived in the south gate of Taicang (under the jurisdiction of Kunshan in the Yuan Dynasty). Wei Liangfu was originally a northern opera singer, and after arriving in Wuzhong, he devoted himself to southern music. He thought that some Nanqu vocals at that time were "flat and unintentional" (simple lines or slow rhythms), so he took the advantages of Haiyan, Yuyao and other

vocals as the basis, and absorbed some singing methods in Beiqu (that is, "cadence, stringing, stopping, stealing, relying on

vocals, playing"). And the singing skills of shaping characters' personalities and emotions with different timbres)

, and formed a creative collective with Zhang Meigu, who is good at blowing holes, Xie Linquan, who is in charge of engineering (boring), and Zhang Xiaoquan, Zhou Mengshan, Ji Jingpo, Dai Meichuan and Bao mandy, who have the same views and ideals in art, and made great reforms and ideals in Kunshan Opera. Wei Liangfu is very particular about pronouncing words, overstepping the tune, and listening to the music. Every time he gains anything, he will ask the old singer in Nanguan, Mr. Hou Kuo

Yun Shi, for approval, and he will never tire of revising it many times. At the same time, Zhang Yetang, a well-known northern music stringed instrument player in Hebei Province, was married to Tai Cang Wei for his sin < P >, and was recruited by Wei Liangfu as his son-in-law. He helped Wei "tune the chorded instrument syllables to make it similar to Nanyin". And changed to

three-string (shape) type, with a slightly thinner body and a round drum, which is made of civil wood and named Killer (that is, "southern string

" used in Kunqu Opera and Tanci). It works with Qu Di, Huaigu and Violin (national stringed instruments), and is a characteristic accompaniment instrument of Kunqu Opera. The

characteristic of this new cavity is soft and tactfully, "Call the water mill and beat the cold plate. The sound is smooth and harmonious, and the words are even in the head and abdomen,

... the mouth is light and round, and the sound is pure and thin. " It has become a new sound that combines North-South music. It is called "Kunqu Opera" and its title is "Shi

Qu". However, at this time, Kunqu opera is still an oratorio, which has not yet been able to reflect the script and shape the stage.

Kunqu opera was put on the stage by cantata, and became a drama, which started with Liang Chenyu's "The Story of Huansha". Kunshan Liang Chenyu (1519-

1591), Shaobai and Youwaishi, was a famous opera writer, with a fine poetry and a tone. Wei Liangfu's achievements in changing his tune encouraged him

. He often set up extra-large couches and ... > >

question 7: what are the characteristics of Kunqu opera? Singing and dancing, singing and sighing three times, delicate emotions, neat structure, beautiful lyrics, elegant and subtle < P > Question 8: Where is Yunnan Kunqu Opera? Kunqu Opera is a city, a county or a town. There is Kunming in Yunnan Province. Kunqu Opera is neither a city nor a county. It is the abbreviation of Kunming-Qujing Expressway: Kunqu Expressway.

The green economy demonstration zone of Kunqu Opera in the Opinions on Accelerating the Construction of the Green Economy Demonstration Zone of Kunqu Opera (Yun Zhengfa [214] No.38) issued by the people of Yunnan Province includes: Kunming City, Qujing City, Panlong District, Guandu District, Chenggong District, Yiliang County, Songming County, Shilin County, Xundian County, and Yunnan New Industrial Zone.

question 9: who has a good introduction to Kunqu opera? When it comes to Kunqu Opera, I personally feel that Peony Pavilion and Peach Blossom Fan are the best. Peach blossom fan is also rigid and soft, among which the peach blossom fan is the most famous? Send a fan this joke. The peony pavilion is beautiful, among which the peony pavilion? The most famous joke is nightmare. Kunqu opera is good to listen carefully, especially to know the words. I hope I can help you.

Question 1: Where is Kunqu Opera? It originated in Kunshan in the late Yuan Dynasty and has a history of more than 6 years. Since the Song and Yuan Dynasties, China's operas have been divided into North and South, and Nanqu has been sung differently in different places. At the end of Yuan Dynasty, Gu Jian and others sorted out and improved the original tone of Nanqu, which was popular in Kunshan, and called it "Kunshan tune", which was the embryonic form of Kunqu opera. During the Jiajing period of the Ming Dynasty, Wei Liangfu, an outstanding opera musician, reformed and innovated the melody and singing method of Kunshan Opera, absorbing the advantages of southern tunes such as Haiyan Opera and Yiyang Opera, giving full play to the beautiful and distant features of Kunshan Opera, and absorbing the rigorous structure of northern tunes. By using the singing method of northern tunes, with the accompaniment instruments of flute, flute, sheng and pipa, he created a delicate and elegant "Shuimo Tune" which integrates the advantages of northern and southern tunes. Later, Liang Chenyu, a native of Kunshan, inherited Wei Liangfu's achievements and made further research and reform on Kunqu Opera. At the end of Qin Long's life, he wrote the first Kunqu legend "Huansha Ji". The performance of this legend has expanded the influence of Kunqu Opera, and more and more scholars are competing to create legends with Kunqu Opera and learning Kunqu Opera. Therefore, Kunqu Opera, together with Yu Yaoqiang, Haiyan Opera and Yiyang Opera, is called the four major vocal operas in Ming Dynasty. By the end of Wanli, due to the extensive performance activities of Kunban, Kunqu Opera was introduced to Beijing and Hunan via Yangzhou, ranking first among all operas, and became the standard aria of legendary scripts: "Songs from all directions must be directed at Wumen". In the late Ming and early Qing dynasties, Kunqu opera spread to Sichuan, Guizhou and Guangdong, and developed into a national drama. The singing of Kunqu Opera was originally based on the Wu dialect in Suzhou, but after it was introduced to various places, it was combined with local dialects and folk music, and evolved into many schools, forming a colorful Kunqu Opera system and becoming a representative opera of the whole nation. During the Qianlong period of the Qing Dynasty, the development of Kunqu Opera entered its heyday. From then on, Kunqu Opera began to dominate the pear garden, which lasted for 6 to 7 years and became the oldest existing opera form with a long tradition in China and even the world.