The train traveled south from Beijing and arrived at Jiujiang Station in Jiangxi Province after a bumpy night. When setting foot on this land, Liu Tieliang suddenly felt a sense of intimacy. On this day, waiting for him in Jiujiang were not only his old friends in the music industry, but also the Lushan Mountain that had haunted him in his dreams several times, its miraculous natural landscape, rich cultural heritage, and the love and love he had spread over this land. The energetic music stone carving garden, "Oh, it's back again. The stone carving garden standing in Lushan has a different charm." Liu Tieliang sighed, thinking of the Lushan theme music stone carving garden that he has been promoting for the past year, Liu Tieliang smiled knowingly . With no time to rest, he went straight to Lushan Mountain.
On June 2, the always misty and rainy Lushan Mountain reflected the warm rays of the sun from time to time in the clouds, which made the two brothers Ren Chengfu and Ren Chengyou who worked in the Tianhe Valley Scenic Area suddenly feel brighter. After a while, the brothers' hands covered with lime were held firmly by a pair of warm hands, and they did not let go for a long time. The two brothers were very excited to see Liu Tieliang, who had come from Fangshan District, Beijing. They introduced the progress of the project to the fellow villager and expressed their pleasure to carve the words "Brilliant Mother" on the glacier stone for his new work. Future generations will pay homage. Liu Tieliang asked about the lives of the two people, and then began to mention the progress of the Lushan Main Melody Music Stone Carving Garden. In the past year, he visited Jiujiang three times, and it was the cold glacial rocks on this mountain that held back his beating passionate heart. The 118 inscriptions of 110 main melody songwriters and singers engraved on it have become a musical epic that records the changes of the times and expresses the voices of the people since the founding of the Communist Party of China. It has also become a part of Liu Tieliang's creation of main melody music. sustenance.
The main melody nourishes my life
Liu Tieliang, who was born in the 1960s, has a special liking for the main melody music. He personally feels that the earth-shaking changes in the motherland in the past half century have had an impact on everyone. Affected by an individual's living conditions and spiritual quality, his desire to write and write lyrics became stronger and stronger. "Music is the language of the world. It can transcend races and languages ??and realize heart-to-heart communication. Over the past few years, I have been happily wandering in the ocean of music. Those beating notes are as sonorous and powerful as the rhythm of our hearts. The practice of the Chinese revolution in the past century has eloquently proved that music is power, and good musical works can elevate people and nourish our souls. ”
< p> "Without the Communist Party, there would be no New China", "The Sun That Rises and Never Sets on the Prairie", "Singing the Motherland" and other classic music works that have swept through the waves. Liu Tieliang not only can sing, but also often sits down and carefully analyzes the musical notes in them. The ups and downs, the rules of writing lyrics, and the skills of singing. Slowly, he learned to write lyrics as if he had learned the truth, and used his own language to express his gratitude to the times.Once the enthusiasm for creation breaks out, it is irresistible. For more than a year, Liu Tieliang’s continuous creative desire has supported Liu Tieliang’s musical pursuit. The words he writes slowly flow out like a river, unpretentious and clear. Underlying in the catchy language is his devout love and blessing for the nation, the country, and the Communist Party of China. Five main melody songs composed by him, "Brilliant Mother", "Flying Military Flag", "Going Deep Blue", "Prairie People" and "Love Xinjiang", were completed one after another and met with the audience through the Internet, radio and television; as a Beijing music A member of the Music Association, he actively responded to the call for literary and artistic workers to create masterpieces and prosper socialist culture after the Sixth Plenary Session of the 17th Central Committee of the Communist Party of China, and submitted his own answer sheet for the development of the music industry.
Becoming a well-known theme lyricist in the circle, Liu Tieliang began to have more "work", "Teacher Liu, please write a song for our unit." "Brother, let me follow you How is the song I asked you to do? The composer and singer are waiting for you!"... Liu Tieliang never easily agrees to songs asked by others. He said that it is not because of "being a big name", but because he cannot "recruit people". scold". “If you don’t have life experience there, and you don’t understand the local customs and customs, you will write easily, which will damage your own brand and the theme of the theme.” Liu Tieliang explained. Therefore, after receiving an invitation from Shen Zunguang, a member of the Chinese Musicians Association, composer and music critic, to inscribe "Without the Communist Party, There Would Be No New China" in Mount Lu, Liu Tieliang's first consideration was: What is the weight of the music stone carvings in Mount Lu? ?
"Without the Communist Party, there would be no New China" is a song composed by musician Cao Mars in 1943. It was born in Tangshang Village, Xiayunling Township, Fangshan District, Beijing. It can be said that A typical representative of red songs in the history of our country.
Now more than half a century later, this song still plays an irreplaceable role in the hearts of people across the country. Why should I inscribe the title of such a classic theme song on a glacier stone that has been immortal for generations? And once it is inscribed, what does it mean? Liu Tieliang thought deeply. "No, I have to go to Mount Lu." From this, Liu Tieliang began an incomprehensible relationship with Mount Lu and its main theme music stone carving garden.
Three trips to Jiujiang, I am deeply attached to the cause of the Lushan Main Melody Music Stone Carving Garden
“This is the most suitable thing for you to do. You are both a member of the Musicians Association and a member of the Chinese Calligraphers Association. They all have certain attainments in this circle, and they are still in Fangshan, so they are justified," Shen Zunguang said on the phone.
After thinking for a few days, Liu Tieliang took over the task of writing the title of the song "Without the Communist Party, There Would Be No New China", and then began to prepare. "The inscriptions in the stone carving garden are all works passed down by Dalang Taosha that have been tested by history for a long time. Many songwriters are seniors in the music industry that I deeply admire, especially "Without the Communist Party, there would be no Communist Party" written by Cao Martian in Fangshan. "New China" represents the whole country's sincere gratitude and praise for the great cause of the Communist Party of China's founding of the party and the country, and I dare not be careless!" Liu Tieliang burst out with excitement and caution in his heart when he mentioned the inscription of the song's title. It goes without saying that calligraphy and music have always been my lifelong hobbies. Now, they have transcended personal feelings and become a sacred and glorious mission.
In those few days, a few short words swirled over and over in Liu Tieliang’s mind, and the burning enthusiasm for the country and the nation surged in his chest. Countless discarded manuscript papers were piled at his feet. Finally, , Liu Tieliang finally wrote the words "Without the Communist Party, there would be no new China" that he was satisfied with in vigorous writing, and at the same time, he also engraved this deep love into his heart like a brand. Shen Zunguang, who had worked hard for the stone carving garden, was deeply moved when he received Liu Tieliang's inscription. He said: "Liu Tieliang's handwriting is as good as people's. He can understand many words without saying them. I think he has read my mind. Being able to contribute to your favorite cause is the greatest benefit to your descendants." Later, Liu Tieliang wrote "Chinese Music Stone Carvings" for the Stone Carving Garden, which gave a high degree of characterization of the Stone Carving Garden from a historical perspective.
In just one year, Liu Tieliang visited Shanglu Mountain in Jiujiang three times to inspect the great historical significance and advancement of the Music Stone Carving Garden project. He had in-depth discussions with participants of the project several times, and was present at the final stage of the project several times. He provided the most timely and powerful help in difficult times. Some people questioned him for profiting from it, and some people laughed at him for being stupid. Liu Tieliang always smiled, but he remained persistent.
Today, if you enter the Tianhe Valley Scenic Area in Lushan Mountain and cross the winding tree-lined mountain road, Mao Zedong’s “People’s Musician Xian Xinghai”, Zhu De’s “People’s Musician” (Nie Er), Deng Xiaoping’s “China The inscription "Musician" suddenly comes into view, and then you can freely travel through the kingdom of time and space of music. On the huge glacial rocks, the "National Anthem", "Yellow River Cantata", "Without the Communist Party, There Would Be No New China", "Ten Sends to the Red Army", "Hymn" and "Singing the Motherland" that you are familiar with so far , "Motherland's Kind Mother", "Spring Story", "Where the Peach Blossoms Bloom", "The Same Song" and other classic songs were inscribed by relevant musicians, and the stone carving artists solemnly wrote the songs one by one. The ground is engraved on it. As long as you reach out and touch it, you can wander back and forth among different pen styles, different sizes, and different shouts. It is as if those stories that happened in a distant era suddenly come alive in front of the viewer. People say that it is the rebirth of music history in the past hundred years.