The main music form in the Han Dynasty is: Xianghe song.

Xianghege was formed during the Han Dynasty on the basis of "Jiemo Yao" and inherited traditional tones such as Qin Sheng, Zhao Sheng, Qi Sheng, Zheng Sheng and Chu Sheng in the pre-Qin Dynasty. Xianghege is also one of the most representative traditional dances of the Han people. It is mainly played on occasions such as banquets and entertainments among officials and wealthy businessmen, and is also used in court New Year's Day gatherings and banquets, worshiping gods and even traditional folk activities.

The earliest record of the name "Xianghe Song" can be found in "Book of Jin Yue Zhi": "Xianghe is also an old song of the Han Dynasty. The silk and bamboo are more harmonious, and the person who is responsible sings." Its characteristic is that the singer himself The rhythmic drums harmonize with the accompanying orchestral instruments, hence the name. The palace tunes used in Xianghe songs mainly include Se tune, Qing tune and Ping tune, which are also called the three tunes of Xianghe. It is the same as the so-called "Three Tune of Qing Dynasty and Shang Dynasty" in later generations, so it is called "Three Tune" for short.

The name Xianghege first appeared in the Han Dynasty. It is a kind of folk song formed on the basis of the folk songs of Jiemo Yao and inherited the pre-Qin Qin Sheng, Zhao Sheng, Qi Sheng, Zheng Sheng, Chu Sheng and other traditions. The music form of the Han nationality is characterized by the harmony of silk and bamboo, and the singing of those who perform the duties. ("Book of Song·Yue Zhi"), that is, the singer plays the rhythm drum and the accompanying orchestral instruments in harmony, and hence the name.

It is mainly played on occasions such as banquets and entertainments among officials and wealthy businessmen. It is also used in court gatherings, worship of gods and even Han folk activities. Almost all of the early Xianghe songs came from folk street ballads. The simplest is the so-called apprentice singing, which is similar to today's a cappella singing. Its characteristic is that it does not require musical accompaniment. This is a very ancient singing form.

Melodic:

The tonal characteristics of Xianghe songs in the Han Dynasty are difficult to determine. According to the remaining sounds of the Han and Wei dynasties and related records in the existing qin music, its scale form is a new scale, but the transformations between Qingjiao and Bianzheng, Qingyu and Biangong are more prominent in the music. The so-called "sound and Qingside" one of its main features.

There is no clear record of the accompaniment band of Xianghe Song in the Han Dynasty. According to the unearthed Han portrait stones and related documents, it is speculated that in the early stage, some mainly used Yu and zi. Later, zither, flute, or drum instruments such as sheng, xiao, qin, zi, zhu, festival drum, drum, and hanging drum were used.