The specific proposition of Wen Yiduo's modern metrical poetry is to emphasize the freedom, naturalness, musicality, individuality and ideological content of poetry. The creative situation is as follows:

1. Musical beauty. He believes that poetry should be like music, with rhythm and rhythm, which can arouse people's * * *. In his book "The Metre of Poetry", he elaborated his poetic theory in detail, and advocated that poetry should have strict syllables and rhymes to facilitate reading and singing.

2. Beauty in painting. He believes that poetry should be as vivid and colorful as painting, which can give people visual enjoyment. In his book "The Metre of Painting", he proposed that the language of poetry should be as rich in metaphors and symbols as painting, so as to enhance the expressive force and appeal of poetry.

3. Beautiful architecture. He believes that poetry should be like architecture, with structure and hierarchy, which can give people a sense of space. In his book The Structure of Poetry, he emphasized that poetry should have a clear theme and multiple sub-themes supporting the theme, so as to form a complete ideological system.

Wen Yiduo's life

Wen Yiduo (1899 -1946), whose original name was Wen Jiahua, whose nickname was Yiduo, was Hezhou, was a famous writer, translator, educator and democracy fighter in modern China. His life is full of legends, and his life experience and academic achievements have had a far-reaching impact on the modern cultural history of China.

Wen Yiduo was born in Huanggang City, Hubei Province. His father was a scholar of the Qing Dynasty, and his mother was a woman deeply influenced by feudal ethics. In such a family environment, Wen Yiduo received a profound China traditional culture education from an early age.

In p>1912, Wen Yiduo was admitted to the preparatory class in Peking University and began his college career. During his stay at Peking University, he actively participated in the student movement and became one of the important figures in the May 4th New Culture Movement. His poetry creation also began to emerge in this period, and his poem "Dead Water" was praised as "the pioneering work of China's new poetry".