1. Sentences describing music in "Pipa Xing":

The big strings are noisy like the rain, and the small strings are like whispers. The bullets are noisy and mixed, and big and small beads fall on the jade plate. The orioles in Guan Guan are talking about the slippery bottom of the flower, and it is difficult to go under the ice of the Youyan Spring. The ice spring is cold and the strings are condensed, and the condensation will never pass the sound for a while. Don't worry and hate yourself. Silence is better than sound at this time. The silver vase was broken, water slurry burst out, and the cavalry stood out with swords and guns. At the end of the song, the plectrum is carefully drawn, and the four strings sound like cracking silk. The east boat and the west boat are silent, only the white autumn moon is seen in the heart of the river

2. Analysis: This part writes about the pipa music played by the pipa girl, which concretely and vividly reveals the inner world of the pipa girl. Through the description of the pipa tones, the superb playing skills of the pipa girl are expressed. "The big strings are noisy like the pelting rain", which not only imitates the sound with the overlapping word "caocao", but also uses "like the pelting rain" to visualize it. When describing music with the help of the phonology of language, various vivid metaphors are also used to enhance its image. Crisp and round, it is like small and large beads falling on a jade plate, and like a warbler whispering on the bottom of a flower. It is described from the visual and auditory perspectives. When compared with "big beads and small beads falling on a jade plate", the visual and auditory images are revealed at the same time, which is dazzling and ear-piercing. Overwhelmed. The melody continues to change, with two artistic conceptions appearing first "slippery" and then "astringent". In the process of playing, the pipa girl accumulated endless power and could not suppress it. Finally, like "a silver bottle was suddenly broken", the water slurry rushed out, like "the iron cavalry protruded", and the roar of swords and guns suddenly pushed the "condensed" undercurrent to the other side. climax. It just reached the climax and then came to an abrupt end. Although the song ends, the soul-stirring and thrilling charm of the music has not disappeared. The poet also used the environmental description of "The boats in the east and west are silent, only the white autumn moon in the heart of the river can be seen", leaving readers with a broad space for aftertaste.

About the author:

Bai Juyi (772-846), courtesy name Letian, also known as Xiangshan Jushi, was a native of Xiagui. Realist poet of Tang Dynasty. He was a Jinshi in Zhenyuan and was awarded the title of Secretary Provincial Secretary. Later he moved to Zuo Qianyi and Zuo Zanshan, officials. In the 10th year of Yuanhe (815), Prime Minister Wu Yuanheng was assassinated. Bai Juyi advocated the strict arrest of the murderer. He was demoted to Jiangzhou Sima for overstepping his duties and served successively as the governor of Hangzhou, the governor of Suzhou, and the minister of the Ministry of punishment. When he died in the sixth year of Huichang (846), he was given a posthumous title and posthumous title by You Pushe, the minister. Bai Juyi was excellent in both poetry and prose. He advocated that "articles should be combined to suit the occasion, and songs and poems should be combined to suit the event." He was an advocate of the New Yuefu Movement. The language of his poems is popular, and he is also called "Yuan Bai" together with Yuan Zhen, and "Liu Bai" together with Liu Yuxi. His representative poems include "Song of Everlasting Sorrow", "Charcoal Seller", "Pipa Xing", etc. There is also "Bai's Changqing Collection" handed down to the world. . He is called the "Poetry King" and "Poetry Demon" by later generations.

Reference materials

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