(1) Mainly use side contrasting techniques to set off the music itself by tracing the music effect.

(2) Use synaesthetic techniques and exaggeration techniques that turn the invisible into the tangible.

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(3) Use romantic creative methods, gallop free imagination, and express the world of music through the magnificent mythological world.

The first paragraph: Wu Si, Shutong, Zhang Gaoqiu, Kongshan Ning The clouds are falling and not flowing.

Jiang'e sings about the sorrow of women with bamboos, and Li Ping plays the Chinese harp.

The sentence starts straight to the point. "Wu Si Shu Tong" writes that the harp is well-structured to set off Due to the superb skill of the performer, writing about things is also about writing about people, which has the effect of killing two birds with one stone. The word "高秋" not only indicates that the time is late autumn in September, but also contains the meaning of "high autumn air" (it describes the performance environment), which is related to the performance environment. Compared with "Late Autumn" and "Late Autumn", they are richer in meaning. The word "Zhang" is not only an abstract movement of playing, but also easily evokes the association: the charm of music is lofty and full, reaching up to the sky.

The second and third sentences describe the sound of music. The poet deliberately avoids the formless, colorless and elusive subject (the sound of the konghou), and writes from the object ("empty mountain condensing clouds" and the like), using reality to describe the imaginary and the true. It is also imaginary and highly expressive.

As soon as the beautiful and melodious string singing came out, the floating clouds on the empty mountain fields became stagnant, as if they were bowing their heads to listen; Xiang'e and Su Nu, who are good at playing the harp, also I was touched by the sound of music and shed tears.

The word "Decai" forms a contrast with the word "Zhang". The former is full and the latter is weak. The word "Decai" vividly depicts the flowing clouds. The mood at the moment of being hit by music.

The sentence "Empty Mountain" empathizes with objects, writing clouds as having human auditory functions and thoughts and feelings, which seems to be better than "If the sky is sentimental, the sky is also old" ("Golden Mountain") "Bronze Immortal's Ci Han Song") goes one step further. It cooperates with and complements the following "Jiang'e" sentence, maximizing the magical and wonderful sound of the konghou, which has the charm of "shaking the heaven and the earth, weeping ghosts and gods".

< p>The fourth sentence "Li Ping plays the Chinese harp" uses the "Fu" pen to name the performer and explains the location of the performance. In the first four sentences, the poet deliberately breaks through the general writing method of describing the person, time and place in order. , and make careful arrangements, first write the piano, write the voice, and then write the people, time and place are interspersed one after another. In this way, the music is highlighted and has the artistic power to take the lead.

Second Section: Kunshan’s broken jade phoenix screams, hibiscus weeps and dews fragrant orchids smile.

In front of the twelve gates, cold light melts, and twenty-three silk threads move the purple emperor.

“Kunshan’s broken jade phoenix screams, hibiscus smiles "Weeping Dew, Fragrant Orchid Smiling" writes the sound of music on the front, and each has its own characteristics. The sentence "Kunshan" uses sound to write the sound; while the "Furong" sentence uses form to write the sound.

"Kunshan Jade Broken Phoenix calls ", using "Kunshan Jade Broken" to match the music, showing that the music is extremely passionate, has strong explosive power and overwhelming momentum. "Phoenix" is a noble bird in legend, living in Kunlun Mountain." After the "Kunshan Jade Broken", the cry of the phoenix perched on it is naturally sad and gentle, with the sad mood lingering in it - focusing on the ups and downs of the music.

"The hibiscus weeps and the fragrant orchid laughs" ", a unique idea. Dewy hibiscus (i.e. lotus) is a common sight, and blooming orchids do give people the impression of opening their mouths to smile. They are the embodiment of beauty. The poet uses "hibiscus weeping dew" to describe the sadness of the sound of the piano. , uses the sound of crying to describe the sadness of the music, and uses the visual experience of dew rolling and sliding on the residual lotus bit by bit to compare the sadness of the music, which seems to be gentler than the "phoenix cry". And "Xianglan laughs" "Showing the cheerfulness of the sound of the piano, "laughing" has the attribute of appealing to hearing, and can also give people the visual experience of "smiling like a flower", which can not only be heard, but also witnessed. This method of expression is really wonderful in both form and spirit—— Deliberately exaggerating the beauty of the music.

Thinking: "The broken jade in Kunshan screams, the hibiscus weeps and the fragrant orchid laughs" is the only line in the poem that directly describes music. What artistic techniques were successfully used? What kind of artistic effect does this kind of writing have?

"The broken jade in Kunshan screams, the hibiscus weeps and the fragrant orchid laughs" successfully uses the artistic technique of synaesthesia. Both lines of the poem are "sounds are similar to sounds", But it can also evoke a sense of image. "Sounds are similar to sounds" is not synaesthesia, but these two poems can evoke the image of music, and shapes are similar to sounds, which constitutes synaesthesia.

"Kunshan Jade Broken" " can evoke the image of landslides and ground cracking, and describe the spectacular sound of music;

"Phoenix cry" can evoke the

It can evoke the image of lonely wails and describe the sadness of the music;

"Hibiscus weeping dew" can evoke the image of dewdrops on lotuses and describe the desolation of the music;

"Fragrance" "Orchid Smile" can evoke the image of orchids blooming like smiles, which is the same as the joy of music.

"The cold light melts in front of the twelve doors, and the twenty-three silk threads move the purple emperor." - Writing about the sound of music. It changes from cheerful to cold, returning to the main mood of music.

The next sentence is written based on the sense of time and space created by the "Twelve Doors". It naturally expands the artistic conception of the poem from the human world to the immortal world, cleverly The cold music written on earth spreads from the human world to the heaven. At this time, the entire universe seems to only have the melody of the harp.

The "High Autumn" in the first sentence and the "Twelve Doors" and "Zi" here Images such as "Emperor" create an infinitely vast universe of time and space, as if everything is empty, and the music of the harp encompasses the entire world.

The third paragraph: Where Nuwa refines stones to mend the sky, the stones break the sky and make the autumn rain startle. < /p>

I dreamed of entering the sacred mountain to teach the goddess, and the old fish danced on the thin dragon dance.

Wu Zhi stayed sleepless and leaned on the osmanthus tree, flying wet cold rabbits with his feet exposed.

With the wings of imagination, the poet flies to the heaven and the sacred mountain, bringing readers into a broader, deeper, magical and magnificent realm.

"The place where Nuwa refines stones to mend the sky, and the stones break the sky and make the autumn rain startle." A poem was written and the sound of music spread to the sky. At the place where Nuwa was refining stones to mend the sky, even the five-color stones were shattered by the sound of the music, causing an autumn rain, which made the shocking power of the music beyond description.

"Autumn Rain" can also bring about rich associations: "Autumn Rain" is an image of sadness. The majestic autumn rain after the "earth-shattering" symbolizes the overwhelming sadness; the sound of autumn rain falling to the ground is just like the sound of compact and complicated music. The music ends in this earth-shattering desolate mood. This kind of imagination is so bold and strange, unexpected, and touching. The word "funny" closely connects the powerful charm of the music with the above-mentioned wonderful scenes. .Moreover, the scenes of earth-shattering and autumn rain can also be regarded as manifestations of musical images.

On the sacred mountain, the gods were taught to play the harp, and the aging and thin fish and dragons in the fairyland were all moved when they heard the music. Then he chased the wind and waves and danced in the waves. Wu Gang in the moon palace forgot to cut down the tree when he heard the music. He leaned on the osmanthus tree and listened intently without getting tired; the Jade Rabbit under the osmanthus tree also listened to the music and fell in love with it. , completely unaware that the cold dew wetted his whole body. The poet recalled the entire performance process. The beautiful music made people feel like they were in a fairyland, and then imagined the obsessed state of the gods in the fairy world, rendering the beauty of the music from the perspective of musical effects.

This poem uses magnificent diction and imagination of heaven and earth to describe the feeling of listening to music, and describes a sad piece of music in an earth-shattering way. The poem itself has the same sad and cold temperament as the music.< /p>