In the works of poets and writers, summer is not a favored season. Perhaps, the germination of hundreds of flowers in spring can give people a kind of pleasure of regeneration, and the beauty and harmony of spring can release people's feelings freely; Perhaps, the harvest of autumn can give people a mature satisfaction, and the loneliness of autumn can make people's mood get a dripping vent; Therefore, those who chant spring and autumn, and those who dance and write in ancient and modern times, are almost eager to cross the river. And summer? Perhaps it is too hot, too dense and a bit "too thick to melt", so it always gives people a sense of disharmony, overload and overload. If so, how can we get the psychological identity of the literati who are governed by the "happy principle" like ordinary people? How can you not be put into a vacancy by them! Even if someone writes, it will inevitably be written as "vicious gray sand array", "scalding pedestrians' faces", "dry and hot wind", "ferocious screaming", "people are like dying fish" and "the earth is trembling in high heat (quoted from the works of Mao Dun, Lao She, Gorky and Roman Roland)-a summer feeling as a symbol of depression in artistic content. Or, it can be written as "I feel heartless when I sleep every day" (Yang Wanli) and "My hands are tired and I dream long after I throw away my books in the afternoon" (Cai Que)-a summer feeling that reveals helpless feelings of loss in my relaxed leisure.

However, Comrade Liang Heng dares to take up new tasks and explore new things. From what people say, "Praise this golden summer of spring and autumn loudly." It should be noted that this kind of praise itself is worthy of our praise. The pure realm, rich elegance and high beauty he created in this work, and his elegant language are even more impressive. Summer is indeed a rare masterpiece in contemporary prose.

2

At the beginning of Summer, the author wrote: "What fills the whole summer is a tense, warm and hurried melody. It seems that a pot of cold water on the stove is gradually bubbling, bubbling and finally boiling. The fine grass in Sandy on the hillside is gradually growing into a thick hair, and the faint green smoke on the forest belt is also condensed into a long dark wall. " Here, the simple metaphor of "a pot of cold water", the vivid personification of "thick hair" and the clever choice of words of "long wall with black color" seem as if the author is scanning from above, and a few shots outline the macro of summer scenery. The phrase "annoying cicada, the potential leaves are ringing all the time" is like the voiceover music of the above-mentioned group of shots. The "annoyance" here shows the heat of summer, but there is no dull heart; It conveys the noise of summer, and there is no sign of dryness. The long-lasting sound that overflows the trees reflects the bright color of the summer scenery, sets off an atmosphere of "cicadas are quiet in the forest", and also shows the richness, massiness and calmness of the summer earth. Therefore, in the complementary sound and emotion and the blending of reality and reality, the author has set a high-spirited and positive theme for the full text.

Then, the author straightened his perspective and moved the camera down, as if he were looking at the vast Yuan Ye, looking at the rolling wheat waves "beating the distant mountains, the clouds in the sky, beating the cars on the highway, like the waves rushing to the ships." Here, what the author presents us is not a simple reduction of the real world, but a kind of meaningful scenery, which is the flicker of external objects on the screen of the author's mind; In other words, it is a projection of the times that reflects the author's emotional beam. Then, a floating hot air, "floating across the field", seems to be blowing "ripe wheat fragrance" to the author and readers who are overlooking. This little dyeing is not only just right but also just the icing on the cake. Just as the contrast of cicada singing in front is a blend of sound and color, the spot dyeing here is a harmony of color and fragrance. If the contrast in front is a touch of atmosphere, then the touch here is a sign of affection-a sign of the richness and fullness of life. After laying the groundwork in such detail, the author deliberately guided his brushwork to the focus of the article's meaning-"The spirit of spring has accumulated for half a year, and now it has become a majestic trend, rolling in the fields and rising between heaven and earth."

this is the author's own summer feeling, and this is the unique summer feeling that the author has discovered, realized and learned. From here, the author seems to naturally extend a subtle argument: "The color of spring is cold green, such as blue waves, tender bamboo, full of hope;" The color of autumn is hot red, such as sunset and red leaves, which indicates the ultimate of things. Summer is just between Chunhua and Qiushi, and naturally it should be neutral yellow. " This passage is unique in sentence formation, unique in terms, skillful in parallelism and antithesis, and shows a rare sense of interest in antique, that is, a lyrical aesthetic feeling bred by the combination of beautiful interest and deep sense. This discussion focuses on the previous meaning, which is occurrence, extension and deepening; In fact, it is also a philosopher's abstract and penetrating interpretation of the nature of summer that the author has discovered, realized and learned. So, what does this quality mean? The author soon hit the nail on the head. It turns out that the "majestic momentum" accumulated by "the spirit of that spring" is exactly a great rush of "the harvest is there but the hope is not exhausted", a rhythm of "connecting the past with the future, alternating life" from gestation to abundance, and a torrent of creative waves printed with huge letters of human beings. It is such a poem of strength, life and creation that the author enthusiastically eulogizes.

3

The summer praised by Liang Heng is the summer when the wheat waves roll and the wheat fragrance blows, and it is the summer when "gold dominates everything in the world". Where is this summer? Obviously, the author's focus is very clear. After that subtle discussion, he wrote: "Look, the wheat has just been cut, and the cotton seedlings with seven or eight green leaves in the field, the sorghum and corn holding megaphones in the sky, and the melon seedlings crawling on the ground all show great vitality in generate. At this time, they are not long in the spring breeze and light rain, but under the transpiration of the summer heat, they are flourishing and the end of Xiang Qiu is making a final sprint. " Here, the author's perspective seems to be getting closer and closer, and the lens has also changed from grand to subtle. As a result, one interesting big close-up jumped into our eyes. A word "pick" makes us almost feel the uniform and powerful breathing of cotton seedlings; A word "lift" makes us almost feel the joy of sorghum and corn shaking our heads; In a "crawl", we also felt the waist of the melon seedlings shaking and meandering. It seems that they are all grasping this beautiful time to show their talents, and they are courageously "sprinting" towards self-improvement and sacred dedication day and night. In a word, the superb description makes us feel the elegant demeanour, tolerance and grace of people from these summer darlings. Flaubert once said, "No matter what you describe, only one verb can make it vivid.". We must constantly think hard and find this word, and we must never perfunctory it with similar words in order to escape difficulties. " This passage by Liang Heng is exquisitely carved and graceful, and the author's bleak intentions are obvious. At the same time, it is also a vivid practice of Flaubert's "one word theory". This passage not only constitutes a strong support for the artistic conception of the full text, but also enriches and strengthens the main image of Xia with gold as the keynote.

Looking at everything described by the author, I'm afraid it's hard for us to think of the beautiful south of the Yangtze River with fragrant rice, and it's also hard for us to think of the vast grassland beyond the Great Wall. I'm afraid the first thing that comes to mind is the magnificent Yellow River basin-the 8-mile Qinchuan, the Sanjin Plateau and the endless alluvial plain that straddles Hebei, Shandong and Henan. Yes, it is this dignified and thick yellow land that has nurtured our nation and moistened the splendid civilization of China for thousands of years, and the author himself has been stationed in Sri Lanka for many years as a reporter of the central newspaper. Therefore, he regards the summer of the yellow land as a typical object of his own indulgence and praise, which not only has the meaning of being familiar with life, but also has a deeper symbol and metaphysical meaning.

IV

Of course, the author of Summer didn't stop his lens on the summer landscape, but let his perspective gradually enter the muscle from the surface, aiming at the real master of our planet-people. In summer, life is alternating, and the end of the crop Xiang Qiu is finally "sprinting" in summer. This vigorous operation, of course, has the eternal generation mechanism of nature, but it cannot be ignored that since human beings participated in it, it has mostly become the objectification of our will as the primate of all things and a manifestation of human essential strength. People are the real painters of summer colors; It is also people who set off the tense melody of summer. "Those farmers who wield sickle in the field are bent and sweating, just thinking about cutting fast and cutting fast; When the wheat came on stage, he thought about playing fast, playing fast. " "When the wheat is finished, it's time to breathe a sigh of relief, and we have to hurry to topdress and water the autumn seedlings." This passage seems to be written casually by the author, which is quite different from the meticulous engraving in front. On the surface, it even gives people a sense of being clumsy and shallow. In fact, the language form of line drawing is in line with the simple content. If a series of adjectives are piled on these ordinary workers, it may be a beautiful creation. Therefore, it is also reasonable for the author not to apply lead China here.

so, how to strengthen the artistic influence of the works? The beauty of Liang Heng's application is the details. "It's hard enough for them to get up early and go to bed late. They have to listen to the window paper when they wake up in the middle of the night, but it's windy; Look out the window, but the sky is covered with clouds. " These details come down in one continuous line with the narrative characteristics of the above-mentioned quick cutting, quick beating, quick topdressing and watering, which constitutes the overall style of this paragraph. At first glance, these details seem a bit commonplace, and they are chewed repeatedly, just like making people feel its unique charm. "Listen to the window paper" and "Look out of the window", the profile of the tense melody in summer, are the fast-paced chords of summer, and also the psychological lens introduced by the author by indirect expression. It externalizes the leisurely melody of "every nerve is taut", which makes us see their eager eyes, anxiety for a bumper harvest and emotional rhythm of people who are ringing with the rhythm of summer in the imaginary space. In a few details, it is extremely easy and vivid, bright and beautiful, natural and vivid, and it is not too much to describe it with "seemingly the most unusual". It can be said that the charm of the work will be greatly weakened if it is replaced by another detail.

interestingly, Liang Heng's Summer has exactly 666 words. I'm afraid this is a rare essay today. However, Comrade Liang Heng built such a beautiful world with these few words. It reminds us of exquisite elegant carvings, small bonsai, a plain silk, a piece of jasper, a clear stream and a bunch of beautiful mountain flowers. In the past, the so-called "treasure of life, treasure of wisdom and treasure of beauty" was used to evaluate the beauty of prose, while "66", in our national habits, meant harmony, wishful thinking and auspiciousness. "Summer" is such a masterpiece with three treasures, which contains harmony, wishful thinking, good luck and beauty.