This is my previous answer. If you think it is good, please give me points!

Hey, you are lucky. I have been listening to jazz for more than two years, and I am also a student. There is quite a lot of jazz here. You can chat with me online and I can give you jazz questions. I will answer some inquiries, and I can also send you jazz music. Let me show you some of my current albums. I will attach a picture first...?

Please pay attention to those downstairs. .........Didn't you see the "part of the album" I typed? I roughly counted, and there are probably more than 30 albums in there. Even if you are more than three times as old as me, you still have fewer albums than I do. I have hundreds of discs in the cabinet, and I am too lazy to put them on the computer. Just because I don’t listen to much on the computer... and I listen to jazz. You said you listened to more than 90 CDs in a long time. I really don’t understand? You first go to the market and buy more than 90 discs, and then listen to them one by one? Even if there are 10 songs in an album, then more than 90 albums are 900 songs, and then one song will take 3 minutes to play... The original poster can still have some leisure time... He can actually listen to it like this all afternoon... ..Does a person like you deserve to listen to jazz? What an insult!

For jazz novices, I recommend 15 CDs here to help you quickly learn about them after listening to them! Get out of the blind spot!

1?Louis?Armstrong,?King?Oliver?and?Bessie?Smith?High?Society?Tradition?1923, etc.?

The sound quality of the recordings in the 1920s is not very good OK, but the content is classic style of the time, Magic Rock Agent. ?

2?Duke?Ellington?Orchestra?and?Count?Basie?Orchestra?First?Time?Columbia?1961?

The 1930s was the era of swing music. It can be said that it was the heyday of jazz, but the two giants left behind quite high swing big band masterpieces in the 1960s. This recording, which I have never seen before, was unearthed at Duke's 100th birthday (1999), with complete explanations and An introduction, a great way to get to know a big swing band. ?

3.Charlie?Parker,?Dizzy?Gillespie?birdamp; diz?verve?1950?

The music style belongs to Bebop, an important pioneering work of jazz in the 1940s, except for the two leading names In addition to the musicians, the lineup also includes Thelonious Monk, another master who participated in the creation of Bebop, which is quite a typical Bebop masterpiece. ?

4?Miles?Davis?Kind?of?Blue?Columbia?1959?

This is a very important album. It inherits the sound shape of 50 years of cool music. The representative work of Jazz (modal? Jazz), the lineup is packed with experts who have nothing to say. The important thing is: it sounds great, but in fact what they play is difficult. ?

5?Art?Blakey?Quintet?A?Night?At?Birdland?vol.amp; 2?Blue?Note?1954?

This is the style of HardBop, The participating musicians are also important figures in HardBop, especially trumpeter Clifford Brown who died young, and his good sound became particularly rare. ?

A must-listen for beginners is "The Rolling Stone Encyclopedia of Jazz Music"?

This album from Rolling Stone is recognized as an introductory album. It contains both first-class jazz songs and famous musicians. Jazz music played by hand and orchestra, each of the 12 tracks on the CD is a classic.

The original singer of "WHAT?A?WONDERFUL?WORLD" is Louis Armstrong, known as the father of jazz. The melody and artistic conception of the song are very outstanding. The singer in this CD has won the Grammy Award. The black female singer Ruth Brown created a beautiful mood for this song. ?

In addition, "FEELINGS", "WHEN?I?FALL?IN?LOVE", etc. are also familiar songs. If we could describe the composition of this album in one word, it would be classic! ?

Pure piano jazz "ONE? ALONE"?

The performer on this album is the famous Dave Brubeck. This white jazz master's playing style is mainly Cool Jazz. Lord. It's very close to the classical piano performance, coupled with the gorgeous ornamentation and creative improvisation, this is what makes this album amazing. In addition, Dave Brubeck is one of the most prolific jazz musicians in history, with over 100 albums to his name. If netizens like his playing style, then another immortal album "Time? Out" is also a must-listen. ?

Alto Saxophone "LUSH? LIFE"?

This record was released by the American Prestige company in 2002, and was limited to only 10,000 copies worldwide, and has passed The Japanese JVC company's K2 mastering processing has made this album a high-quality audition disc for many audiophiles. Only 5 pieces of music are included in the CD. The gorgeous performance allows us to appreciate John Coltrane's amazing creativity and the living body of the saxophone. If there is any regret, it is that John only lived a short 40 years. ?

JAZZ?AT?THE?PAWNSHOP?

The most profound impression of this set of records is that it gives people an immersive feeling, a big city. The feeling of feasting, the smoke in the tavern, and all kinds of people coming in and out are perfectly presented in the music. It is worth mentioning that the HDCD version and XRCD version of this set of records have corrected the problem of unbalanced sound in the past, and have become a music A classic collectible for fans. ?

The rising star "FOURPLAY"?

If netizens listen to the four albums above, they will inevitably leave an impression: outdated. Indeed, many famous jazz masters are far from us today in terms of age and life experience, so it is even more difficult to fully understand their music. However, jazz styles are diverse, and the famous jazz band Fourplay plays a lot of jazz with a modern flavor. ?

This album of the same name was released by Warner Brothers in 1991 and is also Fourplay's first album. This band was founded in 1991. It seems to be a new force, but its members have been famous in the industry for a long time. Bob James is the keyboard player of the band and has a deep foundation in classical music. Lee Ritenour is the spiritual leader of many junior guitar players. Coupled with Harvey Mason's unpredictable jazz drumming and Nathan East's soft and comfortable bass playing, it is not surprising that they are called the "Jazz Foursome" . Later "4", "HEARTFELT", etc. are also perfect works in modern jazz.

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1. Clifford?Brown?All?Stars?

Evaluation: All?Music?Guide?to?Jazz★★★Preferred evaluation?

Factory Brand: EmArcy?

Recording time: Aug?11,?1954-Aug?14,?1954?

Musician: Clifford Brown All Stars?

The talented trumpeter Clifford Brown recorded two long-form recordings of more than 15 minutes with popular West Coast jazz musicians. The fast-tuned "Caravan" has all the musicians taking turns, and the improvisational phrases are performed without any interruption. It is very hot. Miles~~The album also includes Clifford Brown's wonderful three-minute improvised solo clip in "Caravan", which also lets everyone understand what it means to be a "genius trumpeter". ?

2. Keith Jarrett---The Kamp;ouml;ln Concert

Evaluation: All?Music?Guide?to?Jazz★★★★★Excellent Evaluation?

Label: ECM?

Recording time: Jan. 24, 1975?

Musician: Keith Jarrett Piano?

This album The Kamp;ouml;ln?Concert is a must-have classic album for every jazz fan and classical music player. Keith Jarrett perfectly combines the essence of jazz with "improvisation"-Improvisation. Presented to the world. The so-called improvisation here is "complete improvisation", non-traditional jazz improvisation. In other words, before taking the stage, Keith Jarrett's mind was completely blank, and all the melody notes were improvised and imagined. It sounds a little incredible, but Keith Jarrett did it, and he became a family member and created a unique personal charm. ?

3. Lee?Morgan---Lee?Morgan?Vol.3?

Evaluation: All?Music?Guide?to?Jazz★★★★evaluation?

Label: Blue Note

Recording time: Mar 24, 1957

Musician: Lee Morgan Trumpet

Gigi Gryce alto saxophone, flute?

Benny Golson tenor saxophone?

Wynton Kelly piano?

Paul Chambers Bass?

Charlie Persip Drums

The third album recorded by trumpeter Lee Morgan at the age of 18 on the BLUE NOTE record label , the album's tracks are all produced by tenor saxophonist Benny Golson. The classic track "I Remmber Clifford" was played by Lee Morgan, which was quite a tribute to his predecessor Clifford Brown. Perfect trumpet playing skills pushed Lee Morgan to the peak of his life. However, during a live performance, Lee Morgan was shot to death on the stage by his jealous girlfriend. The fate of a genius, in the jazz world, seems to be It's all so miserable.

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Four. Roland?Kirk---?I?Talk?to?the?Spirits?

Evaluation: All?Music?Guide?to?Jazz★★★★Half Rating?

Label: Verve?

Recording time: Sep?16,?1964-Sep?17,?1964?

Musician: Roland? Kirk?Flute, African wooden flute, alto flute?

Bobby?Moses?Violin?

Horace?Parlan?Piano?

Michael?Fleming?Bass ?

Walter?Perkins?Drums?

Crystal-Joy?Albert?Vocals?

The blind wind player Roland Kirk is definitely the most appalling person in the history of music He is a musician who often plays three saxophones at the same time. The instruments he uses range from saxophones, flutes, and various folk wind instruments to music boxes, cuckoo clocks, conches, and flower watering kettles. His strange behavior is bound to misunderstand. Many listeners either think that he is a stunt performer or that his music must be difficult to understand. In fact, for every jazz fan, regardless of the reason for ignoring Roland Kirk, it is a matter of fact. What a pity. ?

This album I?Talk?to?the?Spirits is the only record in which Roland Kirk, one of the best flutists in the history of jazz, plays entirely on the flute. The most amazing thing is that Roland Kirk With avant-garde musical thinking, he tried every possible expression of the flute, while still maintaining the beauty of the music. It may sound weird, but I.Talk?to?the?Spirits is a very complex yet extremely accessible piece of music. ?

5. Herbie?Hancock---Maiden?Voyage?

Evaluation: All?Music?Guide?to?Jazz★★★★★Excellent evaluation?

Label: Blue Note

Recording time: May 17, 1965

Musician: Herbie Hancock Piano

Freddie Hubbard trumpet

George Coleman tenor saxophone

Ron Carter bass

Tony Williams drums In this record, Herbie Hancock, as a creator, orchestra leader and soloist, fully demonstrates his flexible and creative vitality. He and his teammates are willing to take risks, wandering on the edge of experimentation, and the improvised solos are often unpredictable. Strangely enough, the whole piece is harmonious and pleasant to listen to. The first and last songs on the album best demonstrate the wonderful balance achieved by Herbie Hancock and others between boldness and affinity. Herbie Hancock, who didn't use electronic instruments much at that time, already showed attempts at fusion in the album, but the entire record should still be in the Post-Bop style.