The pipa is one of China's traditional musical instruments and plays an important role in Chinese music culture. The prototype of pipa appeared as early as the Qin and Han Dynasties, and by the Wei, Jin and Central Plains, it was still an exotic musical instrument in the Central Plains. By the Tang Dynasty, due to the integration with the lives and culture of the Central Plains people, pipa performance showed strong Central Plains national characteristics, and the playing methods and playing postures also changed greatly.

The integration of pipa and Chinese music culture can be viewed from the following aspects:

First of all, pipa is a fusion of music from different ethnic groups. Pipa is native to India and was later introduced to China and became a part of Chinese music culture. In this process, the pipa absorbed elements of Chinese music and formed a unique playing style.

Secondly, pipa is a historical witness of the blending and common development of different national cultures. The introduction of pipa enabled Chinese musicians and instrument makers to create many new playing techniques and repertoire based on pipa, enriching Chinese music culture.

Thirdly, the pipa also occupies an important position in Chinese literature. Many poets of the Tang Dynasty, such as Bai Juyi, wrote about pipa and its performances. These poems not only described the beautiful tone of pipa, but also expressed the poet's love and praise for the art of pipa.

In general, the integration of pipa and Chinese music culture is an in-depth process. It not only enriches Chinese music culture, but also makes pipa an important symbol of Chinese culture.