Not to brag, not to blame, Goddess Gong’s singing skills are at the top level in China, she is one of the two strongest singers in the academy, and she is one of the two most famous singers in China. Even after Guo Lanying has passed her peak and Li Na has become a monk, she can still be heard. There are not many god-level singers.
In terms of sound penetration, timbre conversion, breath control, vocal cord control, pitch, and intonation, they are all at the highest level in China.
Gong Linna is an academic soprano with ethnic singing style, and has a solid foundation in opera singing. She can maintain her true voice (strong head voice) on the high F super high pitch, and in the song "Little River Flows" The humming part of the chorus of "Water" can use high-quality real voice high D eight beats + transposition under extremely full emotions. This kind of ability is prohibitive for most singers in the Chinese music world.
She specializes in ethnic singing. After getting to know Lao Luo, she began to take the experimental music route. Her voice is extremely contagious and the human voice is instrumental. She provides technical support for her crazy control over various singing styles. , has created a path of new folk music with a strong foundation of opera and folk songs. It is rooted in national music, integrates world music, and can make achievements. This is undoubtedly the level of an artist. The only person in Asia who can rival him in experimental music is Korean jazz singer Na Yoon-sun.
Weaknesses: Too much reliance on ethnic singing methods. The excessively strong head voice and articulation when performing pop music make it difficult for the listening experience of the songs to please the audience who are used to Western pop and bel canto-based singing methods. taste. Moreover, Gong Linna has been on the road of experimental music for too long, and some of her songs are difficult to accept by the general public (but compared with foreign experimental musicians such as Shankou and Diamonda, they are already very close to the people...), in experimental music On the road to success, there will not only be masterpieces like "Uneasy", but also failures like "Fa Hai You Don't Understand Love".
In general, Gong Linna's singing skills are the pinnacle of singing skills in a general sense when making friends with everyone. No matter what the genre of music, singers should be like this - but Gong Linna looks like It's not very often and there is no need to make friends with everyone. The musical path she takes is undoubtedly difficult and not understood. A person who takes one step more than the crowd will be worshiped as a god, but if a person takes 10 steps more than the crowd, most people will be tied to a cross and burned alive as aliens and monsters. Gong Linna is undoubtedly the latter.
Finally, anyone who talks about his singing skills apart from his works is just a hooligan. If you want to have a deeper understanding of his singing skills, you can listen to "Little River Flowing Water" (All-Around Star Wars Edition) and "Lovesickness" (with Portugal Touya). Opera singer chorus version), "Mountain Ghost", "A Long Time Ago", "Search Up and Down", etc.