The method of playing Hulusi is as follows:

1. Single blow. In Bawu playing, or Hulusi playing, the more important organ is the tongue. When you are learning to play each note at home, you can practice your homework by simply speaking.

2. Single vomiting is divided into short vomiting and continuous vomiting. The main characteristics are fast and powerful pronunciation and brisk head movements. When practicing slow breathing, the cooperation of the lips is very important. The requirement for soft spitting is to maintain the duration of the original note, and too much force can be used.

3. Legato, as the name suggests, is to learn to play multiple tones in one breath. When playing tuplet notes, it is generally not possible to breathe. In the special place, pay attention to the side with the ventilation symbol. Hit the sound. Playing music requires you to practice and review the music by yourself. You can find "The Golden Peacock Jumps Gently" to practice. Boeing. Boeing is divided into upper Boeing and lower Boeing.

4. Three vomiting. Follow-up trading is an easy way to understand, and is generally divided into two types: TKT and TTK. It is difficult and requires more practice. Double vomiting. Double spitting is a very difficult advanced technique in Hulusi playing. It is often expressed as TK and requires higher sensitivity to stones. When playing, the strength of T and K should be contrasted. Circular breathing. Circular breathing is a difficult skill in playing bamboo flute and cucurbit flute. This skill of hulusi comes from the flute. This technique is the most difficult in Hulusi.

The introduction of Hulusi is as follows:

The origin of Hulusi can be traced back to the Pre-Qin Dynasty. It was evolved and transformed from Hulusheng. The structure still maintains the legacy of ancient musical instruments.

The two auxiliary pipes have no sound holes, just like the ancient Xiao, and can be used to produce continuous intervals of fifths. However, its main tube has seven sound holes, which are very similar to later flutes and flutes, which also shows its radicalness in history. After the founding of New China, Chinese ethnic music workers have carried out continuous reforms on Hulusi.

According to legend, in the pre-Qin era, there was a village on the banks of the Mengyang River in Lianghe County, Dehong Dai and Jingpo Autonomous Prefecture, Yunnan. Once there was a flash flood, a brave young man from the Dai family picked up a big gourd and braved the stormy waves to rescue his sweetheart. The Buddha was moved by his loyal love and inserted a bamboo tube into the golden gourd and gave it to the brave young man. .

The young man picked up the golden gourd and immediately played a beautiful tune. Suddenly, the weather was calm, flowers were in bloom, and peacocks were in full bloom, all congratulating the newlyweds. Since then, Hulusi has been passed down by the Mengyang Dai people in Lianghe County. The Deang, Jingpo, and Achang people in Lianghe also followed suit, and then spread to the entire Dehong and other ethnic areas, and has been passed down from generation to generation.